Interview with Deathwhite

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Deathwhite’s latest EP Solitary Martyr is a professional 25 minutes of polished Melodic Metal. Find out more about them below…

For those who are unfamiliar with your band – introduce yourself!

We are a trio of musicians spread across the United States, coming together with the sole purpose of creating new music together. We do not play live, so our efforts are limited strictly to the studio.

Give us a bit of history to Deathwhite

We formed in 2012 under the idea to play darker, melodic metal. Given our current locale, it was decided early on that we would not play live, but rather be a studio entity. The approach has worked well thus far. In 2014, we released our first EP, Ethereal, and are following it up with Solitary Martyr.

Where did the band name come from?

Our name is derived from an Omnium Gatherum song, which dates back to their 2003 album, Spirit and August Light. As you are aware, coming up with a proper band name is a difficult task. However, we feel “Deathwhite” is a suitable one, for it doesn’t pigeonhole us, although there is a severe proliferation of bands with the word “death” in their name. We are simply adding to the list.

What are your influences?

Our main influences would be Katatonia, Anathema, My Dying Bride, Alcest, Isis, Junius, and Green Carnation. Surely there are countless more lying beneath the surface, although we try to be a band that doesn’t prominently display its influences on its sleeve.

Deathwhite BandWhat are you listening to at the moment that you would like to recommend?

A band of tremendous influence would be the Netherlands An Autumn for Crippled Children. Vocally, we are worlds apart, yet their melodic phrasing, penchant for atmosphere, and memorable nature of their songs is utterly captivating. They cannot be recommended enough.

What’s your favourite song on the EP and why?

“Suffer Abandonment” is certainly a favourite, although all five songs have their merit. It was released as the EP’s first “single” because it was probably the most immediate. On the vocal-front, it’s probably the best representation of what the band is capable of as well. It was an easy choice to release first.

What are the subjects/themes of the songs on this EP?

The themes range from self-doubt (“Pressure”), frustration with organized religion (“Suffer Abandonment”), the treatment of marginalized people based on their demographics (“Vain”), withstanding the urge to fall in line with the faceless sheep of the world (“Solitary Martyr”) and how people need to do a better job of owning up to the decisions they make in life (“Only Imagined”).

Give us a bit of information on your songwriting process

Because none of us reside in the same city, all songwriting work is done via computer. Files are traded, ideas are exchanged, then we firm the songs up prior to hitting the studio. The band’s previous version often rehearsed in-person, but that’s simply not possible with this lineup. It actually makes the whole process much easier, believe it or not.

How did the recording go?

The recording of Solitary Martyr was about as effortless and enjoyable as one could hope for. Brette Ciammara is a total pro, and is a master at getting strong, professional sounds. Plus, he did plenty of post-production work that enhanced the album. There’s not much more you could ask for in a partner like him.

How do you see your songs/direction developing in the future?

Deathwhite will never undergo a radical change in direction, but we are planning on adding keyboards to our sound. It’s unlikely we will take the bait of having growled/death metal vocals, either. Clean, well-sung vocals are very much the strength of the band, and, it’s a challenge to write for them. The end result, though, is worth it once everything is put together.

What’s next for Deathwhite?

Right now, we are composing songs for a full-length, which should see the light of day in 2016. In addition to that, we will be promoting Solitary Martyr throughout the remainder of the year.

A sincere thanks for your support,


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