This is the third album by Norwegian mathcore band Agabas.
How could you not see a band described in the promo blurb as a “brutal heavy deathjazz metal/mathcore quintet” and not want to check them out? Although, I note in the band pics there’s six people, so no idea what that’s about. Regardless, Hard Anger is a 36-minute melting pot of ideas and influences, so strap in tight and get ready for mayhem. Continue reading “Agabas – Hard Anger (Review)”
This is the third album from US hardcore band The Callous Daoboys.
Full of genre-splicing, creative sounds, and adventurous ideas, I Don’t Want to See You in Heaven is a 57-minute embarrassment of riches. It’s a diverse record, ripe with captivating riffs, reflective introspection, huge breakdowns, pop hooks, and much else. Continue reading “The Callous Daoboys – I Don’t Want to See You in Heaven (Review)”
Eyes are a hardcore band from Denmark and this is their third album.
Throwing together noise rock and metal into a hardcore melting pot, Eyes have produced the 24-minute Spinner. Brought to us by members of the mighty LLNN, Spinner is the sort of album that’s an immensely fun and satisfying listen. Continue reading “Eyes – Spinner (Review)”
Unfleshing are a blackened crust band from the US and this is their debut album.
Violent Reason is a 25-minute snarling monstrosity of black metal, hardcore, crust, and grindcore. Unfleshing’s debut record is a beast. Continue reading “Unfleshing – Violent Reason (Review)”
Grief Ritual are hardcore band from the UK and this is their debut album.
Collapse features 40 minutes of raging hybrid hardcore. It’s fierce, unforgiving, and colossally heavy. Grief Ritual are here to punish the listener, so prepare yourself for a pummelling. Continue reading “Grief Ritual – Collapse (Review)”
This is the debut album from UK post-hardcore band Hidden Mothers.
Genre is a funny thing. Post-hardcore, screamo, blackgaze…all are applicable to Hidden Mothers, yet none of them fully encapsulate the 42 minutes of material on Erosion / Avulsion. I suppose something like atmospheric post-hardcore is probably the closest to it, but let’s not quibble over terms. Besides, all that really matters is the music and the impact it has. Continue reading “Hidden Mothers – Erosion / Avulsion (Review)”
This is the sixth album by UK hardcore band Polar.
It’s always a pleasure to catch up with Polar. Ever since 2016’s No Cure No Saviour I’ve been a big fan of the band’s hardcore/post-hardcore stylings. This album was followed in 2019 by the heavier Nova, and then in 2023 by Everywhere, Everything, which developed Polar’s more textured post-hardcore side. Now, uncharacteristically fast, we have Five Arrows, which brings us 38 minutes of new material. Continue reading “Polar – Five Arrows (Review)”
This is the fourth album by Danish metallic hardcore band LIfesick.
I enjoyed Lifesick when I saw them earlier this year supporting Cabal, so knew I wanted to check out the 34 minutes of Loved by None, Hated by All when it appeared. Continue reading “Lifesick – Loved by None, Hated by All (Review)”
Respire are a post-hardcore/screamo band from Canada and this is their fourth album.
Now here’s something interesting. Respire describe themselves as an orchestral post-everything collective. They have seven core members, six of whom provide vocals, and collectively they play the usual instruments you’d expect, plus synths, viola, violin, and trumpet. There are also guests that bring vocals, saxophone, piano, synths, glockenspiel, music box, vibraphone, and additional strings to the mix. There’s a lot going on here. Continue reading “Respire – Hiraeth (Review)”
Candy are a hardcore band from the US and this is their third album.
It’s Inside You is the 31-minute follow up to 2022’s Heaven Is Here. On their new record Candy push a vision for hardcore that bursts beyond its typical genre trappings in key places. Continue reading “Candy – It’s Inside You (Review)”
Wonderbox Metal 