wonderboxmetal

Hybris – Blinded Thoughts (Review)

Polish band Hybris have just recently released their début EP – this is 18 minutes of Thrash-tinged Death Metal.

The first track Amnesia is the longest of the three and starts with a soft atmospheric intro that builds into a nice Thrash riff.

The songs are memorable and well-executed slabs of Thrash/Death, with a strong Old-School feel to the recording and aura of the EP.

I hear a good amount of influence from bands like Death. In fact this is the main comparator I’m reminded of; Death with a technical Thrash makeover. Other influences come into the songs as well though, such as the Egyptian vibe on Egyptian Darkness.

The music is crisp and technical but without sacrificing the song itself. The sound is precise and even the bass can be heard in a meaningful way.

There are lots of solos and leads; the band can certainly play but it’s not showboating or self-aggrandisement, just a sheer love of Metal and the demands of the song.

A most enjoyable EP that introduces Hybris to the world and promises great things for the band.

Eleanora – EP (Review)

Eleanora are from Belgium and play Sludge/Post-Hardcore. This is their début release.

Intense and fierce; Eleanora pour their hearts into these two tracks and the result is as scathing as it is satisfying.

Dark melodies and throat-ripping vocals are the order of the day. Heavy walls of guitars and solid drums crash and damage the landscape around them.

The vocal performance is impressively energetic and violent. Both the music and the vocals are gloriously passionate and emotive.

This is a short EP of only two tracks, a mere taster really. Consider my palette firmly whetted. This is a superb display of Post-Hardcore/Screamo-influenced Sludge and if this is anything to go by the eventual album that they will hopefully release should see the band become major players in this style of music.

It’s always a great feeling discovering a new, excellent band.

Interview with Servants of the Mist

Servants of the Mist are about to release their latest EP Gross Knowledge of Genital Mutilation, and in its wake a creeping misery and despair does follow. It left such a deep impression that I felt compelled to probe deeper…

Give us a bit of history to Servants of the Mist

Servants of the Mist have existed in some form since 2010. We are from west central Florida. We are keen observers and travelers to dark dimensions. We are in touch with demons who work through and love us. We have opened for Danzig, Jucifer, Obituary and Eyehategod. We create sounds of suffering.

Where did your name come from?

The name came from a lyric in one of our earliest demos. The lyric was based on the 1992 Dracula movie directed by Francis Ford Coppola and starring Gary Oldman.

What are your influences?

GG Allin, Melvins, Cough, Electric Wizard and Burning Witch. The greatest influence has been life itself. All the questions that can’t be answered. The hunger of the beast. The things we are forced to live with.

What are you listening to at the moment that you would like to recommend?

…I am always listening to the sound of my own voice telling my head things. I don’t hate anyone enough to recommend they know my brain or have my secrets.

What did you want to achieve with your new release

I want to promote thought and conversation. I want people who listen to realize their own hell. I want them to indulge their physical pleasures because the master won’t allow you love. People like us are ruled by their demons. I predict that right and wrong will be much harder to interpret. I believe we have a choice.

Most bands of this particular style of Sludge have a distinct Southern tinge to the riffs, yet this is largely absent from your sound. Was this a conscious decision to differentiate yourselves or was it a more natural occurrence?

The songs come from the soul. I am in an emotional prison. Where I exist there is very little color or life. This is what influences the sound. I don’t make a conscious choice to live here in exile. I don’t make a conscious effort to exclude a southern tinge.

How do your songs take shape?

I write most all the songs. I then take them to the band. We bring all the pieces together.

In your songs is it important to you to push a heavily negative vibe or is this a feeling that just happens regardless?

I have had hope and believed in love. I have been crushed by the need to be human. It is in the need for happiness that hope will blatantly betray you. The music speaks of the consequences of betrayal. It speaks of the evolution. The transformation from human to monster.

Would you change anything if you had to do the recording over again?

I am very critical of my own work. I would say that there is always something I think I could have done better. I also like that we don’t take much time or over produce our music in the studio. We plug in, play and what comes out is as real as it gets.

How do you see your songs/direction developing in the future?

That depends completely where I’m at emotionally. I hope to write ballads that celebrate romance and love. I fear though that I will always exist in the world of shadows. I have found a home in the chaos.

What does the future hold for Servants of the Mist?

The future is futile. We will continue to celebrate madness. We will dream of you. We will hate you. We will continue on until death takes us to oblivion.

Ed Tobar…guitars, founder and father of Servants.

Servantsofthemist.bandcamp

Salvaticus – Hidden Manna (Review)

US Black Metal band Salvaticus have just released their début album Hidden Manna.

The first thing that strikes me about Salvaticus is their raw sound that actually adds to the power of the songs rather than detracts from them. It’s raw in an underground way yet still strong enough not to sound weak or low quality. It somehow manages to capture the barbarity necessary for the heavier bits whilst remaining clear enough for the lighter ones. Either way, you can always hear and appreciate everything that’s gong on.

And what is going on? Quite a lot actually. This is an interesting brand of Black Metal that explores the state of the genre in 2014 and takes from multiple incarnations of the style to suit the vision of the band.

The songs are nature inspired/influenced and although based on the second wave of Black Metal there are elements of other sub-styles in their songs as well, the most notable being a combination of the Cascadian style and a strong Post-Metal feeling in places.

Coming across as a rougher version, (in a good way), of bands like Enslaved and Entropia, Salvaticus have hit upon a great formula for their sound.

The four songs here are epic in scope and pulled off due to the obvious talent and songwriting skills of the band. The album is full of powerful riffs, ideas, melodies and dark feelings.

Albums like this are very easy to get lost in. Listen to Salvaticus. Now.

Aposento – Aposento (Review)

This is the début album of Spanish Death Metal band Aposento.

Take a look at the album art. If that doesn’t scream DEATH METAL at you at then I don’t know what does. Top work.

Aposento have been around for a very, very long time but this is the first album they’ve actually released. Kind of crossing the sound of bands like Avulsed and Deicide, Aposento offer us in-your-face Death Metal with an understanding of what makes a good song catchy and memorable while simultaneously piling on the brutality.

A strong, solid sound increases the impact the songs have with the riffs and pounding drums working in unison to plough down anything in front of it.

Vocally the singer is deep and follows the Avulsed school of guttural noises.

The songs take elements of Old-School Death Metal and merge them with a more timeless style of Death Metal akin to Cannibal Corpse’s USDM in the sense that it’s not ultra-modern but it’s not completely Old-School either; rather it contains elements of the timeless Classic style. Ultimately this is Death Metal, and no-one would have trouble recognising this for what it is.

Quality Death Metal played by lifers who know their business.

Leather Chalice – Luna (Review)

Leather Chalice are from the US and this is their latest EP.

One track, almost 16 minutes in length; this is a heady fusion of Black Metal and Post-Hardcore.

Luna starts off with samples and noises before slowly introducing the drums and a lightly strumming guitar. Very soon we’re into shoegaze lo-fi territory with the band tentatively picking their way along to a backdrop of strange and unusual sounds.

This abruptly changes to a 70’s inspired piece that has some lovely rumbling bass and emotive guitars. The vocals also start and we’re treated to some real throat-shredding screams.

The guitars have a nice 70’s Progressive feel to them and the whole thing feels analogue and very down to earth. Lo-fi this may be but it’s rich in content and feeling with the band exploring their chosen path with passion and verve.

I love that you can hear the bass and it adds a lot to the song rather then just being under-utilised as in most bands.

As the song progresses things get more upbeat and venture closer to raw Black Metal while keeping the overarching theme of the track intact.

The quasi-Industrial sounds are brought to the fore once more two thirds of the way in before blasting off again for the final run.

I could listen to this kind of music all day. There’s something very honest and open about music which on one hand seems like it has been thrown up quickly and is only held together by the thinnest of threads, whilst on the other hand feeling timeless and like it will undoubtedly endure for a long time to come.

Take a chance, lift the Leather Chalice up and take a good hard listen.

Corrosion of Conformity – IX (Review)

Corrosion of Conformity are from the US and this, as the title suggests, is their 9th album and it’s chock full of tasty Southern Metal.

For many though this band need no introduction. This is Southern Metal that combines elements of Heavy Metal, Doom Metal and Punk Rock into the 42 minutes playing time.

The songs exude confidence and walk with a cocky swagger. In some ways you could call this “feelgood Metal”. This is good-time Rock-and-Roll that’s the Metal equivalent of easy listening. Almost.

The album has an organic, earthy feel to it with the sound matching.

There’s a very relaxed vibe to most of these songs, with the band sounding loose, almost like it’s a rehearsal. They sound very much at ease with the material and even the more up tempo songs don’t seem hurried in any way.

The vocals are lazily melodic and have an ease of delivery where it feels like his voice just falls out of the speakers.

Ultimately Corrosion of Conformity have a lot of charisma and the songs are easy to like. IX is a good listen.

Humut Tabal – The Dark Emperor ov the Shadow Realm (Review)

This is the second album by US Black Metal band Humut Tabal.

Humut Tabal play frigid Black Metal with dark melodies lashing out from every angle. The riffs are catchy and purposeful and the songs are driven by a sense of urgency and grandeur.

Speed is very important on The Dark Emperor ov the Shadow Realm and the band give it their all when they need to. They’re not adverse to slower/mid-paced sections too though and there is enough mixture between the two to keep things interesting.

The band base their sound on the likes of Mayhem, Satyricon, Naglfar and Emperor. Using this base they then build on it with their own personality as well as injecting some Classical/Experimental influences into their compositions. They’re confident enough in their own abilities to pull it off with panache.

Vocally the high pitched shrieking is classic Black Metal and sounds just right for the music.

The complete package is rounded off with a strong recording that serves the band well.

On the whole the band have created an enjoyable and powerful set of songs.

Servants of the Mist – Gross Knowledge of Genital Mutilation (Review)

This is the latest EP from US Sludge/Doom Metal band Servants of the Mist.

The EP is 25 minutesin length and after the perfunctory intro we’re into the feedback-drenched first song Undeserving, which at just under 12 minutes serves as the centrepiece of the release.

The music is crushing, monolithic Doom with a corrupted, rotten Sludge veneer and a core of pure hatred.

We get bowel-loosening deep vocals and piercing high-pitched ones, both sound great and complement the music perfectly.

A deep aura of misery pervades these tracks and the band do all they can to punish and obliterate the listener with their steady, slow assault.

This is a really enjoyable form of dank Doom that just won’t give up; the strongly oppressive feeling of the tracks makes for a compelling release that sticks in the mind long after the last foetid chord has faded.

The band have enough talent that whether they are playing agonisingly slow Doom or slightly-more-upbeat Sludge they do it with obvious passion and with riffs to die for.

Negatively emotive and bleakly enticing; Servants of the Mist really know how to write a good Doom tune.

I mean, honestly; if you’re at all into this kind of music what’s not to like here?

Wolves in the Throne Room – Celestite (Review)

Wolves in the Throne Room are from the US and play Cascadian Black Metal, at least they do normally.

Celestite is different. Stylistically still rooted in the Black Metal genre, the band have stripped out the drums and vocals and instead created five atmospheric soundscapes to captivate and entrance the listener.

Synth-based exploration and orchestrated Blackened sonics give this the air of an extended film soundtrack. This is cinematic music with grand musical vistas and sweeping arcs of ambitious beauty.

In the wrong hands this could easily sound trite or just plain dull, but Wolves in the Throne Room prove that they can take the atmospheric build-and-release dynamics that they honed so perfectly on their Black Metal work and transfer this intact to the compositions on Celestite.

This is an album crafted with lofty aims and I’m pleased to say that it works. Each track successfully conjures the majesty of celestial imagery and awe-inspiring wonder at the breathtaking scenery that nature can deliver. The album cover is truly appropriate at putting across just what the music feels like.

This may be an experiment for the band compared to their usual work but it’s a roaring success. The ideal accompaniment to watching the night sky.