Into Orbit are a post-metal band from New Zealand. This is their third album.
Having really enjoyed 2017’s Unearthing, getting to listen to a new album from Into Orbit is a treat, especially one as good as this. Continue reading “Into Orbit – Kinesis (Review)”
This is the third album from Lord Dying, a sludge metal band from the US.
A quick comparison between the cover artwork for the band’s previous album Poisoned Altars and this new one immediately led me to believe that Mysterium Tremendum was going to be a different kettle of fish Continue reading “Lord Dying – Mysterium Tremendum (Review)”
This is the second album from Italian post-metallers John, the Void.
After the band’s 2014 debut EP they jumped forward in style and quality with 2016’s II, and now they’re back with 48 minutes of new material for the listener to become absorbed in. Continue reading “John, the Void – III – Adversa (Review)”
Teeth of the Sea area a UK experimental rock band and this it their fifth album.
This is my first exposure to Teeth of the Sea, but it’s a very positive one. This is a band that combine all manner of styles and ideas into their music, producing 49 minutes of material that covers experimental, psychedelic, Continue reading “Teeth of the Sea – Wraith (Review)”
January has seen somewhat of a slow start to the year for metal releases. Despite this, there have still been some that are well worth your attention. Have a look at the gems below and let me know which ones sound the best to you… Continue reading “Monthly Overview – the Best of January 2019”
This is the second album from Aver, a progressive stoner rock band from Australia.
Aver play sprawling, spacefaring music that combines stoner and psychedelic influences into a progressive framework. The end result is 51 minutes of material divided into just 5 tracks. Continue reading “Aver – Orbis Majora (Review)”
This is the debut EP from German post-metal band Haven.
This is music with dark undertones and ambient atmosphere. Haven mix together the atmospheric allure of post-metal, with the harsher framing of post-hardcore, and the delicate introspection of progressive rock. These influences collide Continue reading “Haven – Anima (Review)”
Grey Czar are an Austrian progressive rock band and this is their second album.
This is a pleasingly multifaceted beast, mixing progressive, heavy, psychedelic, stoner, doom, avant-garde, and sludge rock into a 47-minute album that entertains with zig zag focus and wild personality. Continue reading “Grey Czar – Boondoggle (Review)”
Chapel of Disease are a German death metal band and this is their third album.
2015’s The Mysterious Ways of Repetitive Art stood out for its dark individuality and bleak delivery. Here was a band that took the old-school death metal template and added an atmospheric, sometimes doom-laden twist to it. It was a very effective record. Continue reading “Chapel of Disease – …And as We Have Seen the Storm, We Have Embraced the Eye (Review)”
Sigh are a Japanese black/avant-garde metal band and this is their eleventh album.
A new Sigh album is always somewhat of an event, and you never really quite know what you’re going to be getting yourself into with it. This latest album follows on after the symphonic blackened offering of 2015’s Graveward, but distances itself from its predecessor quite significantly by giving us 53 minutes of material that’s been influenced by folk and old/obscure progressive rock more than ever before. Continue reading “Sigh – Heir to Despair (Review)”
Wonderbox Metal 