This is the second album from UK doom/drone band Bismuth.
Ever since first hearing The Eternal Marshes I’ve been a fan of what Bismuth do. Over the years they’ve continued to develop their bass-drum-synth-low-end-heavy-doom-assault-on-the-senses approach to music. Every release essentially sees them rising to new heights of both extremity and nuance, and this has now culminated in this new colossal album. Continue reading “Bismuth – The Slow Dying of the Great Barrier Reef (Review)”
This is the latest album from US drone/noise band Clawing
I like Clawing. I mean, in the way that I like getting my eyes scratched out. This is a deeply unpleasant band producing deeply unpleasant music. As I’m sure I’ve stated previously, this is not normally my kind of thing. Noise/drone Continue reading “Clawing – Labour (Review)”
Megaton Leviathan are a US psychedelic rock/doom band, and this is their third album.
Now here’s a band that have flowered quite impressively since their already very accomplished 2014 album Past 21: Beyond the Arctic Cell. Boasting new members, new instrumentation, and an enriched direction, Mage is indebted to the band’s past, while being unconstrained by it. Continue reading “Megaton Leviathan – Mage (Review)”
This is the debut album from Jesus Piece, a hardcore band from the US.
Only Self opens up a world of expressive violence with 29 minutes of aggressive hardcore tinged with experimental elements. Continue reading “Jesus Piece – Only Self (Review)”
Clawing are from the US and Offerbeest is a one man project from the Netherlands. Together they have birthed this monstrosity made of noise, ambient, experimental, and drone components.
A word of warning – this is not a pleasant listen. Continue at your peril. Continue reading “Clawing/Offerbeest – Split (Review)”
Bodies on Everest are from the UK and this is their second album. They play noise/sludge/doom/drone.
Noise/sludge/doom/drone you say? Yep, with A National Day of Mourning Bodies on Everest combine these elements into an ugly monster of an album. Across 66 minutes of disturbed, warped material, the band bring their twisted nighmarescapes to terrifying life. Continue reading “Bodies on Everest – A National Day of Mourning (Review)”
Abstracter are a blackened doom band from the US and this is their third album.
Abstracter are firm favourites here at Wonderbox Metal. Make sure you check out Tomb of Feathers, Wound Empire, and their split with Dark Circles. Continue reading “Abstracter – Cinereous Incarnate (Review)”
Morag Tong are a UK doom band, and this is their debut album.
Here we have 48 minutes of material from exploratory doomsters Morag Tong.
Last Knell of Om is an expansive and compelling listen, riven with huge slow guitars and imbued with a keen spacial awareness. It’s Continue reading “Morag Tong – Last Knell of Om (Review)”
Ommadon are a doom/drone band from the UK and this is their sixth album.
We’ve encountered Ommadon before with the massive V, but it’s been a while since I’ve had a chance to catch up with their immersive take on doom. Continue reading “Ommadon – End Times (Review)”
CHRCH are a doom/sludge band from the US and this is their second album.
My first encounter with CHRCH was on their split with Fister. I think you can safely say that I fell in love with them at that point, so it’s very exciting that their latest full length release is now here with a new 47 minutes of material for me to get lost in. Continue reading “CHRCH – Light Will Consume Us All (Review)”
