This is the debut album from Norwegian black metallers Avmakt.
Satanic Inversion Of… contains 46 minutes of old-school second wave 90s black metal worship. Avmakt’s music uses the Darkthrone template extensively, yet somehow manages to avoid coming off as a cheap knockoff. How? Basically, it’s just a damn good album. Continue reading “Avmakt – Satanic Inversion Of… (Review)”
This is the fourth album from Canadian black metallers Spectral Wound.
Songs of Blood and Mire boasts 44 minutes of lethal black metal. Stylistically we’re talking a mixture of the Norwegian, Finnish, and Canadian scenes, so if you’re a fan of bands such as Behexen, Forteresse, Gorgoroth, Sargeist, Tsjuder, etc., then this is for you. Continue reading “Spectral Wound – Songs of Blood and Mire (Review)”
This is the fourth album from Norwegian black/death/thrash metal solo act Vredehammer.
It’s been a while since I’ve caught up with Vredehammer – 2016’s Violator in fact, a record which I enjoyed a great deal. God Slayer provides 39 minutes of satisfying extreme metal for the listener to enjoy. Now a solo act, (with the formidable ex-Dark Funeral/Nordjevel drummer as session musician), Vredehammer’s latest record hits the spot. Continue reading “Vredehammer – God Slayer (Review)”
This is the sixth album from Norwegian black metallers Tsjuder.
Helvegr boasts 41 minutes of relentless and merciless Norwegian black metal. It’s fast, fiery, and murderously intense. Tsjunder have returned. Continue reading “Tsjuder – Helvegr (Review)”
This is the third album from US black metal band Cloak.
Cloak play black metal with melodic weight and malevolent guitars, yet do so with their own personality that betrays a healthy classic metal influence. Black Flame Eternal is a 49-minute journey into the band’s dark world. Continue reading “Cloak – Black Flame Eternal (Review)”
Bizarrekult are a Norwegian post-black metal band and this is their second album.
Formed around a central artist who is Bizarrekult’s driving creative force, he’s joined by a range of other musicians, (including a member of the mighty Adliga), who round out the band nicely. The end result of their efforts is Den Tapte Krigen, a 42-minute slice of expressive modern black metal. Continue reading “Bizarrekult – Den Tapte Krigen (Review)”
Kjeld are a black metal band from the Netherlands and this is their second album.
Kjeld’s debut album Skym saw the light of day back in 2015, and apart from their split with Wederganger in 2016, (which was then rereleased as an EP in 2018), we’ve had nothing new from them since. So, when Ôfstân appeared on my radar, I knew Continue reading “Kjeld – Ôfstân (Review)”
This is the second album from one-man black metal band Selbst, originally from Venezuela, and now Chile. He’s backed up by guests, including clean vocals from a member of Ty.
Here we have 42 minutes of textured black metal that embraces a range of styles and influences to produce a very enjoyable and captivating slice of modern darkness. Continue reading “Selbst – Relatos de Angustia (Review)”
This is the second album from False, a black metal band from the US.
Portent contains 41 minutes of atmospheric, melodic black metal. Effortlessly combining USBM with the old-school Norwegian variety, False have crafted an album that moves beyond either individual style. Continue reading “False – Portent (Review)”
Wonderbox Metal 