This is the second album from UK black metallers Heathen Deity.
Brought to us by current and ex-members of Hecate Enthroned, Helvellyn, Nefarious Dusk, and Skiddaw, Satan’s Kingdom contains 59 minutes of old-school Satanic black metal, although of a more expressive and higher quality than you typically find in the wild. Continue reading “Heathen Deity – Satan’s Kingdom (Review)”
This is the third album from UK black metal act Ante-Inferno.
Following on from 2022’s Antediluvian Dreamscapes comes Death’s Soliloquy, which contains 47 minutes of new material. It’s Ante-Inferno’s longest album, but also their most engaging and well-realised. Continue reading “Ante-Inferno – Death’s Soliloquy (Review)”
Now this was a show I knew I couldn’t miss out on. All three bands are great, and any one of them I’d have come to see. All three together? Unmissable. Continue reading “Winterfylleth/Wormwitch/Bizarrekult – Rebellion, Manchester – 10/11/24 (Live Review)”
This is the fourth album from German black metallers Sun Worship.
Brought to us by a member of both the mighty Ultha and Unru, Upon the Hills of Divination contains 41 minutes of modern black metal. Hold on tight and prepare yourself, as this one’s a special one. Continue reading “Sun Worship – Upon the Hills of Divination (Review)”
This is the third album from Swiss black metal solo band Paysage D’Hiver.
Die Berge contains a colossal 103 minutes of atmospheric/ambient black metal for the listener to feast upon greedily. The artist behind Paysage D’Hiver has created an album to fall deeply into, never to return. Continue reading “Paysage D’Hiver – Die Berge (Review)”
From the Vastland are an Iranian/Norwegian black metal band and this is their eighth album.
I enjoy catching up with From the Vastland’s brand of black metal. I’ve liked all of their albums I’ve heard so far, (2016’s Chamrosh, 2018’s Daevayasna, and 2020’s The Haft Khan, (I managed to miss their 2022 record Taurvi, which I’ve only just found out even existed), so I didn’t expect Tenebrous Shadow to break this trend. Continue reading “From the Vastland – Tenebrous Shadow (Review)”
This is the debut album from Polish black metal band Death Like Mass.
Featuring current and ex-members of Enthroned, Lvcifyre, and Nightbringer, Death Like Mass play old-school black metal that boasts a keen edge of individuality that’s unusual in the style. Across 44 minutes of material The Lord of Flies impresses. Continue reading “Death Like Mass – The Lord of Flies (Review)”
This is the fourth album from Swiss black metal solo act Ashtar.
I enjoyed both 2015’s Ilmasaari and 2020’s Kaikuja, so wanted to check out Ashtar’s latest. Since those albums the band have become a solo endeavour, and I missed the artist’s 2023 album Wandering Through Time somehow. A little over a year since that record though and we have The Return of the Frozen Souls, which features 45 minutes of black/doom metal, (including a Samhain cover). Continue reading “Ashtar – The Return of the Frozen Souls (Review)”
This is the eighth album from Norwegian black metallers 1349.
1349 boast current/ex-members of Gorgoroth, Keep of Kalessin, Mortem, and Satyricon in their ranks, and they provide us with 39 minutes of Norwegian black metal in the form of The Wolf and the King. Continue reading “1349 – The Wolf and the King (Review)”
This is the third album from German black metal band Servant.
Following on fast from last year’s Aetus Ascensus comes Death Devil Magick, bringing us 41 minutes of new material. Servant’s style is intact and well, delivering a richly melodic form of black metal that’s based on the 90s second wave, but shows a post-black metal influence in places. Continue reading “Servant – Death Devil Magick (Review)”
Wonderbox Metal 