Lifeblind are a Swedish death metal band and this is their debut EP.
Ahhhh Swedish death metal. Always reliable, always enjoyable. Sure, it has its detractors, but when you get right down to it, what’s not to like?
Influenced by the usual suspects, (Entombed, Dismember, etc.), Continue reading “Lifeblind – Insanity Infesting Reality (Review)”
Suppressive Fire are a death/thrash metal band from the US and this is their second album.
Shockingly hot on the heels of this year’s debut album Bedlam, it’s clear that Suppressive Fire are a hungry, ambitious lot, and rather than rest on their laurels, (Bedlam was quite the corker), they’ve seemingly just rushed back into the studio to produce their second album already. Continue reading “Suppressive Fire – Nature of War (Review)”
This is the debut album by Cryptic Realms, a death metal band with members from various countries.
Featuring the singer of Abyssus, (one of my favourites), I was keen to see what Cryptic Realms had to offer.
Here we have classic, old-school death metal, played with a purity of intent and grim authenticity. Taking cues from Continue reading “Cryptic Realms – Enraptured by Horror (Review)”
This is the second album from US death metallers Rude.
2014’s Soul Recall was a thoroughly enjoyable slab of old-school death metal. The band have now returned with a new album, ready to crush all those that would oppose their classic death metal onslaught. Continue reading “Rude – Remnants… (Review)”
This is the second album from Ulcer Uterus, a death metal band from Poland.
This is brutal death metal that rages and tears out of the speakers like savagery incarnate. Yes, yes, hyperbole perhaps, but the album definitely starts with a bang and gets the adrenaline going for sure.
The singer has a deep growl that has a kind of rough, Continue reading “Ulcer Uterus – Cursed Saints (Review)”
This is the second album from Spanish death metallers Necroven.
Necroven worship at the altar of old-school death metal and serve up Primordial Subjugation with a visceral assault on the senses. Aggressive 90s death metal styles are smashed together at high speed to create 36 minutes of music that’s a joyful ride through everything dark, macabre and brutal. Continue reading “Necroven – Primordial Subjugation (Review)”
Here we have a short split between death metallers Lago and Calm Hatchery, from the US and Poland, respectively.
Lago’s 2014 album Tyranny was an album that had a kind of darkly melodic brutality to it. It saw the band balance their style somewhere between the old-school and the new, to great effect. Continue reading “Lago/Calm Hatchery – Split (Review)”
Vircolac are an Irish death metal band and this is their debut EP.
This is a band that have been firmly influenced by the old-school. It’s classic-styled death metal that firmly puts the emphasis on songs and atmosphere, as opposed to mindless speed, technicality or similar such stuff. Continue reading “Vircolac – The Cursed Travails of the Demeter (Review)”
Azooma are a death metal band from Iran. This is their debut album.
This is progressive death metal that sees the band upping their game from their already quite impressive debut release A Hymn of a Vicious Monster. The Act of Eye continues and refines their style, mixing Opeth and Death with elements of more modern bands such as Obscura, Gorod and Gorguts. Continue reading “Azooma – The Act of Eye (Review)”
This is the second album from Church of Disgust, a US death metal band.
I really enjoyed 2013’s Unworldly Summoning. Here was an album that was just over half an hour of filthy, old-school death metal that was so ugly, hostile and evil that it was a depraved joy to experience.
Three years later and they have finally emerged from their crypt. On Veneration of Filth the band do exactly what it says on the tin and offer up 40 minutes of corpse-fresh filthy death metal, reeking of the old-school and ripe with pustulent rot. Continue reading “Church of Disgust – Veneration of Filth (Review)”
Wonderbox Metal 