This is the fourth album from Australian death/doom band The Slow Death.
The Slow Death contain current and ex-members of bands such as Illimitable Dolor and Temple Nightside. On Siege, we are given 63 minutes of crushing death/doom metal, which also contains elements of Gothic metal and funeral doom. Featuring four colossal songs, this is a dark and gloomy trip into a world of multifaceted misery and woe. Continue reading “The Slow Death – Siege (Review)”
This is the second album from US one-woman blackened doom band Vouna.
Atropos boasts 57 minutes of richly textured doom metal. It’s an old-school brand of doom that’s spliced through with elements of black and Gothic metal, along with cinematic scope, epic grandeur, synth-laden atmosphere, and forlorn Continue reading “Vouna – Atropos (Review)”
This is the latest EP from Austrian black metallers The Negative Bias.
Ever since first being exposed to The Negative Bias’s cosmic black metal on their split with Golden Dawn, I’ve been hungry for some more material from this band. As such, the 22 minutes on offer on Tapeworm Pyramids is very well-received. Continue reading “The Negative Bias – Tapeworm Pyramids (Review)”
Inhuman are a Belgian symphonic metal band and this is their debut album.
Inhuman mix together symphonic metal’s epic flamboyance with death metal’s bark and bite. The end result is an album that’s heavier and more aggressive than the norm for many bands who play in this arena, and all the better for it. Continue reading “Inhuman – Inhuman (Review)”
This is the debut album from Invernoir, an Italian doom metal band.
Taking influence from old-school doom/Gothic metal via the likes of My Dying Bride, Anathema, Katatonia, and Paradise Lost, The Void and the Unbearable Loss contains 51 minutes of music crafted in this venerable style. Continue reading “Invernoir – The Void and the Unbearable Loss (Review)”
This is the fourth album from Belgian death/doom metallers Marche Funèbre.
Having been a fan of Eye of Solitude for some time, their split with Marche Funèbre impressed, and made me want to check out the latter band when the opportunity arose. That time is now, and Einderlicht has arrived to carve a space in my collection all of its own. Continue reading “Marche Funèbre – Einderlicht (Review)”
This is the fourth album from US progressive metallers Oceans of Slumber.
Oceans of Slumber is the much-anticipated follow up to 2018’s well-received The Banished Heart.
Oceans of Slumber’s progressive metal takes in elements of doom and Gothic metal to produce music that hits a lot of emotional highs, while still having kick where it counts. The band combine heaviness with ethereal beauty. Some of Continue reading “Oceans of Slumber – Oceans of Slumber (Review)”
This is the 16th album from UK metal band Paradise Lost.
This is the eagerly awaited follow up to 2017’s Medusa, which was a thoroughly enjoyable album through and through. Back with 45 minutes of new material on Obsidian, this is a great time to be a Paradise Lost fan. Continue reading “Paradise Lost – Obsidian (Review)”
This is the debut album from US doom band Frayle.
I enjoyed 2018’s The White Witch, which was a hugely impressive entrance into the doom metal scene. We now have the band’s first full length album, and across 37 minutes the band prove that their first EP was no fluke. Frayle have got a real talent for their charismatic and atmospheric form of doom. Continue reading “Frayle – 1692 (Review)”
This is the second album from Drift into Black, a solo, (with guest musicians), death/doom metal act from the US.
Anthems from the Darkest Winter contains 56 minutes of material, (including a Pink Floyd cover). The music mixes death, doom, and Gothic metal together into songs that have a good balance between all three strains of heaviness. Continue reading “Drift into Black – Anthems from the Darkest Winter (Review)”
Wonderbox Metal 