Fractal Cypher – The Human Paradox (Review)

Fractal CypherThis is the debut album by Canadian progressive metal band Fractal Cypher.

I confess, I was drawn to this album by the cover artwork, which is the reason I decided to listen to it. Not that there’s anything wrong with that, but in today’s digital age it’s worth noting that album artwork is still important, at least in my eyes.

So what of the music? Well, Fractal Cypher play modern progressive metal with ample keyboard enhancements and a Continue reading “Fractal Cypher – The Human Paradox (Review)”

Mindkult – Witch’s Oath (Review)

MindkultThis is the debut EP from Mindcult, a one-man doom metal band from the US.

This is fuzzy doom rock with an addictive edge that lures the listener in, seductively, with wily allure.

A large part of this is down to the singer’s voice, which Continue reading “Mindkult – Witch’s Oath (Review)”

Insomnium – Winter’s Gate (Review)

InsomniumInsomnium are a melodic death metal band from Finland and this is their Seventh album.

I do like it when a band gives free rein to their epic, exploratory side and decides to write a really, really long song. Welcome to Winter’s Gate. This album consists of one track that lasts a full 40 minutes in length.

With a concept that’s based around a short story, the band weave this tale into the fabric of the music, taking the listener on a textured journey into unexplored lands. Continue reading “Insomnium – Winter’s Gate (Review)”

Witchskull – The Vast Electric Dark (Review)

WitchskullWitchskull are from Australia and play heavy/stoner metal. This is their debut album.

With attitude and a confident swagger, Witchskull waste no time in firmly making their mark with their stoner-esque take on desert metal. Continue reading “Witchskull – The Vast Electric Dark (Review)”

Kontagion – [R-!-E]lentless (Review)

KontagionThis is the second album from Polish industrial metal band Kontagion.

Kontagion play industrial-tinged cybermetal, taking influence from the earlier of strains of the Fear Factory virus, and morphing itself into an altogether darker and more feral breed via some early Slipknot/Mushroomhead influences and a touch of Godflesh, (of which there’s a cover version here of Crush My Soul).

This really does have a late 90s/early 00s feel Continue reading “Kontagion – [R-!-E]lentless (Review)”

Delain – Moonbathers (Review)

DelainDelain are a symphonic metal band from The Netherlands and this is their fifth album.

Delain are one of those bands that I feel I should have heard a long time ago, but Moonbathers is actually my first encounter with the band’s material.

Within Temptation and Nightwish are the obvious reference points for a band like this, and Continue reading “Delain – Moonbathers (Review)”

Devil Gone Public – Smokehound (Review)

Devil Gone PublicThis is the debut album from US metal band Devil Gone Public.

Devil Gone Public play stoner/groove metal with a Southern flavour. Imagine a mix of Orange Goblin, Lamb of God, Red Fang, Black Tusk, Mastodon, Corrosion of Conformity and Down – this should give you a good starting point for what Devil Gone Public sound like.

The songs Continue reading “Devil Gone Public – Smokehound (Review)”

Subliminal Fear – Escape from Leviathan (Review)

Subliminal FearThis is the third album from Subliminal Fear, an Italian metal band.

This is modern metal that takes its primary influences from a combination of the cybermetal styles, (Fear Factory, Mnemic), and melodic groove metal, (Soilwork, In Flames, etc.), alongside a pinch of djent and industrial.

With this in mind, the band operate in the more commercial realm of the style, rather than on the heavier end as some bands do when incorporating these influences, (for the most part at least; that’s not to say the band can’t be heavy or more extreme when they want to). The songs work well in this context though, with the band’s clean vocal harmonies being Continue reading “Subliminal Fear – Escape from Leviathan (Review)”

Forty Winters – Rotting Empire (Review)

Forty WintersThis is the second album from US metalcore band Forty Winters.

This is metalcore in its original, hard-as-nails metallic hardcore incarnation, before the advent of sing-along choruses and radio-friendly unit shifters. Forty Winters mean business, and they’re here to stomp all over your breakfast.

This is angry music for angry people doing angry things. If you get off on bands like Hatebreed, Himsa, Thy Art Is Murder, Suicide Silence, Walls of Jericho, Darkest Hour and the like, then this should be Continue reading “Forty Winters – Rotting Empire (Review)”