Virulent Depravity are a technical death metal band from the US and this is their debut album.
Who doesn’t love some head-turning dizzying techdeath now and again?
Although the album cover Continue reading “Virulent Depravity – Fruit of the Poisoned Tree (Review)”
This is the second album from Reaping Asmodeia, a technical death metal band from the US.
I find it so easy to like this kind of thing. It’s hyper-modern, with withering technicality, hard-as-nails brutality and enough progressive depth to keep things interesting…Reaping Asmodeia have delivered a monster of an album. Continue reading “Reaping Asmodeia – Impuritize (Review)”
Sunless are a progressive death metal band from the US and this is their debut album.
Well, if this isn’t a twisting mass of complex nastiness. Urraca is 44 minutes of progressive/technical death metal full of dissonant, experimental and avant-garde stylings. Continue reading “Sunless – Urraca (Review)”
This is The Ritual Aura’s second album. They are an Australian technical death metal band.
Well, hold on to your hat, because you won’t be expecting this.
The Ritual Aura’s 2015 debut album Laniakea was a favourite of mine. At only 26 minutes in length it was a supremely enjoyable blast of cutting-edge death metal. Tæther is, to say the least, a lot more ambitious, lasting over 70 minutes in length. In many ways this seems like a different band altogether. Continue reading “The Ritual Aura – Tæther (Review)”
Wormhole are a US/international death metal band and this is their debut album.
Featuring two singers, (from Vulvodynia and Engorging the Autopsy), and containing 27 minutes of cutting edge extremity, this is sure to be a hit with any fan of brutal, slamming death metal, especially if you’re looking for more depth than you usually find on such releases. Continue reading “Wormhole – Genesis (Review)”
This is the latest EP from Boreworm, a progressive death metal band from the US.
Sometimes you just know you have to review a release that you come across purely due to the album artwork alone; this is one such release. The cover just grabbed my attention straight away, so I knew I had to listen and absorb the musical contents as soon as I could. Continue reading “Boreworm – Entomophobia (Review)”
Ophidian Spell are a symphonic/melodic death metal band from France and this is their debut album.
Combining aspects of melodic, progressive and symphonic death metal into their delivery, Ophidian Spell offer up the listener a modern blend of these various influences. I can hear aspects of The Faceless, Devin Townsend, In Flames, Emperor/Ihsahn, Ne Obliviscaris, Delain and Septic Flesh in the mix, along with some others. Continue reading “Ophidian Spell – Nux/Hêmera (Review)”
Ulcerate are a death metal band from New Zealand and this is their fifth album.
Ulcerate personify atypical progressive/technical death metal. They incorporate enough other styles and influences to be termed post-death metal in some respects, although they still have the requisite amount of aggression Continue reading “Ulcerate – Shrines of Paralysis (Review)”
Inanimate Existence are a US death metal band and this is their third album.
Starting off softly, with ambient sounds and female vocals, this album is a different beast to the band’s last album A Never Ending Cycle of Atonement. Sure, the band haven’t completely changed, but they’ve definitely progressed a significant amount.
So if you take their Continue reading “Inanimate Existence – Calling from a Dream (Review)”
Axxen Conners are a progressive death metal band from Turkey. This is their debut EP.
This short, sub-13 minute EP is an interesting listen. Professionally recorded with a solid sound, the band effectively showcase their metal vision.
The band play a sort of death metal that has a progressive/melodic edge, with elements of black metal stirred into Continue reading “Axxen Conners – Nowhere to Escape Sins (Review)”
Wonderbox Metal 