This is the second album from Vukari, a post-black metal band from the US.
With such striking album art, my fervent wish was for the album to match the quality of the cover.
My wish was granted.
Vukari play a very modern take on black metal that covers both its atmospheric and post-black metal bases well.
Atmosphere is something that Vukari foster easily, amidst Continue reading “Vukari – Divination (Review)”
Cairiss are an atmospheric/post-black metal band from the UK. This is their debut EP.
Now, here we have something very impressive.
Cairiss’ music is atmospheric metal that takes a good amount of black metal influence but builds on it with post-metal knowledge and application.
The singer has a voice that does the music justice. Her harsh screams are savagery Continue reading “Cairiss – Fall (Review)”
Vow of Thorns are a post-black metal band from Canada, and this is their début album.
This is post-black metal with liberal lashings of the depressive and doom styles, and a taste for the progressive too.
The songs have a depressive black metal feel to them, coming from their general demeanour and the melodies used. Continue reading “Vow of Thorns – Farewell to the Sun (Review)”
This is the fifth album from Todtgelichter, who play progressive/avant-garde black metal.
Rooms comes across as a combination of Enslaved and Madder Mortem, with a side-order of some of Arcturus‘ work. The resultant mix reminds of a post-black metal version of Obscure Sphinx. Which, considering who good Obscure Sphinx are, is an exciting proposition.
The music generally fuses elements of Continue reading “Todtgelichter – Rooms (Review)”
This is the third album from this one-man US atmospheric post-black metal band.
Last year’s Entropy was a jaw-dropping release that was chock-full of atmospheric blackened goodness. It was a highly accomplished album and Elusion continues the theme.
Like Entropy, this is very atmospheric and richly textured music. It has elements of psychedelic, progressive and depressive Black Metal, as well as aspects of doom and post-metal. This all manifests in well-realised songs that follow Continue reading “Echoes of the Moon – Elusion (Review)”
Harrower are from the US and play black metal.
Harrower play a raw form of black metal that occasionally branches out into post-metal waters.
Remembrance sounds cold and sharp, and has a lot more of a raw, underground feeling than a lot of black metal bands that also dabble in post-black metal. I think it works really well, and the sound they Continue reading “Harrower – Remembrance (Review)”
This is the second album from this US atmospheric post-black metal band.
Children of the Iron Age introduced us to Wayfarer’s quality, interesting black metal and was a pretty damn stunning début album in many ways.
Old Souls is not as long as their first album, (18 minutes shorter), but we still get some epic, sprawling tracks.
Wayfarer have a Continue reading “Wayfarer – Old Souls (Review)”
As the name suggests, this is the third album from this Austrian post-black metal band.
Harakiri for the Sky blend resplendent, expansive post-rock/metal with a blackened intensity. The resulting 75 minutes of music on III: Trauma is heavily atmospheric, with a darkened core that screams out in forlorn misery and pain.
There’s an element of the depressive black metal style on this album, but whereas Continue reading “Harakiri for the Sky – III: Trauma (Review)”
Schammasch are a Black Metal band from Switzerland. This is their third album.
Here we have a bold, monster of a release; divided into three parts, each lasting about 35 minutes, the entire body of work clocks in at a massive 105 minutes in length.
Schammasch play forward-thinking music that’s rooted in Black Metal, but also visits other styles such as Doom, Post-Black Metal and Progressive Metal.
This is the début album from Brazilian Post-Black Metal band Solifvgae.
Solifvgae take the harshness of the core of Black Metal and wrap it up in Post-Metal reflection and exploration, making for an album that spreads itself across two worlds, taking in both aspects in equal measure. It’s almost a band of two parts, as the heavy bits are sharp and concise, while the more progressive/exploratory sections are wandering and expansive.
Wonderbox Metal 