Behemoth are a Polish blackened death metal band and this is their thirteenth album.
I thoroughly enjoyed 2018’s I Loved You at Your Darkest, but somehow missed its follow up. Not so with The Shit ov God, which gives us – dodgy name aside – 39 minutes of new material from Behemoth’s charismatic blend of death and black metal. Continue reading “Behemoth – The Shit ov God (Review)”
This is the second album from US death metallers Ominous Ruin.
Following on from 2021’s enjoyable Amidst Voices That Echo in Stone, Ominous Ruin have returned, now with a new vocalist. Requiem brings us 40 minutes of technical/brutal death metal, and it’s pretty damn good. Continue reading “Ominous Ruin – Requiem (Review)”
This is the debut release from Italian death metallers Encelado.
Pillars of Creation contains four tracks, with a duration of 14 minutes. To get you in the right mood for Encelado, the promo blurb mentions bands such as Aborted, All Shall Perish, and Dying Fetus for the music, and Cannibal Corpse and Suffocation for the vocals. Continue reading “Encelado – Pillars of Creation (Review)”
This is the debut album from German progressive death metal band Changeling.
Changeling is brought to us by current/ex-members of Alkaloid, Belphegor, Defeated Sanity, Fear Factory, Obscura, Vipassi, and Virvum. It’s supported by an army of guests, who perform everything from guest solos, vocals, and choirs, to cello, flutes, horns, piano, tuba, violins, viola, and much, much more. The music combines progressive and technical death metal, with jazz fusion, progressive rock, and world music. It’s a lot, and it’s all packed into 60 minutes of compelling material. Continue reading “Changeling – Changeling (Review)”
Cancer are a UK death metal band and this is their seventh album.
As far as 90s death metal bands go, Cancer are severely underrated. When they returned in 2018 with Shadow Gripped they returned strong, and I actually can’t believe it was so long ago that it came out and that I saw them at that year’s Damnation Festival. Time really does fly. Anyway, Cancer have now returned with a new lineup, (including members of Dissocia, Eternal Storm, and Wormed), and the 46-minute Inverted World. Continue reading “Cancer – Inverted World (Review)”
This is the second album from Turkish death metallers Diabolizer.
2021’s Khalkedonian Death was a very enjoyable slab of devastatingly effective death metal. Murderous Revelations continues Diabolizer’s ascent, delivering a crushing 39-minute feast of classic death metal butchery. Continue reading “Diabolizer – Murderous Revelations (Review)”
Lik are a Swedish death metal band and this is their fourth album.
Following on from 2018’s Carnage and 2020’s Misanthropic Breed comes another slab of Swedish death metal carnage from the ever-dependable Lik. Necro is a solid 41-minute slab of heaviness. Continue reading “Lik – Necro (Review)”
Rothadás are a death/doom band from Hungary and this is their second album.
Töviskert… a Kísértés Örök Érzete… Lidércharang almost passed me by, but I heard enough underground buzz about it that I had to check it out. I’m glad I did, as Rothadás have produced a monstrous slab of doom-inflused death metal. Continue reading “Rothadás – Töviskert… a Kísértés Örök Érzete… Lidércharang (Review)”
This is the fourth album by Polish death metallers Dormant Ordeal.
2021’s The Grand Scheme of Things was a notable slab of death metal heaviness, so I’ve been looking forward to Tooth and Nail. Across 47 minutes Dormant Ordeal once again showcase their expressive brand of Polish death metal. Continue reading “Dormant Ordeal – Tooth and Nail (Review)”
This is the fifth album from German death metallers Cytotoxin.
2020’s Nuklearth was a very good album, so it’s great to have Cytotoxin back once more. Containing 48 minutes of new material, Biographyte offers a radioactive feast of death metal for us to savour and enjoy. It’s the band’s longest album, but fear not, Cytotoxin know what they’re doing. Continue reading “Cytotoxin – Biographyte (Review)”
Wonderbox Metal 