Order of Nosferat – Towards the Nightrealm of Orlok (Review)

Order of Nosferat - Towards the Nightrealm of OrlokThis is the sixth album from international, (Germany/Finland), black metal band Order of Nosferat.

I’ve had a soft spot for Order of Nosferat since discovering their vampiric brand of black metal on their 2023 split with Lunar Spells, which this year’s The Absence of Grace just reinforced. Yes, this is the band’s second full length of 2024, and across these 45 minutes Order of Nosferat have produced another corker of an album. Get ready for the second wave furious majesty of Towards the Nightrealm of Orlok! Continue reading “Order of Nosferat – Towards the Nightrealm of Orlok (Review)”

Canis Dirus – By the Grace of Death (Review)

Canis Dirus - By the Grace of DeathThis is the fourth album from US black metallers Canis Dirus.

By the Grace of Death contains 38 minutes of atmospheric black metal. Through a captivating mix of hostility, beauty, and dark splendour, Canis Dirus have produced a record that’s undeniably potent. Continue reading “Canis Dirus – By the Grace of Death (Review)”

Monte Penumbra – Austere Dawning (Review)

Monte Penumbra - Austere DawningThis is the third album from Portuguese black metal band Monte Penumbra.

It’s been eleven years (!) since I last caught up with Monte Penumbra on Heirloom of Sullen Fall, so a reunion is long overdue. Containing 41 minutes of new material, Austere Dawning offers us a journey into dissonant black metal darkness. Continue reading “Monte Penumbra – Austere Dawning (Review)”

Mesarthim – Anthropic Bias / Departure (Review)

Mesarthim - Anthropic Bias DepartureThis is the latest release from Australian black metal band Mesarthim.

With quite a prolific discography, I don’t get to catch up with Mesarthim as often as I’d like, (though do check out .- -… … . -. -.-. .The Density Parameter, and CLG J02182–05102), so upon the arrival of Anthropic Bias / Departure I made sure I spent some time with it. Continue reading “Mesarthim – Anthropic Bias / Departure (Review)”

An Axis of Perdition – Apertures (Review)

An Axis of Perdition - AperturesThis is the fifth album from UK industrial black metal band An Axis of Perdition.

Apertures contains 48 minutes of malignant dark terror. It’s an industrial black metal vehicle for extradimensional horror that uses the listener’s mind against them. Enter into the world of An Axis of Perdition at your peril. Continue reading “An Axis of Perdition – Apertures (Review)”

Aara – Eiger (Review)

Aara - EigerThis is the sixth album from Swiss black metal band Aara.

A new Aara album is always a cause for celebration. I’ve been a big fan of everything they’ve put out so far, (check out Triade I: EosTriade II: Hemera, and Triade III: Nyx), so expectations are high for Eiger. Continue reading “Aara – Eiger (Review)”

Heathen Deity – Satan’s Kingdom (Review)

Heathen Deity - Satan's KingdomThis is the second album from UK black metallers Heathen Deity.

Brought to us by current and ex-members of Hecate Enthroned, Helvellyn, Nefarious Dusk, and SkiddawSatan’s Kingdom contains 59 minutes of old-school Satanic black metal, although of a more expressive and higher quality than you typically find in the wild. Continue reading “Heathen Deity – Satan’s Kingdom (Review)”

Wolvencrown – Celestial Lands (Review)

Wolvencrown - Celestial LandsWolvencrown are a black metal band from the UK and this is their second album.

After 2019’s very enjoyable Of Bark and Ash, Wolvencrown have now returned with the majestic Celestial Lands. Bigger, better, and more ambitious, the Wolvencrown of 2024 is a formidable force. Continue reading “Wolvencrown – Celestial Lands (Review)”

Pestilent Hex – Sorceries of Sanguine & Shadow (Review)

Pestilent Hex - Sorceries of Sanguine & ShadowPestilent Hex are a black metal band from Finland and this is their second album.

After 2022’s enjoyable The Ashen Abhorrence, Pestilent Hex have now returned with the 46-minute Sorceries of Sanguine & Shadow. Continue reading “Pestilent Hex – Sorceries of Sanguine & Shadow (Review)”