Frostmoon Eclipse are an Italian black metal band and this is their eighth album.
As Time Retreats is the 41-minute follow up to 2019’s Worse Weather to Come. Since their previous album Frostmoon Eclipse have refined their sound into something quite tasty. If you’re looking for black metal that embraces the core of the 90s second wave, while also simultaneously branching out from it, this is the one for you. Continue reading “Frostmoon Eclipse – As Time Retreats (Review)”
This is the latest EP from Bezwering, a black metal band from the Netherlands.
Containing an ex-member of Wederganger, Dwalingen is a 12-minute release that showcases Bezwering’s uncommon take on black metal across two tracks. Although you can hear second wave elements for sure, there’s a stronger dose of first wave influence than you typically find in contemporary bands. Continue reading “Bezwering – Dwalingen (Review)”
This is the debut album from Italian black metal band Blutsauger.
Nocturnal Blood Tyrants contains 34 minutes of primal, atavistic black metal. Blutsauger play it hard, nasty, and grim. It may be 2025, but around these parts it’s 1993. I liked this one a lot. Continue reading “Blutsauger – Nocturnal Blood Tyrants (Review)”
This is the third album from US black metal band Oskoreien.
After enjoying both previous Oskoreien albums, it’s come as a surprise to discover that I never actually reviewed either of them. Hollow Fangs is a great opportunity to remedy this, and it’s Oskoreien’s first outing as a full band too. Hollow Fangs contains 39 minutes of new material, so let’s dive in. Continue reading “Oskoreien – Hollow Fangs (Review)”
This is the fifth album from German blackened metal act Mantar.
A new Mantar album is always an enjoyable event. 2018’s The Modern Art of Setting Ablaze and 2022’s Pain Is Forever and This Is the End were both compelling hybrids of black metal, punk, and grunge, so it’s with expectation that we turn to the 36-minute Post Apocalyptic Depression. Continue reading “Mantar – Post Apocalyptic Depression (Review)”
This is the fourth album from UK black metallers Burial.
I haven’t caught up with Burial since their 2016 album Unholy Sedition, so it is high time I did once more. Featuring in their ranks members of Cairns, Foetal Juice, and Wolfbastard, Burial know what they’re doing with their music, and Rejoice in Sin delivers 40 minutes of raw iciness for the listener to get frozen by. Continue reading “Burial – Rejoice in Sin (Review)”
This is the debut album from Norwegian black metallers Avmakt.
Satanic Inversion Of… contains 46 minutes of old-school second wave 90s black metal worship. Avmakt’s music uses the Darkthrone template extensively, yet somehow manages to avoid coming off as a cheap knockoff. How? Basically, it’s just a damn good album. Continue reading “Avmakt – Satanic Inversion Of… (Review)”
This is the debut album from Marrow of Man, a one-man black metal band from the Netherlands.
Ancient Hymns of Apocalypse contains 46 minutes of black metal, with some thrash metal elements added in for extra brutality. The promo blurb says that the primary influences of this act are Dissection, Bathory, Evilfeast, Darkthrone, Odium, and Lunar Spells, so that will give you a starting point for the Marrow of Man sound. Continue reading “Marrow of Man – Ancient Hymns of Apocalypse (Review)”
This is a split between two US black metal bands, Lust Hag and Reaping Fields.
NEW LUST HAG! ALERT! ALERT! ALERT! I dunno what it is with Lust Hag, but I just can’t get enough. Actually, I know exactly what it is – it’s just absolutely killer black metal. This is a split though, and Reaping Fields, as we’ll see, are a revelation. Continue reading “Lust Hag/Reaping Fields – Prayers Unanswered – Split (Review)”
This is the debut album from Canadian black metallers Conifère.
L’Impôt du Sang offers up 31 minutes of old-school black metal. Conifère’s music takes the tried-and-tested classic formula and runs with it, producing a corker of an album that sounds far more vibrant and engaging than many that play the style. Continue reading “Conifère – L’Impôt du Sang (Review)”
Wonderbox Metal 