This is the third album from blackened death metallers Whore of Bethlehem.
Recommended for fans of Morbid Angel, Deicide, Devangelic, and Oath of Damnation by the promo blurb, this sets an appropriately brutal scene for Ritual of Homicide. I’ll also throw in references to acts such as Belphegor, Dark Funeral, Suffocation, Krisiun, and Altars Ablaze for good measure. Continue reading “Whore of Bethlehem – Ritual of Homicide (Review)”
Ne Obliviscaris are an Australian extreme progressive metal band and this is their fourth album.
It seems like such a long time ago that 2017’s Urn came out – and it was – so it’s great to now have Ne Obliviscaris back with Exul. Containing 52 minutes of new material, Exul may just be Ne Obliviscaris’ best album yet. Continue reading “Ne Obliviscaris – Exul (Review)”
Dawn Ray’d are a black metal band from the UK and this is their third album.
Dawn Ray’d have produced an enviable discography in a relatively short space of time, (including 2019’s Behold Sedition Plainsong), and it’s great to now have their third album To Know the Light upon us. Continue reading “Dawn Ray’d – To Know the Light (Review)”
Verminous Serpent are a black metal band from Ireland and this is their debut album.
Featuring members of Primordial, Dread Sovereign, Slidhr, and Malthusian, Verminous Serpent supply us with 40 minutes of malevolent black metal on The Malign Covenant. Continue reading “Verminous Serpent – The Malign Covenant (Review)”
This is the third album from Danish one-man black metal band Afsky.
Following on from 2018’s Sorg, 2020’s Ofte Jeg Drømmer Mig Død, and 2022’s I Stilhed, Om Hundrede År contains 43 minutes of new material and is eagerly anticipated by many fans of atmospheric black metal. Continue reading “Afsky – Om Hundrede År (Review)”
This is the fourth album from polish post-black metallers Entropia.
Entropia are such a good band. I have thoroughly enjoyed their development through the years, (make sure you check out Vesper, Ufonaut, and Vacuum), and now on their latest release they demonstrate once again why they are just so damned good. Continue reading “Entropia – Total (Review)”
Downfall of Gaia are a German post-black metal band and this is their sixth album.
Following on from 2016’s Atrophy and 2019’s Ethic of Radical Finitude, Sillhouettes of Disgust brings us a new 45 minutes of Downfall of Gaia’s idiosyncratic mix of black metal, post-metal, sludge, blackgaze, and crust. Continue reading “Downfall of Gaia – Silhouettes of Disgust (Review)”
Minenwerfer are a black metal band from the US and this is their fourth album.
Brought to us by an ex-member of Lycus and Plague Widow, Feuerwalze contains 49 minutes of black metal that’s harsh, unforgiving, and utterly merciless. Continue reading “Minenwerfer – Feuerwalze (Review)”
This is the debut album from Unfelled, an international black metal band.
Pall of Endless Perdition contains 36 minutes of black metal and is brought to us by current and ex-members of Woods of Desolation, Drudkh, Windswept, Ill Omen, and Temple Nightside. Continue reading “Unfelled – Pall of Endless Perdition (Review)”
Räum are a Belgian post-black metal band and this is their debut album.
Cursed by the Crown contains 37 minutes of music, spread across four harsh post-blackened soundscapes. Räum weave desolate moods and grim, oppressive auras throughout this album. Theirs is a form of Continue reading “Räum – Cursed by the Crown (Review)”
Wonderbox Metal 