Bearstorm are a progressive black metal band from the US and this is their latest EP.
Bearstorm play progressive black metal, but if you haven’t heard them before I can all but guarantee that they don’t sound as you’d expect them to.
Their previous album Americanus was an unusual record. A very good one, but a very individual one that was probably too much of an acquired taste for most. A shame, but their loss, (whoever they are), is our gain. Continue reading “Bearstorm – Biophobia (Review)”
Ulcerate are a death metal band from New Zealand and this is their fifth album.
Ulcerate personify atypical progressive/technical death metal. They incorporate enough other styles and influences to be termed post-death metal in some respects, although they still have the requisite amount of aggression Continue reading “Ulcerate – Shrines of Paralysis (Review)”
Cognitive are from the US and play technical death metal. This is their second album.
30 minutes, no messing around; Cognitive play their death metal with brutal efficiency and technical charm.
Sitting on the modern end of the scale, here we have Continue reading “Cognitive – Deformity (Review)”
Colosso are a Portuguese death metal band and this is their second album.
I really enjoy Colosso’s earlier work, (Abrasive Peace, for example), so Obnoxious is a release I was looking forward too.
The band have a track record of experimentation with their sound and looking to better themselves however they Continue reading “Colosso – Obnoxious (Review)”
This is the second album from Turkish death metal band Carnophage.
Sitting and writing this on a lazy Sunday morning, I’m listening to Monument again and it’s like a force of nature is rushing out of the speakers into my ears, engaging my brain and waking me up like it’s slapping me in the face over and over again.
Yeah, I still feel tired, but now I’m awake-tired. I’m sure you can relate. Continue reading “Carnophage – Monument (Review)”
Inanimate Existence are a US death metal band and this is their third album.
Starting off softly, with ambient sounds and female vocals, this album is a different beast to the band’s last album A Never Ending Cycle of Atonement. Sure, the band haven’t completely changed, but they’ve definitely progressed a significant amount.
So if you take their Continue reading “Inanimate Existence – Calling from a Dream (Review)”
This is the fourth album from US death metallers Allegaeon.
This is an ambitious, epic release; 72 minutes of science fiction-themed grandeur and technical aggression.
The band’s music is technical, melodic death metal that features a lot of engaging content and some quite virtuoso playing. For a band like this, the level of technicality on display is always going to be high, but Allegaeon never Continue reading “Allegaeon – Proponent for Sentience (Review)”
Urobilinemia are a Japanese brutal death metal/deathgrind band. This is combination of their split with 妖神楽 (Ayakasi Kagura) and their debut EP.
Featuring a hard-to-decipher band logo and some quite striking cover artwork, the band make a good impression before you even listen to them. And once you do, all Hell breaks loose.
The songs on this release are short, brutal and technical, just what the evil doctor Continue reading “Urobilinemia – Wriggling Chrysalis of Metaphysical Grudge (Review)”
This is the third album from Italy’s death metallers Ade.
Much in the same way that Nile are heavily influenced by ancient Egypt and incorporate musical influences from this into their sound and style, Ade do the same thing only their focus rests on ancient Rome.
These ancient influences come across in the music in a variety of ways, whether that’s incorporated into melodies and lyrics, (some of which are in Latin); layered in added orchestration and instruments; or even in some Continue reading “Ade – Carthago Delenda Est (Review)”
Eradikal Insane are a French death metal band and this is their debut album.
Eradikal Insane play modern death metal that’s high-impact and straight to the point.
The band vary the speeds that they operate in, but always go full-on regardless of what they do. The fast parts are very fast, the mid-paced grooves are generously dense and the breakdown-styled sections are heavy and crushing. Continue reading “Eradikal Insane – Mithra (Review)”
Wonderbox Metal 