Obake are an unusual band, as you may have surmised from the oddly unsettling album cover. They essentially take a sludge metal base and use this to launch an experimental foray into avant-garde waters, usually quite defying the listener in their expectations. Continue reading “Obake – Draugr (Review)”
Yüth Forever are a metal band from the US and this is their second album.
And now for something a little different…as they say…
Described in the promotional blurb as “13 songs of groove-laden, dark electronic, angst filled mood metal”, it’s hard to come up with a better description than that really, so we’ll go with it.
The singer’s harsh screams have a rhythmic quality to them which Continue reading “Yüth Forever – Skeleton Youth Forever (Review)”
This is caustic, aggressive Hardcore which is heavy and full of contempt. Their sound is thick and syrupy and the guitars hit like hammers.
Fusing Crust Punk and Metallic Hardcore with even a hint of a Blackened influence here and there, these are three songs you wouldn’t want to mess with.
Veins of Black starts with a kick-ass Blackened Doom riff that slowly builds and builds until the vocals start and the chugging begins. The singer shows himself to have a charismatic snarl that fits well with the dark nature of the music. The riffs are catchy and there’s a good amount of 90’s Hardcore vibe lurking behind the contemporary sheen.
Human Ruin has an almost Dillinger Escape Plan feel to it before relaxing and sounding more like Gurd with just drums and bass with less angry vocals taking the stage. The guitars and shouting resumes once more though and the feeling of 90’s Metallic Hardcore asserts itself again.
The final song Sick of Sun continues in the same vein, with Sludge-tinged guitars laying a foundation of heavy riffs and catchy vocals. It’s the longest of the songs and twists and winds to its apotheosis.
Think elements of bands like Vision of Disorder, Earth Crisis, Sick Of It All, Sworn Enemy, etc. all mixed together; then give the resulting concoction a Crusty makeover and add a guitar tone that Crowbar would be proud of. Some Blackened Doom influences round off the package and Funerals have a heady list of weapons in their arsenal to utilise.
This is a decent EP that’s made me quite nostalgic for my younger days, whilst at the same time enjoying the fact that there are a raft of talented new Hardcore bands around these days like Funerals who are taking the template and running with it.
Support this up and coming band and check out their EP.
This is an interesting merger of some different styles, all wrapped up in a Metal package.
Combining the rawkus nature of Old-School Hardcore with a Sludge influence the band do well in not instantly sounding like anyone else.
The tracks bound along with this unusual melding of styles and remind of 90’s Century Media acts like My Own Victim and Gurd with a bit of a non-Southern Eyehategod feel to some of the riffs. It’s quite a nostalgic feeling that Lockersludge give me and I find myself liking this band a great deal.
The vocals are belligerent and melodic at the same time. Again there is a curious mixing of styles; essentially based in Hardcore-land, they nonetheless display melodic sensibilities as well as hints at a more Sludge background.
Lockersludge are bravely and wisely forging their own path through today’s over-saturated musical waters and I’ve found this release highly competent and highly enjoyable.
Oh, and they also have a song called The Beard of Doom. Win.
Check them out.