wonderboxmetal

Eye of Solitude – Sui Caedere (Review)

UK-based Eye of Solitude play slow, dirge-y funeral doom. Imagine a band like Esoteric only with some Paradise Lost-esque riffs/melodies, topped off with some very nice vocals. Ahh yes; the vocals. The vocals are absolutely relentless – pure, deep, utterly uncompromising growls. The vocals fit the music perfectly and almost act as another instrument used to flatten the listener with their oppressive aural assault.

As well as the slow, crawling, very-heavy nature of the music, Eye of Solitude display a welcome grasp of songcraft and melody. This means that the songs don’t get boring or outstay their welcome, as well as having an emotional content which enhances the general feeling of the album to the point where even on the first listen you know that this is going to be a ‘grower’ of an album; the more you listen to it the better it gets.

Interspersed with all of the heaviness are also some quieter, more introspective moments that allow the listener a brief respite before being steamrollered once more by the crushing doom on offer here. It all works very well. “A Note to Say Farewell” is a great example of this.

This is the kind of album I can just sit back; turn up loud; and just let the soundscapes wash over me. The sheer feeling of the tracks on display here; the combination of songwriting, melody and atmosphere that gives the album something special and definitely makes it stand out from its peers.

Highly recommended. If you even vaguely like this genre of music then you will enjoy this band.

Generation of Vipers – Howl and Filth (Review)

Featuring members of more prominent bands; Generation of Vipers play a brand of ultra-filthy sludge, that seems wrapped in layers of grime so thick and dense it’s impressive. Somewhere; lurking under all of this murky heaviness, the vocals strain to get through. Agonised screams and tortured verbalisations that are strangled and dragged down by the weight of the oppressive sludge.

This is an album aimed at the true devotees of doom and sludge; for those who are willing and eager to brave the extremes of sonic heaviness. Even though there are six separate tracks on this album it’s more like one big journey, one made by wading through the filth. This may not sound particularly appetising to some, but if you like your sludge then you know for this brand of music it’s a very good thing indeed.

Give this band a go – there’s a lot of treats to be had in those murky depths…

Entropia – Vesper (Review)

Entropia play Blackened Dark Progressive Post-Metal, which is a bit of a mouthful really but gives a general idea of what they sound like. Each of the (fairly long) songs are well composed and obviously a lot of thought has gone into them.

This is a really enjoyable album as it takes you on a journey through a blackened landscape full of surprises and unexpected turns. At its heart is a fiery Black Metal album, but one that has mutated out of the original genre confines into a space of its own to become lord of its post-metal landscape.

All the more impressive is the fact that this is Entropia’s first full album – maturity and intelligence of songwriting such as is on display here is rarely displayed so early in the existence of a band.

This is an album that has both heavy and light; the soft and the hard; atmosphere and bite. If you are looking for interesting and adventurous Black Metal then I highly recommend this album .

Ad Patres – Scorn Aesthetics (Review)

I am a fan of all types of extreme metal, although I definitely go through phases where I favour one particular genre or other for a while. Sometimes it may be Black Metal; sometimes Grindcore; recently I went through a massive Doom-favouring phase. At the moment it’s Death Metal; specifically Brutal Death Metal. Which brings me to Ad Patres; a French band who fill this need of mine perfectly.

The songs are well constructed, well played and the album has a good clear sound. Ad Patres not only have great energy in their songs, but they also display an above-average grasp of dynamics and songwriting skills which makes for an album that is very enjoyable but that also has longevity and won’t simply be forgotten in a couple of weeks. And let us not forget the riffs! Plenty in abundance.

Some Death Metal can be very one dimensional, but this isn’t just pure blasting brutality; there are also slower sections as well as some nice solo’s and melodic sections. A perfect example of this is a song like To the Fathers which is as brutal as anything for the most part, but has a section near the latter end of the song where the brutality eases off and we get a slower, more melodic and emotive section that is very well done indeed.

A top quality album – I highly recommend this to anyone who likes their Death Metal.

Xul – Malignance (Review)

From Canada; Xul play a bludgeoning brand of blackened Death Metal, with plenty of confidence and assurance. Xul combine both Black and Death Metal in a meaningful way – imagine a sound that is half-way between Behemoth and Dimmu Borgir, sans symphonics, (if that makes any sense).

At about 38 minutes in duration the album is just about the right length. Gritty and raw but still sounding tight and professional – the songs zoom by in a whirlpool of brutality and dark melody.

Sit back, hit play and hold on!

Night Heir – A Maze of Evenings (Review)

Atmospheric metal from the US. There is plenty of variety and individuality on display here, with varying styles from Black Metal to Doom, and everything in between. The band are not afraid to experiment, so you’ll find plenty to hold the interest on this album if you like your metal with a touch of the Avant Garde/experimental.

I also notice what seems to be an In The Woods… influence, so if you imagine a band like In The Woods… with extra Black Metal, Doom, Folk, etc. parts thrown in you’ll be on the right lines.

This will not be to everyone’s tastes of course, but if you are in the right mood then stick this album on and relax, zone out and just get swallowed up in the atmosphere and the journey.

If you’re looking from something a bit different then give them a listen – you won’t regret it!

Coffins – Buried Death (Review)

Doomy Death Metal from Japan is the order of the day here. Imagine the doom-death of a band like Incantation, and combine this with the swagger of a band like Orange Goblin – you get the idea. This formula may sound a little unusual at first but trust me it works and makes for a very enjoyable album to boot.

Here we have slow, (mostly), sludgy Death Metal with plenty of atmosphere and attitude. The production fits the sound perfectly – strong without being clean, murky without being sloppy. Each song has a definite old-school vibe that is missing from a lot of Death Metal these days and contributes to the enjoyment factor. Even on the first listen it sounds like an old friend, but not in a bad, heard-it-all-before way; rather the familiarity is welcome and adds to the overall feeling of a high-quality release with enjoyable songs.

I highly advise you have a listen as soon as you can!

Suffocation – Suffocation (Review)

Suffocation have been around for some time now and are relatively well known, so this band needs no real introduction I feel. Suffice to say that technical and brutal Death Metal is the order of the day here; and Suffocation do what they do very well in deed.

This album is well-written and composed, and has a very good production with all of the instruments clear and well-recorded. The vocals are nice and deep, as you’d expected from a band of this style, but still remain legible in cases as they are not of the bowel-loosening-low variety.

Probably their slowest release, (but still with more than enough speed and blast); this is an album of riffs. Riffs galore, riffs aplenty, riff-driven. The riffs alone are enough to justify getting this album, let alone everything else.

A strong album; this should be a comfortable fit as part of any Death Metal fan’s collection.

https://www.facebook.com/suffocation

The Black Dahlia Murder – Everblack (Review)

There is something innately enjoyable about The Black Dahlia Murder. Essentially taking all of the best bits of bands like At The Gates and adding extra speed and bite with some deeper vocals, this is the absolute best that Melodic Death Metal has to offer the world. And the offering is goooood!

One of the things that like most about this band is the combination of good songwriting, good solos, and just good energy. This is the closest you can probably come to “happy” extreme music without being ridiculous. It’s not “happy” music of course; it has a dark edge and it has bite, but the energy is there in spades and it’s sometimes hard to stay still when listening to them!

Having said all of this though it’s important to remember that although this is a great album, they have released better in the past. That should not diminish this album at all of course; it just means that whatever they do next could be even better as they continue to develop and refine their sound. Until then I’ll be listening along and thrashing out!

Check them out –

http://metalblade.com/bdm/

Stellar Descent/Aylwin – Farallon (Review)

This is a split between Stellar Descent an Aylwin, and long, epic, Cascadian-style Black Metal is the order of the day here.

The songs by both bands are well constructed examples of this particular sub-genre and are positively brimming with atmosphere and feelings that evoke the harsh reality of a beautiful yet potentially deadly landscape.

I think this style of music has a lot to offer, especially when done well and with obvious passion such as is displayed here. Both bands also benefit from strong recordings and sound, whilst still within a recognisably Black Metal style.

Highly recommended this; for anyone who likes their Black Metal bleak and unforgiving, yet naturalistic and wild.

https://www.facebook.com/aylwinblackmetal

https://www.facebook.com/StellarDescent