Bell Witch are a doom band from the US and this is their third album.
My my, what do we have here? One single colossally sprawling slab of grim funeral doom that lasts a monolithic 83 minutes? Yes please! Continue reading “Bell Witch – Mirror Reaper (Review)”
Promethean Misery is a one-woman project playing atmospheric and doom metal-influenced neo-classical music.
After her extremely impressive and enjoyable Bloodlet EP from earlier in the year, this new album contains more alluring, dark, and wonderfully-realised music. Continue reading “Promethean Misery – Ghosts (Review)”
This is the third album from US experimental doom band Gnaw.
Featuring the inimitable vocals of the singer that graced Khanate with his serrated, searing voice, 2013’s Horrible Chamber was a must-listen record as soon as I knew it was available. It’s been a long four years, but now we finally have the follow up in Cutting Pieces. Continue reading “Gnaw – Cutting Pieces (Review)”
Pesthammer are a German funeral doom band and this is their debut release.
Now this is the stuff. I find it incredibly hard to dislike something like Trumpets of Dawn. All together now – DOOOOOOOOOOOOM! Continue reading “Pesthammer – Trumpets of Dawn (Review)”
This is the second album from Jupiterian, a Brazilian atmospheric doom/sludge band.
Offering a beguiling mixture of oppressive darkness and vivid resplendent beauty, Jupiterian weave their textured sound around a core of intensity that sees this album be as compelling as it is affecting. Continue reading “Jupiterian – Terraforming (Review)”
This is the eighth album from Ukrainian one-man black metal band Raventale.
Planetarium contains four songs spread out over 39 minutes. It’s atmospheric black metal that’s dark, affecting, and highly engaging. Continue reading “Raventale – Planetarium (Review)”
This is the fourth album from Process of Guilt, a doom/sludge band from Portugal.
We’ve met Process of Guilt before on their split with Rorcal. This was a very favourable meeting, and sets the scene nicely for Black Earth. Continue reading “Process of Guilt – Black Earth (Review)”
Year of the Cobra are a doom metal band from the US and this is their latest EP.
Year of the Cobra’s debut album …in the Shadows Below was 44 minutes of guitarless drum and bass doom, the likes of which would be extremely satisfying in its own right, but with the added sultry crooning of their impressive singer, it just ascended to even greater heights. Continue reading “Year of the Cobra – Burn Your Dead (Review)”
This is the ninth album from Forgotten Tomb, an Italian black/doom/sludge metal band.
I do have a particular fondness for Forgotten Tomb. Over the years they have morphed from depressive black metal into some form of reeking, hideous piece of blackened sludge nastiness. They’ve reached the point now on We Owe You Nothing that they’ve just thrown everything that they like about darkness and hatred into 42 minutes of blackened sludge doom. Continue reading “Forgotten Tomb – We Owe You Nothing (Review)”
Amenra are a doom/post-metal band from Belgium and this is their sixth album.
The music on this album is colossal and when it’s playing seems to envelop the world. This is a band that manage to channel their emotions into long songs of harrowing, oppressive music that still manages to retain both subtlety and nuance when it needs to. Continue reading “Amenra – Mass VI (Review)”
Wonderbox Metal 