Ocultum – Buena Muerte (Review)

Ocultum - Buena MuerteThis is the third album from Ocultum, a doom band from Chile.

Buena Muerte is a 39-minute doom record that takes influence from the stoner and sludge styles. Ocultum have big presence, heavy riffs, a filthy sound, and crushing songs. What’s not to like? Continue reading “Ocultum – Buena Muerte (Review)”

Old Skin – Wails of Ten Thousand (Review)

Old Skin - Wails of Ten ThousandThis is the debut album from US sludge band Old Skin.

Wails of Ten Thousand is a 28-minute beast of crushingly filthy sludge metal nastiness. The promo blurb states that it is for fans of bans like Eyehategod, Fistula, and Coffins, and that it contains noise and death metal elements. Sold! At least in theory. In practice, is it actually any good? Continue reading “Old Skin – Wails of Ten Thousand (Review)”

Onirophagus – Revelations from the Void (Review)

Onirophagus - Revelations from the VoidOnirophagus are a Spanish death/doom metal band and this is their third album.

It’s been some time since Onirophagus graced us with the crushing slab of death/doom that was 2019’s Endarkenment (Illumination Through Putrefaction), but now the band have returned. The 48-minute Revelations from the Void is a leaner beast than its predecessor, with shorter songs, (significantly so in many cases), and an increase in atmospheric malevolence that’s remarkable. Continue reading “Onirophagus – Revelations from the Void (Review)”

A Thousand Sufferings/Kludde – Het Pact – Split (Review)

A Thousand Sufferings Kludde - Het Pact - SplitA Thousand Sufferings and Kludde are both from Belgium. The former play doom, and the latter black metal.

A Thousand Sufferings start this split off with two songs totalling 13 minutes. I’ve enjoyed all of the band’s work so far, (Burden, Bleakness, Stilte), which made me eager to hear what Het Pact had in store. Continue reading “A Thousand Sufferings/Kludde – Het Pact – Split (Review)”

Epitaph – Path to Oblivion (Review)

Epitaph - Path to OblivionThis is the third album from Italian doom metallers Epitaph.

I enjoyed 2014’s Crawling out of the Crypt a great deal, and 2017’s Claws wasn’t too shabby either. It’s been a long time since their last album though, and Epitaph also have a new singer now too. So, what do the 41 minutes of new music on Path to Oblivion have to offer us then? Continue reading “Epitaph – Path to Oblivion (Review)”