Subterraen are a French sludge/post-metal band and this is their second album.
The follow up to 2020’s humungous Rotten Human Kingdom, In the Aftermath of Blight contains 37 minutes of music spread over four tracks. Continue reading “Subterraen – In the Aftermath of Blight (Review)”
This is the third album from US doom/post-metal band Aequorea.
Spread out over five engaging tracks, Departure is a 41-minute amalgamation of doom, post-metal, sludge, and blackened elements. This is my first encounter with Aequorea, but they make a good impression. Continue reading “Aequorea – Departure (Review)”
Iron Monkey are sludge metal band from the UK and this is their fourth album.
2017 now seems a very long time ago, but that was when Iron Monkey returned to spread their sonic violence with 9-13. I didn’t think we’d hear from them again after so much time, but it shows what I know, as now Spleen & Goad is here to kick us in the teeth and rearrange our internal organs. Continue reading “Iron Monkey – Spleen & Goad (Review)”
This is the fourth album from Greek doom metallers Acid Mammoth.
I enjoyed 2021’s lumbering Caravan, so was pleased when the enormous snout of Supersonic Megafauna Collision appeared on the horizon. Delivering 42 minutes of new material, Acid Mammoth double down on their personable brand of doomgroove across these six new songs. Continue reading “Acid Mammoth – Supersonic Megafauna Collision (Review)”
This is the third album from death/doom band Hamferð, who are from the Faroe Islands.
2018’s Támsins Likam is a tough album to follow. A long six years later, can Hamferð’s newest release – the 44-minute Men Guðs Hond er Sterk – match up to just how good its predecessor is? Continue reading “Hamferð – Men Guðs Hond er Sterk (Review)”
This is the sixth album from Grey Skies Fallen, a progressive/melodic doom band from the US.
Following on from 2014’s The Many Sides of Truth and 2020’s Cold Dead Lands comes Molded by Broken Hands, which contains 48 minutes of new material. Continue reading “Grey Skies Fallen – Molded by Broken Hands (Review)”
This is the third album from Isenordal, a doom metal band from the US.
Brought to us by members of Dead to a Dying World and Wilt, Requiem for Eirênê contains 56 minutes of expressive doom metal. Isenordal play a multifaceted style that combines elements of funeral doom, black metal, and neofolk. Requiem for Eirênê is an album that’s rich in evocative layers. Continue reading “Isenordal – Requiem for Eirênê (Review)”
Fall of Leviathan are a Swiss post-metal band and this is their debut album.
In Waves is a 56-minute journey through instrumental soundscapes that has cinematic scope and an ambitious presence. The promo blurb mentions bands like Neurosis, Mogwai, Mouth of the Architect, Rosetta, and Russian Circles, which sets the scene nicely for Fall of Leviathan’s sound. Continue reading “Fall of Leviathan – In Waves (Review)”
This is the debut EP from US doom band Guiltless.
What do we have here then? A new band featuring members of Intronaut, Generation of Vipers, A Storm of Light, IIVII, and Battle of Mice? How supremely enticing. Thorns contains 24 minutes of music, and showcases Guiltless’ brand of nihilistic darkness well. Continue reading “Guiltless – Thorns (Review)”
This is the fourth album from Greek doom/sludge metal band Sun of Nothing.
Well, it’s been a while since I’ve heard from Sun of Nothing – well over a decade in fact – so Maze appearing unheralded into my world was really unexpected, although greatly welcomed. If you’re unfamiliar with the band’s blackened sludge metal horror, then I can heartily recommend their entire discography to you. Continue reading “Sun of Nothing – Maze (Review)”
Wonderbox Metal 