Metal – Page 87 – Wonderbox Metal

Greensleeves – Inertial Frames (Review)

Greensleeves are a Brazilian Progressive Metal band and this is their second album.

This is quality Progressive Metal with a proper Metal edge. The band aren’t afraid of being a bit heavier than the norm and the songs make the most of this, mixing the forthright nature of Metal with the wandering, exploratory Progressive edge of the style.

If you like bands such as Dream Theater, Threshold, Pagan’s Mind and Nevermore then Greensleeves should be your thing too.

The singer has a really, really good voice; coming off somewhere between the singers of Pagan’s Mind and Nevermore his voice rises to the challenge again and again. Frequently the weakest link in bands such as this is the singer and I’m very pleased to say that isn’t the case here.

The songs are very well played, as you would expect for a band in this genre, and there are plenty of leads and solos to satisfy. I should compliment the chunky rhythms also; as mentioned previously they’re heavier for the norm and certainly bring out the Metal aspect of their sound.

Decent melodies and layered harmonies combine with thick guitars and melodic know-how to create exemplars of the style.

There are 12 tracks in total and they’re all composed so that the album as a whole is a very good listen. At over 72 minutes in length it’s a long listen but one that’s very rewarding.

I’ve really enjoyed listening to this and will continue to do so again and again in the future.

Definitely one to check out for your next Progressive Metal fix.

Cold Snap – World War 3 (Review)

Cold Snap are from Croatia and this is their third album. They play Modern Metal.

World War 3 is a surprisingly varied album for what it is. I was expecting a straight Metalcore band for some reason, and although they have this side to them there’s more to Cold Snap than just this.

Mix Metalcore with a bit of Nu-Metal and you’ll have an idea of what Cold Snap are attempting here. Elements of Korn, Disturbed, Slipknot and Machine Head can be heard.

After Nu-Metal effectively stopped existing, (as far as I am concerned), a very long time ago it’s actually quite refreshing to hear something like this again, especially when it’s actually done quite well and without the majority of the generic nonsense that plagued the style.

So as I was saying; Cold Snap have a fair degree of variety in their sound and don’t simply repeat the same formula every song. Similarities exist between tracks of course, as is the same for most bands who play one style, but within their chosen framework they do attempt to mix it up a bit.

The singer has a decent voice and doesn’t fall too foul of the various vocal pit-falls that this style can have. Overall he gives a good performance.

The band are at their best when they let the Euro-Metal influences come to the front. Sections of some of the songs have influences from bands like Nevermore, Darkane and Soilwork, and these are the most enjoyable parts for me.

It’s quite a nostalgic listen in some ways; it’s a familiar style but without being overly so, probably because I haven’t really listened to anything like this in a while. If World War 3 had come out about 15 years ago Cold Snap probably would have been quite big.

If Nu-Metal is a best-forgotten nightmare for you then this will probably not float your boat, but if you want to hear a modern take on it with a beefy, professional production then check out Cold Snap and see what you think.

For myself, this has definitely grown on me and I’ll be spinning this again in the future.

Kouzin Bedlam – Longing for the Incomplete (Review)

Kouzin Bedlam are a Finnish Heavy Metal band and this is their début album.

This is expressive Heavy Metal that’s enhanced with keyboards as well as some Progressive Metal and Power Metal streaks.

Their sound is a very enticing one that mixes elements of bands like Queensrÿche, Iron Maiden, Kamelot and Queen. It’s very listenable and has instant character and appeal.

Longing for the Incomplete is a very strong collection of songs. The band know how to play and everything comes off silky smooth and ultra-polished, but with the important accolade of not losing the band any of their life or colour.

The music is textured, rich and involving. There are lots of hooks and bucketloads of catchiness. The songs have memorable melodies and tunes as well as many interesting ideas and a great deal of variety.

All in all these songs are ridiculously good! In some ways it’s hard to believe that this is a just a début album as the level of songwriting here is stellar.

The singer has a great voice that’s capable of dealing with anything that’s required of it. Pretty much any style is within his range and his performance on this album is staggeringly good.

When this style of Metal is done well it takes me back to when I was getting into music for the first time and everything seemed so exciting and new. Kouzin Bedlam fill me with the same kind of feeling; not so much because of nostalgia, but just because of how damn good this is!

This puts me in mind of Trinity Road by All Seeing Eyes; Kouzin Bedlam don’t particularly sound like All Seeing Eyes, but the comparison is apt as both bands have recently released a pure blinder of an album. Had I listened to this album earlier then it definitely would have featured in my 2014 end of year list.

What a great album by a great band. Essential listening.

Trial – Vessel (Review)

Trial are a Swedish Heavy Metal band and this is their second album.

Trial play Classic Heavy Metal full of songs and steel.

The vocals are melodically clean and employ some very nice harmonies. The singer belts out the tunes with power and class. I really like his voice.

The songs on Vessel are very well written and performed. Trial are a clearly a professional band with a high quality threshold. These tracks are memorable even on their first spin and subsequent listens really allow them to get under your skin.

Trial have elements of Epic Heavy Metal, which comes out in the longer length of some of their tracks, as well as a slight Traditional Doom Metal feel to some parts of the songs.

There’s a good amount of variety on this album and the band show they have what it takes to produce enjoyable songs no matter what tempo they play.

Each song has a lot of content and there’s no filler to be found at all. They save the best track for last with the 13 minute epic Restless Blood. Quality.

The production is modern enough to be crisp and punchy but warm enough to not rob the band of any of their heart.

Trial are at that perfect sweet spot between old and new, giving them a timeless air. This is Heavy Metal as it should be played in 2015.

Vessel is a really enjoyable Metal album and I definitely recommend getting your hands on it.

Letallis – Resonate (Review)

Letallis are from the US and play Progressive/Melodic Death Metal. This is their second album.

Originally a full band; for this release everything was performed by just one person, showing a large amount of talent in doing so.

Scandinavian Melodeath is the main point of comparison for Letallis, as well as a smidgen of Metalcore and a pinch of Modern Death Metal. Imagine a band like Lamb of God with a higher level of musicianship and Progressive Metal tendencies.

Vocals occasionally venture into the territory of screams but are largely deeper affairs that aren’t quite full growls, more like guttural shouts. Clean vocals do appear but these are a rarity.

The songs are very guitar-oriented, heavy on the leads, solos and melodics. Good riffs are frequent and the direct Melodeath-influence merges with Progressive Metal tendencies to create a long, ambitious album, totalling 68 minutes of music.

I have enjoyed this. It veers into the more commercial end of this style of music without going too far into that territory as some of the originators/followers of the Melodic Death Metal style have done. Resonate is further saved from this error by the incorporation of the Progressive Metal elements which give the songs more depth and longevity than they would otherwise have if they were absent.

For fans of Lamb of God, In Flames, Dark Tranquillity, etc.

White Arms of Athena – White Arms of Athena (Review)

White Arms of Athena are from the US and play Technical/Progressive Metal. This is their second album.

The album starts with harmonies upon harmonies. From here, the band launch their brand of Metal and the album as a whole shows that White Arms of Athena are nothing if not interesting and varied.

This is technically-minded, expressive Progressive Metal that has a distinct personality all of its own and a will to deliver the goods. The band clearly know how to play but they also know how to write; these are songs first, and ones that are distinctly above-average at that.

There’s a lot going on here. The songs are complex and engaging with depth, creativity and longevity stamped into them.

If you take the less extreme/chaotic parts of The Dillinger Escape Plan/Between the Buried and Me and add a plethora of Progressive Metal and Post-Metal influences then you might start to have an idea of the treasure trove of delights that this album holds.

Plenty of ideas and interesting enhancements are included in these songs. Ambient/Drone sections, Psychedelia, heavy riffs, technical wizardry, atmospheric build-ups; White Arms of Athena use all of these tools and more to create impressive soundscapes filled with moving music.

The singer has a charismatic voice that’s somewhat stony in flavour and very emotive. The vocals are very assured and confident and do a great job of providing colour and nuance to music that’s already very coloured and nuanced in its own right. The term rich tapestry could have been coined for White Arms of Athena.

Shockingly good and dangerously individual, this is an album to threaten the average band’s mediocrity. White Arms of Athena have raised the bar with this album. You’d better pick this up immediately.

Vihaan – Invicta (Review)

Vihaan are from the US and this is their début album. They play Progressive Metal.

Vihaan combine Progressive Rock, Metal and Jazzy technicality into 48 minutes of listening pleasure.

This is a band who aren’t afraid to embrace the Metal side of their sound, so as well as their expressive Progressive music and the exploratory Rock we also get heaviness and deep vocals.

As you would expect of a band like this, the music is first rate. Everything is clear and played well; even the bass is audible and makes a valuable contribution to the songs.

Vihaan have struck the perfect balance between complex technicality and accessibility. Think Opeth meets Between the Buried and Me.

These tracks are artfully composed and have enough variety and interest to engage for the full listening time. The fact that they have a firm Metal base means they never go wandering too far into experimental territories and the integrity of the song is always kept intact.

Added effects and sounds complement the base collection of instruments well. This gives each song an added flavour. Inflection has a part near the end, for example, that sounds really 70’s Prog sci-fi. It’s enough to make my hairs stand on end!

This is a very accomplished and enjoyable album. It’s full of rich textures and has a refined palette. A highly recommended listen.

Repulsor – Trapped in a Nightmare (Review)

Repulsor are from Poland and play Thrash Metal. This is their début EP.

This EP is a little over 21 minutes long and Repulsor make every second count. This is high speed, high aggression Thrash.

A good sound means that the band make the most of the time given to impress. This is Old-School Thrash Metal that would have been comfortably at home in the 80’s.

Megadeth are the most obvious reference point, although splashes of Testament and Exodus are also to be heard.

The band play the music well and the tracks are nicely written. The guitars are a particular high point and there are some tasty riffs thrown out, especially on R.M.D.H.

I still feel kind of saturated on Thrash Metal at the moment, but that’s not to say I didn’t enjoy this; Repulsor have enough talent to be eminently listenable and Trapped in a Nightmare is anything but nightmarish.

Overall, I’d say good work. A nice sound, good solos and some catchy songs mean Repulsor are welcome to visit any time they like. Good band logo too.

Give them a listen.

All Seeing Eyes – Trinity Road (Review)

All Seeing Eyes are a Power Metal band from the UK and this is their début album.

Well this is a whopper. 18 tracks, 1 hour and 48 minutes of music. So prepare yourself; get some snacks and disconnect all lines to the outside world. When you’re ready, press play…

First thing’s first – this is a band put together by the main chap from Neverworld, and if you enjoyed their spectacular début, (go get it now), then you’ll already have a good idea of the quality that you’ll find in All Seeing Eyes.

This is a very ambitious album, and one that could have fallen short of expectations if it wasn’t for the stunning musicianship on display and the advanced level of songwriting the band show.

This is a very strong collection of songs, something that’s a hard enough feat to attain if you’re doing a normal album, let alone what is essentially two in one go.

The flashy playing, complex guitarwork, swathes of keyboards, etc. only add sparkle and glamour to the tracks rather than deflecting form their quality in any way. This is clearly the work of musicians who are confident in their ability to deliver the goods.

For such a long playing time I’m very pleased to say that the band never sound stale, repetitive or samey. Everything they do fits within the Power/Heavy Metal framework, but within this framework there is a lot of variety and all of it is pulled off seemingly with ease. Oh I’m well aware that countless hours of preparation, writing, practice, rehearsals, etc. must have gone into the making of this album, but when you listen to the finished product…it just sounds effortless.

Some of the melodies on this album go beyond hooks and catchiness…captivating would be a very good word. I’ve said before that a good singer can make or break a band, and All Seeing Eyes have a great singer. This frees up the rest of the band to be able to play some mesmerising Power Metal with full knowledge that whatever they do the vocals have the strength to match up to it.

This is an album full of top guitarwork, be that solos, leads, acoustic parts or just plain solid rhythms; it’s all polished to a high degree but not so much that it doesn’t drip with emotion. A hard balance to strike but again, seemingly effortless in this instance.

The abundant and omnipresent keyboards could easily sound smothering in lesser hands; as it is though they simply complement, enhance and merge with the rest of the music to create a fluid whole.

If this sounds like an overly positive review, that’s because it is. Trinity Road is so far beyond what most bands are capable of it’s almost embarrassing. The feeling when you hear such a good Power Metal album like this…almost nothing can top it.

This is a stunning album and I absolutely love it. What more can I say?

Confident, emotive Power Metal never sounded so good.

Alkira – Juggernaut (Review)

Alkira are an Australian Thrash Metal band. This is their début album.

The album starts off unexpectedly, with a 2 minute instrumental that gently builds and sounds more in-line with a Progressive Metal band. The next song brings the Thrash so hard and heavy though it’s straight into the meat of things.

Taking their cues from the harsher side of Thrash, there’s no retro, humorous nonsense here; this is Thrash Metal to kill to.

If you’re a fan of Kreator, Slayer and Sepultura’s brand of Thrash, (and who isn’t?), then Alkira should scratch that itch for you.

Sharp riffs and jagged guitars infest the songs. Old-School Thrash Metal has rarely sounded so barbed. A meaty production rounds off the package.

The songs are well written and the longer nature of some of the tracks allows the band to fully explore their chosen style. Tasty solos, solid drumming and vocals that sound like lacerations make for an engaging listen.

There are 11 tracks, including a good Sepultura cover. All in all, 57 minutes of Metal. I can imagine this band being amazing live.

If you’re tired of bands taking the stupid route to this style of music and yearn for some good, old-fashioned, honest, killer-Thrash; look no further than Alkira.