Ghost Horizon is a US one-man black metal project and this is his second EP.
This is black metal that’s both atmospheric and melodic. This is highly emotive music that clearly has meaning and depth within its blackened atmospheric assault. Continue reading “Ghost Horizon – The Erotics of Disgust (Review)”
This is a re-release of the 2014 album from one-man black metal band Vaiya from Australia.
Featuring three songs, each 13 minutes in length, Remnant Light is atmospheric black metal with a bleak demeanour and a grim personality. Continue reading “Vaiya – Remnant Light (Review)”
This is the fourth album by Manetheren, a black metal band from the US.
Here we have 62 minutes of atmospheric black metal with dark, nihilistic, apocalyptic themes.
Manetheren’s approach to black metal is one of layering. Various Continue reading “Manetheren – The End (Review)”
This is the second album from Ande, an atmospheric black metal solo project from Belgium.
We have already encountered Ande’s 2015 debut Licht, and now it’s time to take a look at the follow up.
Longer by about 15 minutes than the first release, Het Gebeente is a more mature, confident and assured selection of dark hymns.
Starting off with a piano intro, the remaining five songs, (the sixth is different), mix the second wave of black metal with Continue reading “Ande – Het Gebeente (Review)”
Au Champ des Morts are a French black metal band and this is their debut album.
This is contemporary black metal that has a firm foundation in the traditional style, but updated for the modern day with post-black metal, atmospheric and blackgaze influences.
Dans la Joie is full of emotive and Continue reading “Au Champ des Morts – Dans la Joie (Review)”
Dreariness are an Italian black metal band. This is their second album.
Dreariness combine depressive black metal with elements of post-black metal and shoegaze. The result is an impressive album that boasts a lot more depth and atmosphere than the majority of their depressive peers. Continue reading “Dreariness – Fragments (Review)”
This is the debut album from Abduction, a black metal band from France.
Une Ombre Régit les Ombres consists of songs that are epic in length and vision, blasting out of the darkness with confidence, style and much aplomb. The music is a mix of progressive black/death metal, more skewed to the blackened side of things, if only due to the atmospheres evoked and the rasping screams of the main vocals. Continue reading “Abduction – Une Ombre Régit les Ombres (Review)”
Ashes of Nowhere are a post-black metal band from Italy and this is their debut album.
This is a release that combines a fair few different blackened styles into its 54 minute running time. Across the seven tracks one can hear raw, traditional black metal, atmospheric post-metal, melodic black metal, depressive shoegaze and a touch of the avant-garde.
Phew. Continue reading “Ashes of Nowhere – Emptiness (Review)”
This is the fourth album from German band Downfall of Gaia. They play post-black metal.
This is a release that creates and fosters atmosphere like a second skin. It’s dark and mystical, and keeps its secrets close to its chest despite also being quite warm and welcoming in some respects. Ice-cold black metal full of hatred and blasphemy this is not. That’s not to say that Continue reading “Downfall of Gaia – Atrophy (Review)”
Insanity Cult are a black metal band from Greece and this is their debut album.
This is raw, underground black metal filled with negative energy. The album has a melancholic feel that spills over to full-blown depressive black metal on occasion, although they’re not fully embedded in this particular sub-genre.
Frosted black metal riffs rendered out of Continue reading “Insanity Cult – As My End Unfolds… (Review)”
Wonderbox Metal 