Mixing elements of black and post-metal into their dark, atmospheric doom, this is grim, unfriendly music, but doesn’t lack in appeal because of this. Continue reading
The track starts off with an exotic flavour; Middle Eastern-inspired music that shortly is replaced with heavy guitars in the mournful, Doom/Death style. Eye of Solitude are very good at combining the stark heaviness of Doom with the rich melodic streaks of Doom/Death.
The vocals continue to be the pitch-black growls that we know and love so much. If anything the singer’s voice seems to be getting deeper as time passes, and his performance on Obsequies is quite monolithic. Combined with the slow pace of the accompanying funeral dirge each growl becomes akin to the passing of aeons.
The middle section of the song is comprised of a piano and violin section, amiably breaking up the crushing misery of the main composition with a textured, emotive exploration of grief.
After this, the song crawls to a natural close, all emotion spent, all energy drained.
After Eye of Solitude comes the contribution from Faal. This is a track called Shattered Hope that lasts over 13 minutes. I have not heard Faal before this, but they quickly draw me in with their atmospheric Funeral Doom.
Accompanied by subtle synths, their music is bleak and suicidal, reminding of some of the older, slower material from Forgotten Tomb, only with less Black Metal and more Doom/Death; maybe kind of Forgotten Tomb mixed with Esoteric?
Dark growling vocals appear to swim in and out of the music, adding highlights to it rather than being the main focal point. Although the band have a heavy side, Shattered Hope is more about mood and substance than heaviness for the sake of it. It’s slow, miserable and easy to become absorbed in. Before you know it, the long running time is over with and you’re left with an unsubstantiated feeling of having lost something important.
A quality split of slow, mournful Doom. Press play and lose all track of time.