This is the debut album from international death metallers Neurogenic.
Featuring members of Indecent Excision, Derogation, Fleshbomb and Six Feet Under, as well as guests from members of Gutrot, Churchburn, Abnormality, Six Feet Under and Malignancy, you know that this is going to be a professional and capable release before you even listen to it.
When you do, you’re confronted with Continue reading “Neurogenic – Ouroboric Stagnation (Review)”
Grond are a Russian death metal band and this is their second album.
Grond play death metal that’s influenced by the old-school, with a more modern sheen then added to it all in the delivery.
The singer has a voice that sounds like colossal stones being dragged across the ocean floor. Despite this, he’s actually more legible than some similar singers too, but retains a monstrous presence regardless of this. Continue reading “Grond – Worship the Kraken (Review)”
This is the sixth album from Carnifex, a US death metal band.
Carnifex play modern/melodic death metal with elements of deathcore and added orchestration.
I’m not overly familiar with Carnifex, having only listened to one of their previous albums – their 2008 release The Diseased and the Poisoned; this was an okay album, but nothing particularly special, so I was not prepared at all for how far they’ve come in the last 8 years. Slow Death is light years ahead of that release, so much so it’s almost like listening to Continue reading “Carnifex – Slow Death (Review)”
Eradikal Insane are a French death metal band and this is their debut album.
Eradikal Insane play modern death metal that’s high-impact and straight to the point.
The band vary the speeds that they operate in, but always go full-on regardless of what they do. The fast parts are very fast, the mid-paced grooves are generously dense and the breakdown-styled sections are heavy and crushing. Continue reading “Eradikal Insane – Mithra (Review)”
This is the début album by Shodan, a death metal band from Poland.
Shodan play modern death metal for the most part, but also incorporate a myriad of other influences and ideas into this atypical release.
The interesting thing about this band is how they develop their style for each song; it all revolves around a modern core of solid death metal, but each track uses this in its own way and incorporates different elements from Continue reading “Shodan – Protocol of Dying (Review)”
This is the debut album from Archetype, a Canadian progressive death metal band.
This is a progressive mixture of death and thrash metal that’s not short on confidence or character. Or, for that matter, a rather insane delivery style.
The songs have a decent mixture of aggressive thrash metal, (with a kind of German, Destruction/Kreator feel), and melodic death metal, (Carcass/Arsis), mixed in with more technical and progressive tendencies that see the band producing Continue reading “Archetype – Mission (Review)”
This is the eleventh album from these US death metal veterans.
Abominant’s last album, Onward to Annihilation, was one of the better albums of 2013, so I had high hopes for Napalm Reign. I have not been disappointed.
The band play an underground death metal style that has both thrash and black metal elements, as well as even some power metal ones. This last aspect of their sound was evident on one track on Onward to Annihilation, and although it’s still only a very small part of their sound, it’s developed a little further Continue reading “Abominant – Napalm Reign (Review)”
Oracles are a metal band from Belgium, this is their debut album.
Featuring current and ex-members of Aborted, System Divide and Dimlight, as well as guests from current and ex-members of Black Dahlia Murder, Scar Symmetry, Nevermore and Arch Enemy, this is a release that’s something a little different and backed up by a wealth of experience. Continue reading “Oracles – Miserycorde (Review)”
This is the debut album from US death metal band Blood Incantation.
Blood Incantation play death metal with plenty of atmosphere and technical skill. This is a band who have gazed towards the night sky, saw the vast darkness, and pay homage to that empty malevolence via the medium of underground music that’s less restricted and more expansive than your average death metal band. Continue reading “Blood Incantation – Starspawn (Review)”
Warfather play death metal and this is their second album.
Warfather’s debut album Orchestrating the Apocalypse was a bit hit and miss. Although it was, overall, an enjoyable affair, over time it revealed itself to be a little unfocused in places and had a rather thin production that didn’t do the music any favours.
Two years later, enter The Grey Eminence. First off, there are no problems with the production this time round. On this latest release it’s thick, chunky and muscular, just as it needs to be. Being produced by Erik Rutan, I would expect no less. Continue reading “Warfather – The Grey Eminence (Review)”
Wonderbox Metal 