Palmer are a post-metal band from Switzerland and this is their third album.
Palmer play contemporary heavy music that takes in elements of metal, sludge, progressive metal, post-metal and post-hardcore into its embrace. These influences manifest in various ways throughout the album, but Continue reading “Palmer – Surrounding the Void (Review)”
This is the second album from Greek sludge/post-metal band Allochiria.
Taking the post-metal holy triumvirate of Isis, Neurosis and Cult of Luna as their base influence, Throes works with this starting point and adds heavier, more aggressive sludge metal elements into the mix. Continue reading “Allochiria – Throes (Review)”
Mord’A’Stigmata are a black metal band from Poland and this is their fourth album.
2013’s Ansia made a very good impression with its expansive take on the genre, while also incorporating post-metal and doom elements into its sound. Continue reading “Mord’A’Stigmata – Hope (Review)”
Into Orbit are a post-metal band from New Zealand. This is their second album.
Unearthing is just over 40 minutes long and combines post-metal/rock, progressive metal/rock, doom, drone and ambient. Continue reading “Into Orbit – Unearthing (Review)”
This is the debut album by Ukrainian doom band Nonsun.
Here we have somewhat of a colossal album. This is 84 minutes of slow, weighty music designed to physically and mentally crush, while transporting the listener to other, bleaker realms. Continue reading “Nonsun – Black Snow Desert (Review)”
[::] are an instrumental post-metal band from Poland. This is their debut album.
Pronounced 4 Dots, the band features an ex-member of the mighty Obscure Sphinx, which immediately made me keen to find out what they had to offer on this release.
The album reveals itself Continue reading “[::]/4 Dots – Aux::in (Review)”
Herem are a sludge metal band from Finland. This is their third album.
Ahh, heavy, sludgy doom. Always a pleasure to make your acquaintance.
Deep deathgrowls are backed up by serrated screams; both are very ably performed and both get the job done nicely. The singer’s voice Continue reading “Herem – III (Review)”
Yes, it’s that time of year again. 2016 has been a phenomenal year in terms of metal releases, and here I’d like to pay tribute to my top 25.
As always, it was very tough to compile this list into any form of decent order, and I’m sure, (again, as always), that if I were to do this again, the list would look quite different.
I’ve limited the list to a mere 25 releases, so there are necessarily sooooo many good ones that have been missed out. Below are a selection of some of my other favourite releases of 2016, all of which made it into some previous version of my top 25 before I settled on the final one – Continue reading “Wonderbox Metal End of Year List – Best Metal of 2016”
This is the debut album by post-metal band Nebulae Come Sweet from Belarus.
Although the band itself consists of three core members, on their debut album they’re joined by a wealth of additional musicians and vocalists, (programming, cello, saxophone, pipe, percussion, synthesizer, violin, choir), as well as guests from Minsk and Moloken. As you might imagine, this allows for a lot of scope and on It Is Not the Night That Covers You they take advantage of this to the fullest. Continue reading “Nebulae Come Sweet – It Is Not the Night That Covers You (Review)”
Worm Ouroborus are a doom band from the US. This is their third album.
Combining doom, dark ambient, Gothic rock, post-metal and neo-folk, Worm Ouroborus are the kind of band that easily stand out from the rest of the herd. This is not typically something you hear every day. Well, unless you listen to them every day from now on, of course. Continue reading “Worm Ouroboros – What Graceless Dawn (Review)”
![[::]/4 Dots – Aux::in (Review)](https://wonderboxmetal.com/wp-content/uploads/2016/12/4-dots.jpg?w=700)
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