Tithe are a death metal band from the US and this is their third album.
Tithe’s previous record – 2023’s Inverse Rapture – was a hybrid extreme metal album that was difficult to pin down genre-wise, although that didn’t stop it from being a satisfying and enjoyable listen. Communion in Anguish focuses Tithe’s sound, pushing up the lethal aggression and dark atmosphere to new heights. Continue reading “Tithe – Communion in Anguish (Review)”
This is the debut album from US death metallers Ritual Mass.
Cascading Misery brings us a filth-ridden 41 minutes of hideous death metal darkness, replete with a crushing dose of doom. Ritual Mass dominate through a terrifying blend of ferocity and dread-inducing atmosphere. Continue reading “Ritual Mass – Cascading Misery (Review)”
This is the second album by Irish blackened death metallers Malthusian.
2018’s Across Deaths was a nightmarish, venomous first record from Malthusian, ably showcasing their hideous blackened death metal style. In 2022 we were gifted with Time’s Withering Shadow, their split with Suffering Hour, which was another impressive outing, for both bands concerned. Which brings us to the 54-minute The Summoning Bell. Have Malthusian continued their ascent from the bowels of the underworld? Continue reading “Malthusian – The Summoning Bell (Review)”
This is the debut album from US death metal band Kontusion.
Kontusion contain current and ex-members of Repulsion, Iron Reagan, Magrudergrind, and Mammoth Grinder, and on Insatiable Lust for Death they have provided us with 26 minutes of ugly death metal punishment. Continue reading “Kontusion – Insatiable Lust for Death (Review)”
Filth are a death metal band from Sweden and this is their debut album.
Time to Rot contains 29 minutes of utter Filth. Sorry, this stuff writes itself. This is nasty, stinking, decaying, old-school death metal, and Filth know what they are doing with the style. Continue reading “Filth – Time to Rot (Review)”
This is the debut album from Polish death metallers Clairvoyance.
Chasm of Immurement contains 34 minutes of old-school death metal. Clairvoyance’s debut album takes us back to the 90s, while still crushing in 2025. If you’re a fan of bands such as Cerebral Rot, Genocide Pact, Incantation, Phrenelith, Necrot, and Tomb Mold, then this is one for you. Continue reading “Clairvoyance – Chasm of Immurement (Review)”
This is the ninth album by US death metallers Drawn and Quartered.
Drawn and Quartered are a very good death metal band, with a history of strong releases. They are the kind of band that can take similar components that are used so well by acts such as Immolation and Incantation, yet manage to fuse these into something that has a personality of its own. At this point in their career Drawn and Quartered have more than shown their talent and longevity in the death metal game, so Lord of Two Horns is an eagerly anticipated release. Continue reading “Drawn and Quartered – Lord of Two Horns (Review)”
This is the fourth album from Brazilian death metallers Escarnium.
Inexorable Entropy contains 31 minutes of ferocious death metal brutality. Escarnium’s furious assault is a satisfying and enjoyable one. Continue reading “Escarnium – Inexorable Entropy (Review)”
This is the third album from Phrenelith, a death metal band from Denmark.
Following on from 2021’s Chimaera comes the 39-minute monstrosity Ashen Womb. This is absolutely hideous stuff, from a band that apparently just keep on improving. Phrenelith have unleashed something truly malefic here. Continue reading “Phrenelith – Ashen Womb (Review)”
Rotpit are an international, (German/Sweden), death metal band and this is their second album.
Alright then squidgy humans, it’s time to enter the Rotpit! Your tormentors on this filthy disgusting tour of depravity are none other than members of Heads for the Dead, Ursinne, Wombbath, and many, many others. Yes, these miscreants know how to play DEATH METAL, so your soft fragile forms are in good, calloused, bloodied hands. Continue reading “Rotpit – Long Live the Rot (Review)”
Wonderbox Metal 