This is the third album from US death metallers Blood Incantation.
2016’s Starspawn and 2019’s Hidden History of the Human Race were both great records, and now we finally have the much-anticipated Absolute Elsewhere. It’s Blood Incantation’s longest album at 44 minutes, and uses this time wisely to showcase its mastery of cosmic progressive death metal. Continue reading “Blood Incantation – Absolute Elsewhere (Review)”
This is the debut album from Polish black metal band Death Like Mass.
Featuring current and ex-members of Enthroned, Lvcifyre, and Nightbringer, Death Like Mass play old-school black metal that boasts a keen edge of individuality that’s unusual in the style. Across 44 minutes of material The Lord of Flies impresses. Continue reading “Death Like Mass – The Lord of Flies (Review)”
Wolves’ Winter are an Argentinian black metal band and this is their second album.
The Medivm contains 40 minutes of occult black metal. Wolves’ Winter’s music is melodic black metal that’s swathed in occult mists and arcane auras. The Medivm is an album that’s easy to enjoy if you’re a fan of the style, as Wolves’ Winter know what they’re doing. Continue reading “Wolves’ Winter – The Medivm (Review)”
This is the fourth album from Swiss black metal solo act Ashtar.
I enjoyed both 2015’s Ilmasaari and 2020’s Kaikuja, so wanted to check out Ashtar’s latest. Since those albums the band have become a solo endeavour, and I missed the artist’s 2023 album Wandering Through Time somehow. A little over a year since that record though and we have The Return of the Frozen Souls, which features 45 minutes of black/doom metal, (including a Samhain cover). Continue reading “Ashtar – The Return of the Frozen Souls (Review)”
Sørgelig are a Greek black metal band and this is their third album.
I love Isolert, and also really like Insanity Cult. Why do I mention that here? Simply because Sørgelig is made up of members of these two bands, (plus a guitarist who is in neither). I haven’t caught up with Sørgelig since 2018’s Apostate, but the band have been busy since then with EPs, a split, and second album. Φθορά is their third, and a great opportunity to become reacquainted with their brand of hostile malice. Continue reading “Sørgelig – Φθορά (Review)”
This is the second album from UK doomgaze band Sugar Horse.
The Grand Scheme of Things contains an hour of idiosyncratic and expressive music. The style overall can be thought of as doomgaze, although it has a variety of ingredients, including indie, shoegaze, sludge, doom, drone, and post-rock/metal. Continue reading “Sugar Horse – The Grand Scheme of Things (Review)”
This is the fourth album from Portuguese doom band Sinistro.
I enjoyed 2018’s Sangue Cássia, and when I saw Vértice appear I assumed I’d missed out on a couple of albums between the two. Apparently not, as this is Sinistro’s first new recorded output since then. They are back now though, and have a new bassist and singer in tow as well. Continue reading “Sinistro – Vértice (Review)”
Wonderbox Metal 