Baring Teeth are a death metal band from the US and this is their fourth album.
I last caught up with Baring Teeth almost a decade ago on 2014’s Ghost Chorus Among Old Ruins. They also had an album out in 2018, which I missed, (I’ll have to dig it out at some point), so The Path Narrows offers a good opportunity to catch up with the band once more. So what do Baring Teeth have to offer the discerning metal fan in 2023? Continue reading “Baring Teeth – The Path Narrows (Review)”
This is the third album from US death metallers Afterbirth.
Following on from 2020’s Four Dimensional Flesh, In But Not Of contains 36 minutes of devastating brutality that sounds like it was spawned in another dimension. Continue reading “Afterbirth – In But Not Of (Review)”
Appalooza are a French heavy rock band and this is their third album.
The Shining Son contains 45 minutes of quality rock music. Taking in elements of the hard, stoner, and alternative rock/grunge styles, Appalooza’s charismatic music is easy to like. Continue reading “Appalooza – The Shining Son (Review)”
Årabrot are a Norwegian rock band and this is their tenth album.
2021’s Norwegian Gothic was a very special record, one that ended up on my end of year list just inside the top ten, due to how damn good it was. So, a little over two years later, how does Of Darkness and Light find Årabrot? Continue reading “Årabrot – Of Darkness and Light (Review)”
Laster are a, (sort of), black metal band from the Netherlands and this is their fourth album.
It’s been a while since I’ve caught up with Laster. 2017’s Ons Vrije Fatum, to be precise, (with 2014’s De Verste Verte Is Hier and their 2016 split with Wederganger before that). Since then they’ve had another album, (and an EP), that I haven’t heard, but that apparently saw an increase in the avant-garde and experimental aspects of their sound. So what does Andermans Mijne present us with? Continue reading “Laster – Andermans Mijne (Review)”
This is the debut album from Spanish black metallers Voidescent.
Dust and Embers contains 47 minutes of modern black metal that combines elements of the classic style with a more contemporary vision. Voidescent’s first album is imposing and accomplished. Continue reading “Voidescent – Dust and Embers (Review)”
This is the debut album from Taubrą, a Swiss/Norwegian black metal band.
Featuring members of Aara, Forgotten Tomb, Modern Rites, Porta Nigra, and Thron, Therizo contains 41 minutes of old-school black metal. Think of a combination of influences from acts such as Mayhem, Immortal, Behexen, Tsjuder, Marduk, and Gorgoroth, and you’ll be on the right lines. Continue reading “Taubrą – Therizo (Review)”
This is the fourth album from Body Void, a doom band from the US.
Body Void are a great band, let’s just get that out of the way first, before we do anything else. As such, this review primarily exists to let you know just how great Atrocity Void is, because what would be the point otherwise? I mean, could Body Void have finally released a stinker? Continue reading “Body Void – Atrocity Machine (Review)”
This is the second album from Polish black metallers Mānbryne.
I enjoyed 2021’s Heilsweg: O Udręce Ciała I Tułaczce Duszy, so was eager to check out its follow up. Interregnum: O Próbie Wiary i Jarzmie Zwątpienia contains 40 minutes of new material. Back with a new drummer, (also in Blaze of Perdition), Mānbryne sound better than ever. Continue reading “Mānbryne – Interregnum: O Próbie Wiary i Jarzmie Zwątpienia (Review)”
Sulphur Aeon are a German death metal band and this is their fourth album.
Long after 2015’s Gateway to the Antisphere and 2018’s The Scythe of Cosmic Chaos shook the death metal underworld, Sulphur Aeon returns to sow chaos and discord once again. A great slumbering monster awakens. Continue reading “Sulphur Aeon – Seven Crowns and Seven Seals (Review)”
Wonderbox Metal 