This is the second album from A Secret Revealed, a post-metal band from Germany.
The band’s debut album – 2015’s The Bleakness – was an album that I thoroughly enjoyed and stuck out with its vision of heavy, emotive modern post-metal. Continue reading “A Secret Revealed – Sacrifices (Review)”
From the Vastland is an Iranian/Norwegian black metal band and this is their fifth album.
I enjoyed 2016’s Chamrosh, and Daevayasna provides us with another 47 minutes of classic black metal fury. The artist behind this project is rounded out by a full band for Daevayasna, boasting current and ex-members of Continue reading “From the Vastland – Daevayasna (Review)”
Azaghal are a Finnish black metal band and this is their eleventh album.
It’s been many, many years since I last heard Azaghal. This is definitely my loss, as I was a huge fan of the band at one point. Unfortunately I just lost track of what they were doing, for no particular reason, so it’s great to have the opportunity to catch up with them on their latest release. Continue reading “Azaghal – Valo Pohjoisesta (Review)”
Erlen Meyer are from France and play post-hardcore/metal. This is their second album.
I’ve been looking forward to this release ever since the band’s 2013’s self-titled debut. I managed to catch them live at 2016’s Damnation Festival and interview them too, so this is definitely an album I’ve been awaiting. Continue reading “Erlen Meyer – Sang et Or (Review)”
Desecravity are a Japanese death metal band and this is their third album.
Desecravity play technical death metal that’s ultra-brutal and exceedingly violent, and that’s putting it mildly. Continue reading “Desecravity – Anathema (Review)”
Hekata are a Russian death metal band and this is their debut album.
Hekata play a virulent mix of death metal, black metal, hardcore, crust, and grind. It’s quite the mix, and essentially results in songs that merge these influences into blackened slabs of Scandinavian-influenced deathcrustcore. Or something. You get the idea, I’m sure. Continue reading “Hekata – Ruin (Review)”
Altarage are a Spanish blackened death metal band and this is their third album.
2017’s Endinghent was a contagious plague of ugly blackened dissonance, and The Approaching Roar provides us with a brand new 43 minutes of dark intensity and malignant hatred. Continue reading “Altarage – The Approaching Roar (Review)”
This is the second album from Aver, a progressive stoner rock band from Australia.
Aver play sprawling, spacefaring music that combines stoner and psychedelic influences into a progressive framework. The end result is 51 minutes of material divided into just 5 tracks. Continue reading “Aver – Orbis Majora (Review)”
This is the third album from A Pale Horse Named Death, a Gothic/doom metal band from the US.
Featuring the ex-drummer of both Type O Negative and Life of Agony, When the World Becomes Undone is the band’s latest release after a long wait; their second album came out in 2013. Continue reading “A Pale Horse Named Death – When the World Becomes Undone (Review)”
This is the second album from German doom band Carrion Mother.
On Nothing Remains Carrion Mother are channelling their internal harshness in no uncertain terms. In fact, this has now become external harshness that has spread across four tracks, and lasts 53 minutes. Nothing Remains is a colossal monster of harshness and, well, more harshness. Continue reading “Carrion Mother – Nothing Remains (Review)”
Wonderbox Metal 