Black Tusk are a sludge/metal /hardcore band from the US and this is their sixth album.
Following on from 2018’s TCBT comes The Way Forward, which gives us 36 minutes of material. With a new lineup comes an expanded sound, with now a second guitarist and an extra vocalist, (which brings the total to an impressive four individuals all contributing vocals). Continue reading “Black Tusk – The Way Forward (Review)”
Necrot are a death metal band from the US and this is their third album.
2020’s Mortal was an enjoyable slab of old-school death metal carnage, and now Necrot are back to reap more limbs with the 40-minute Lifeless Birth. It’s a step up a level for Necrot, one you must listen to if you’re a fan of bands such as Gatecreeper, Bolt Thrower, Undeath, Incantation, Blood Red Throne, Autopsy, Grave, Tomb Mold, Outer Heaven, Genocide Pact, etc. Continue reading “Necrot – Lifeless Birth (Review)”
Big | Brave are a doom/drone band from Canada and this is their seventh album.
New Big | Brave, so soon after last year’s Nature Morte? I’ll take it! If you’re unfamiliar with this remarkable band, check out that record immediately, (and 2017’s Ardor), and then dive into the 40 minutes of material we get on A Chaos of Flowers. Continue reading “Big | Brave – A Chaos of Flowers (Review)”
I’ve been listening to both Marduk and Origin for a long, long, long time, but have never seen either of them. Imagine my surprise and excitement then when I saw this show appear on my radar. Scrumptious stuff indeed. Continue reading “Marduk/Origin/Doodswens – Club Academy, Manchester – 16/04/24 (Live Review)”
This is the third album from solo black metal act Selbst, originally from Venezuela, and now Chile.
Following on from 2020’s Relatos de Angustia, Despondency Chord Progressions contains 44 minutes of new material. The artist behind Selbst, (also in Animus Mortis), is aided on this release by the drummer of Aversio Humanitatis/Eternal Storm, and has created something quite special. Continue reading “Selbst – Despondency Chord Progressions (Review)”
This is the sixth album from Polish black metallers Blaze of Perdition.
I enjoyed 2015’s Near Death Revelations, 2017’s Conscious Darkness, and 2020’s The Harrowing of Hearts, so was pleased when Upharsin appeared. Across its 41-minute duration Blaze of Perdition create a withering storm of hostile black metal and ceremonial atmosphere. Continue reading “Blaze of Perdition – Upharsin (Review)”
This is the debut album from German death metallers Mære.
Featuring ex-members of Ingurgitating Oblivion, …And the Universe Keeps Silent contains 37 minutes of lightless dissonant death metal. The promo blurb mentions bands like Gorguts, Incantation, Morbid Angel, Immolation, Replicant, Phobocosm, and Saevus Finis, so this will give you a good idea of where Mære are coming from. Continue reading “Mære – …And the Universe Keeps Silent (Review)”
Dvne are a progressive post-metal band from the UK and this is their third album.
I fell hard for Dvne on their 2017 album Asheran, which they then followed up in 2021 with the critically acclaimed Etemen Ænka. Which brings us to the much-anticipated Voidkind, an album that boasts 58 minutes of new material. Continue reading “Dvne – Voidkind (Review)”
This is the fifteenth album from UK doom metal band My Dying Bride.
A Mortal Binding contains 55 minutes of new music from this legendary act. My Dying Bride have returned with a doom-drenched descent into the abyssal depths of loss and despair. It’s rich in moody darkness, and resplendent with emotive colour. Balancing atmospheric immersion with aggressive melancholy, the songs are captivating examples of a band’s vision expertly rendered. Continue reading “My Dying Bride – A Mortal Binding (Review)”
Uttertomb are a death metal band from Chile and this is their debut album.
Nebulas of Self-Desecration contains 43 minutes of morbid death metal darkness. Manifesting as ancient death metal with a serving of doom horror, if you think of a mix of bands such as Autopsy, Incantation, and Immolation, you’ll have a decent starting point for Uttertomb’s output. Continue reading “Uttertomb – Nebulas of Self-Desecration (Review)”
Wonderbox Metal 