Wiegedood are a black metal band from Belgium and this is their second album.
Wiegedood play black metal that’s as brutal is it is caustically atmospheric. There’s an acerbic hatred here that powers the songs forward, while at the same time showing an awareness of dynamics and Continue reading “Wiegedood – De Doden Hebben Het Goed II (Review)”
Obitus are a Swedish black metal band and this is their second album.
Playing harsh black metal, Slaves of the Vast Machine consists of one long 45 minute track.
The band’s music is Continue reading “Obitus – Slaves of the Vast Machine (Review)”
Mordbrand are a Swedish death metal band and this is their second album.
A firmly enjoyable display of Swedish death metal, Mordbrand’s debut album Imago played to my soft spot for the style, with the chainsaw riffs and macabre melodies Continue reading “Mordbrand – Wilt (Review)”
Darsombra are a psychedelic drone band from the US.
Here we have some spaced out, cosmic-spanning psychedelic doom rock drone…quite a mouthful really, but one well-worth getting your chops around as Polyvision is a substantial cocktail of heady proportions. Continue reading “Darsombra – Polyvision (Review)”
The Bearer are a hardcore band from the US and this is their second release.
The Bearer play hardcore that’s influenced by metal – so far, so generic, right? Wrong. On paper this description may be accurate, but it doesn’t do The Bearer’s sound justice. Continue reading “The Bearer – Fiction (Review)”
Nova Collective are one of the more scintillating, exciting examples of progressive music to appear of late. They’re instrumental, but don’t really seem like it, as the music they create is so engaging and thought-provoking that the lack of a singer is barely noticed.
The Further Side is a great example of musicians coming together and producing something they really love. Luckily for the rest of us, they’re about to share it with everyone. Continue reading “Interview with Nova Collective”
I like dissonant, avant-garde death metal as much as the next person, but Sunless’ debut album Urraca really does live in its own league. It manages to take everything I like about the style and somehow improve on it. The listener is assaulted by atypical riffs, dissonant melodies and progressive heaviness, all with an accessibility, (relatively speaking), that’s rare for this kind of thing. Continue reading “Interview with Sunless”
Vaiya might not be a household name in atmospheric black metal, but on the strength of Remnant Light, it deserves to be. Bleak and grim, but not without beauty or heart, Remnant Light was originally released in 2014, but is now getting a re-release thanks to those lovely people at Nordvis/Bindrune Recordings. Continue reading “Interview with Vaiya”
Possession are a black/death metal band from Belgium and this is their debut album.
Possession play malevolent, evil black metal with some old-school death metal and doom elements. Continue reading “Possession – Exorkizein (Review)”
Floods are a US black metal band and this is their debut EP.
Floods play a mix of black, death and sludge metal. Which genre they are actually playing is up for debate, although I’d argue that black metal forms the largest part of their musical equation, so we’ll go with that. Continue reading “Floods – Floods (Review)”
Wonderbox Metal 