Mental Cruelty – Inferis (Review)

Mental Cruelty - InferisMental Cruelty are a German deathcore band and this is their second album.

Violently mixing elements of slam and, (more importantly), menacing atmosphere into their deathcore brew, Mental Cruelty offer up 34 minutes of sheer brutality, and belligerent aggression. Continue reading “Mental Cruelty – Inferis (Review)”

Distant – Tyrannotophia (Review)

Distant - TyrannotophiaThis is the debut album from Distant, a deathcore band from the Netherlands.

Tyrannotophia combines underground slam-infused death metal with brutal deathcore. It’s easy to be lazy with this sort of thing and end up with a generic record, but Tyrannotophia is definitely an above-standard release. Continue reading “Distant – Tyrannotophia (Review)”

Within Destruction – Deathwish (Review)

Within Destruction - DeathwishThis is the third album from Slovenian death metal/deathcore band Within Destruction.

Within Destruction’s second album Void was one that made a notable impact. Here we had an album that did deathcore right; blistering death metal extremity coupled with huge slamming deathcore beatdowns, all delivered in a modern package of brutality and carnage. Top stuff. Continue reading “Within Destruction – Deathwish (Review)”

Stillbirth – Annihilation of Mankind (Review)

StillbirthThis is the fifth album from German death metallers Stillbirth.

This is unrelentingly brutal death metal, the variety that uses plenty of slam and deathcore influences to batter and bruise across the 44 minutes of material here. Elements of ferocious grindcore and modern death metal can also be heard. Continue reading “Stillbirth – Annihilation of Mankind (Review)”

Abhorrent Deformity – Slaughter Monolith (Review)

Abhorrent DeformityAbhorrent Deformity are a death metal band from the US and this is their second album.

Abhorrent Deformity deal in brutal death metal. The follow up to 2015’s Entity of Malevolence, Slaughter Monolith continues its bloody, violent rampage through the death metal suburbs, taking no prisoners and sparing no civilians. Continue reading “Abhorrent Deformity – Slaughter Monolith (Review)”

Carnal Decay – When Push Comes to Shove (Review)

Carnal DecayThis is the latest EP from Carnal Decay, a death metal band from Switzerland.

After hugely enjoying 2017’s You Owe You Pay, this new 10-minute EP was well-received by yours truly. It’s great to hear more of the band’s crushing modern death metal. Continue reading “Carnal Decay – When Push Comes to Shove (Review)”

Feto in Fetus – From Blessing to Violence (Review)

Feto in FetusThis is the third album from Feto in Fetus, a Polish grindcore band.

Here we have 18 tracks of brutal deathgrind; 34 minutes of savage, nasty extremity. Continue reading “Feto in Fetus – From Blessing to Violence (Review)”

Ingested – The Level Above Human (Review)

IngestedThis is the fourth album from this UK brutal death metal band.

Although I’ve seen Ingested live, this is my first encounter with their recorded material. They sound pretty much exactly like I thought they would, and I mean that in a very good way. I enjoyed them live, and The Level Above Human manages to capture the massive sound of the band’s performance with crushing precision. Continue reading “Ingested – The Level Above Human (Review)”

Octopurath – Spawned Beyond the Oneiric Abyss (Review)

OctopurathOctopurath are a brutal death metal band from France. This is their debut EP.

Featuring members of Eradikal Insane, this is a 15 minute calling card of utter brutality and crushing death metal.

This is dense and heavy, with Continue reading “Octopurath – Spawned Beyond the Oneiric Abyss (Review)”

Atomgott – Apatheia (Review)

AtomgottThis is the debut album from Atomgott, a German death metal band.

Atomgott mix together brutal/slamming death metal and deathcore to give us 29 minutes of huge riffs and heavy aggression.

The band are focused on providing the listener with a combination of speed and groove, both of which they do very effectively. Although there’s elements of the more modern deathcore/slam styles, there’s a good chunk of USDM in here too, recalling Continue reading “Atomgott – Apatheia (Review)”