Melodic Black Metal – Page 22

Interview with Uhtcearu

Are you a fan of melodic black metal? Do you crave darkness in your music, but still like some vibrant and addictive streaks of colour amidst the blackness? If the answer is yes, then you could do a whole lot worse than checking out Uhtcearu’s début album The Plight of Wanderers. Zach Ostrowski, (bass/vocals), took time out from weaving dark magics to give us a bit more info on this US band…

What are your influences?

We have a ton of influences that range musically from death and black metal to genres of classic rock, fusion, jazz, and prog.

Name five things you’ve listened to recently that you’d recommend

Here are 5 bands:
Northless – https://northless.bandcamp.com
Vukari – https://vukari.bandcamp.com
Capture the Sun – http://music.capturethesunband.com
Vow of Thorns – https://vowofthorns.bandcamp.com
Hot Coffin – https://hotcoffin.bandcamp.com

Honorable Mention – Mgla – https://no-solace.bandcamp.com Continue reading “Interview with Uhtcearu”

Uhtcearu – The Plight of Wanderers (Review)

Uhtcearu are a melodic black metal band from the US. This is their début album.

The production on The Plight of Wanderers is enough to turn blood to pure ice. It’s the perfect kind of recording that allows for that intimate sense of frozen fragility and icy winds to permeate every fibre of your being, while at the same time retaining enough clarity and power to showcase the band in the best darkened light. Also, the bass can be heard. Bonus. Continue reading “Uhtcearu – The Plight of Wanderers (Review)”

Sulphur – Omens of Doom (Review)

This is the third album from Norwegian black metallers Sulphur.

Here we have an interesting release that combines a few different things into one. Omens of Doom is black metal that adds progressive, sometimes quirky, layers onto the razor-sharp modern style that it employs. Some elements of death metal and the avant-garde get a look in too, all incorporated into the comprehensive song structures.

Continue reading “Sulphur – Omens of Doom (Review)”

Winterhorde – Maestro (Review)

This is the third album from Israeli melodic/progressive Black Metallers Winterhorde.

Winterhorde use melodic Black Metal as a base to launch their epic brand of music from. On this base, they build firm structures of progressive Metal and symphonic/orchestral enhancements, all of which work together to produce Maestro, an Extreme Metal extravaganza.

If you combine elements of Black Metal with bands like Dimmu Borgir, Borknagar, Vintersorg, Arcturus and Nevermore, you’ll have a good idea of where Winterhorde are coming from. Continue reading “Winterhorde – Maestro (Review)”

Krigsgrav – Waves of Degradation (Review)

Krigsgrav are a Black Metal band from the US and this is their fourth album.

This is long and expansive Black Metal with a melodic edge. It’s vibrant and exploratory without losing focus and across these lengthy tracks the band take the time to unfold their vision of what Black Metal should look, feel and sound like in 2016.

If you take the depressive core of a band like Forgotten Tomb and add some Post-Black Metal influences, then you’ll be in the right area of where Krigsgrav lurk. Elements of depressive and melodic Black Metal round this out, as well as some aspects of funeral Doom.

With a decent recording the band’s compositions take on a dark life of their own. All of the instruments sound clear and precise, and I always like an album that you can hear the bass on, especially when it makes a valid and noticeable contribution to the music.

Additional instrumentation appears here and there, adding extra tools to the band’s repertoire and deepening the depths of sound that they create.

The vocals are notably impressive; ragged screams that sound like the singer is ripping his throat out are enhanced by the occasional deeper growl and some powerful cleans.

The songs describe harrowing tales of misery and hopelessness, set against a backdrop of just enough light and possibility so as to make the dark atmospheres all the worse. The mixture of lighter sections and heavier, blackened distortion work well and the build/release Post-Metal mechanic is used effectively in a Post-Black Metal environment.

Waves of Degradation is an impressive listen and has more than enough content to compel you to visit it again and again.

Recommended.

Fimbulvinter – Начертаны Резы Древних Заклятий (Review)

Fimbulvinter are a Russian Black Metal band. This is their début album.

Fimbulvinter’s Black Metal is thoroughly of the old-school, so much so that it even contains a relatively high proportion of proto-Black Metal in the form of more classic-era Metal riffs and licks, including leads and solos.

There’s a pagan feel to some of the guitars and the band successfully capture the original Scandinavian style while also infusing the music with other elements. Infectious riffs from even earlier times are frequent additions and there’s enough of a melodic edge through the leads to grab the attention.

The songwriting is really strong and the band’s grasp of dynamics and pacing is good. These songs are exactly that; songs. Coupled with the highly enjoyable leads and the well-considered rhythm guitars, Начертаны Резы Древних Заклятий aptly demonstrates the band’s considerable talent in writing tracks that are actually quite catchy and memorable.

Screamed vocals make up the bulk of the release, but growls also appear on occasion adding that little bit extra variety and interest.

At only 36 minutes in length Начертаны Резы Древних Заклятий doesn’t outstay its welcome; in fact it leaves you hungry for more. The Metal leads, blackened guitars, solid riffs and rasping hatred that flow easily from the band make this album an extremely enjoyable listen.

Definitely one not to overlook. Very highly recommended.

Morth – Towards the Endless Path (Review)

Morth is a one-man Black Metal band from Bulgaria. This is his début album.

This album has plenty of occult melodies for the listener to enjoy. Sometimes these melodies can seem quite jaunty or folksy, which is a nice touch among the overall darkened vibes that Morth creates.

The long songs have an epic feel and there’s plenty of atmosphere to soak up here. The music is expansive and seems to revel in a certain primitive sophistication that some of the early Black Metal bands found themselves experimenting with. It’s the kind of music that makes me feel nostalgic and never fails to raise a grim smile.

Synths and keyboards are never too far from the action, wrapping the twisting melodies in their dark embrace.

Vocally we get trademark Black Metal croaking screams that fit the music perfectly. These vocals are absolutely of the classic style and go hand in hand with the classic atmospheric music.

This is well-constructed atmospheric Black Metal with a nice line in melodies and uplifting leads and synths.

Very enjoyable.

Frozen Ocean – The Prowess of Dormition (Review)

Frozen Ocean is a one-man Russian Melodic/Atmospheric Black Metal band and this is his latest EP.

Frozen Ocean return with more wonderfully melodic Black Metal that creates plenty of atmosphere. I have previously reviewed The Dyson Swarm, so this new release was most welcome.

This is mellifluous, melodic music that’s enhanced by keyboards to greater heights of atmosphere and mood. The feeling, for me, is very much one of following in the great Windir’s footsteps,

Vocals are deeper screams than are normally associated with the style, giving the polished, shiny music a rougher edge of aggression that suits it.

Grand, epic and richly melodic, (have I mentioned that?), this is a very enjoyable EP that it’s easy to like.

Check it out.

Windfaerer – Tenebrosum (Review)

Windfaerer are a Black metal band from the US. This is their second album.

Windfaerer have a Black Metal base which they build on with Melodic Death Metal and Folk-style influences. Their Folky Black Metal vibes are melodically fluid and have an added bite via their Melodic Death Metal influences.

Sharp and streamline, these songs create atmosphere via a variety of delivery methods; whether that be through fast guitars and relentless drums, dual guitars that are subsumed into the Melodic Death/Black easily, or slower, more evocative sections.

Added to all of this is a violin that speaks of the band’s Folk influences and the overall melancholic atmosphere that Windfaerer foster through the faster sections as well as more reflective, slower parts.

These songs are both familiar and friendly; it’s a joyful listening experience, despite some of the darker atmospheres that infuse the music, and it’s one that’s easy to digest and enjoy. These seven tracks are well-paced and well-judged, delivering just the right amount of diversity to hold the interest while remaining cohesive overall.

Windfaerer have produced a strong album that’s a recommended listen for anyone who likes a bit of Melodic Black/Death Metal with some nicely-played violin.

Against the Plagues – Purified Through Devastation (Review)

Against the Plagues are a US Death Metal band and this is their third album.

Featuring a crushing and professional sound, Against the Plagues play Death Metal mixed with lashings of Melodic Black Metal.

Deep growls and higher screams are the singer’s weapons of choice, with both sounding feral and full of hatred.

The band manage to take the savagery of Death Metal and infuse it with the melodic poison of Black Metal’s dark soul. This mixture means that Purified Through Devastation contains a good deal of catchy and memorable content. It’s not all blasting and brutality, (although they’re quite adept at that too), and these songs have quite a bit of atmosphere when they want to. Think a combination of Immolation, Morbid Angel and The Kennedy Veil crossed with Dimmu Borgir.

The muscular sound backs up the innate strength of the songs and subtle keyboards add a nuanced juxtaposition against the bare brutality of the drums and aggressive riffs. Mood and feeling is created with melodic workouts and the band can get quite martial and epic in scope on occasion.

It’s a modern take on Blackened Death Metal that sees the band highlighting the glossier, state-of-the-art side of both genres, resulting in a well-polished album that is also very well crafted. The band clearly know what they do and do it well. As Extreme Metal goes in 2015, this is a definite winner in my book.

This is an album that spits venom and fire, one that I’m more than happy to visit again and again. I suggest you do too.