Kroh – Pyres (Review)

KrohThis is the latest EP from UK doom metal band Kroh.

Kroh are a talented bunch. My first introduction to their female-fronted incarnation was when I caught them live at the 2016 Damnation Festival, so I’m now very glad to be reviewing their latest EP. Continue reading “Kroh – Pyres (Review)”

LaColpa – Mea Maxima Culpa (Review)

LaColpaThis is the debut album from Italian doom band LaColpa.

This is filthy blackened doom, added to with some violent noise and harsh sludge. There are only three tracks on this album, but they total almost 40 minutes, and it’s clear from the very start that the band aren’t messing around. Continue reading “LaColpa – Mea Maxima Culpa (Review)”

Promethean Misery – Ghosts (Review)

Promethean MiseryPromethean Misery is a one-woman project playing atmospheric and doom metal-influenced neo-classical music.

After her extremely impressive and enjoyable Bloodlet EP from earlier in the year, this new album contains more alluring, dark, and wonderfully-realised music. Continue reading “Promethean Misery – Ghosts (Review)”

Gnaw – Cutting Pieces (Review)

GnawThis is the third album from US experimental doom band Gnaw.

Featuring the inimitable vocals of the singer that graced Khanate with his serrated, searing voice, 2013’s Horrible Chamber was a must-listen record as soon as I knew it was available. It’s been a long four years, but now we finally have the follow up in Cutting Pieces. Continue reading “Gnaw – Cutting Pieces (Review)”