Any Given Day are a German modern metal band and this is their third album.
I confess that I’m usually quite hesitant to listen to bands like this, (modern metal/metalcore), as a lot of the time I’m simply confronted with heartless aggression and plastic emotion. Not so with Any Given Day. On Overpower, you can tell they mean it. Continue reading “Any Given Day – Overpower (Review)”
Boundaries are a metal/hardcore band from the US and this is their latest EP.
Boundaries are heavy. Like, crush your skull into a bloody pulp heavy. Add to this the fact that they can also write a good song, and you have a pretty damn satisfying EP. Continue reading “Boundaries – My Body in Bloom (Review)”
This is the debut album from Holding Absence, a UK modern metal band.
I had no intention of writing about this album. Described as a metalcore album themed around love, it did not push my buttons, I confess. However, I made the mistake of actually listening to the band, and ended up being firmly hooked. Continue reading “Holding Absence – Holding Absence (Review)”
Forged in Black are a UK heavy metal band and this is their second album.
Featuring 48 minutes of material, Descent of the Serpent is well-crafted heavy metal with wide scope. Some elements of thrash are mixed in, for example. Also, occasionally the songs veer into classic doom metal territories in their more atmospheric moments, or sometimes adopt a power metal stance of epic force. Whatever they do this is pure heavy metal goodness all the way. Continue reading “Forged in Black – Descent of the Serpent (Review)”
Children of Bodom are a melodic death metal band from Finland and this is their tenth album.
My relationship with Children of Bodom up to this point can be summarised like so –
Hatebreeder (1999) – Wow, yeah! Such a damn good album. I really like this band.
Hate Crew Death Roll (2003) – The band just continue to get better!
Are You Dead Yet? (2005) – Oh no. What happened here? It’s okay I suppose, but not really my thing.
Halo of Blood (2013) – Not too bad, but not too good either.
And now we have Hexed. Yes, there are other albums too, in addition to the ones mentioned above, but you get the general idea.
Hexed contains 45 minutes of rocking melodeath, which consists of ten new tracks and, curiously, a reworking of an older song, (Knuckleduster). My verdict? It seems Children of Bodom have returned to the quality levels of the late 90s/early 00s. Yes, you read that right.
Prominent, expressive keyboards work wonders with the material. Songs that are catchy and memorable tear out from the music like bladed predators scything through the airwaves. Old school rock and metal elements are captured in the band’s electrifying songs, especially in the melodies used. Aggressive, energetic, and melodic, Hexed is full of good tunes and confident attitude.
I’m impressed. I’m very pleased to say that the band sound revitalised, despite how much of a cliché that probably comes across as. The album art suggested something along these lines when I first saw it, but the music firmly backs it up.
Hexed is Children of Bodom’s best album in years. I feel like I’ve rediscovered an old friend.
This is the thirteenth album from veteran Swedish metallers In Flames.
Now here’s a band that should need no introduction, and by this point most people will probably already have an opinion of this album before they’ve even heard a single note off it. Continue reading “In Flames – I, the Mask (Review)”