Post-Black Metal – Page 29

Interview with In Cauda Venenum

The self-titled debut album by In Cauda Venenum is now over a year old and about to get a vinyl re-release. If you haven’t yet heard it then I highly suggest you do. Containing only two tracks, yet running for 42 minutes, the music is epic, top-of-the-line atmospheric black metal, full of texture and darkness.

Ictus, (guitars, bass and vocals), brought me up to speed with all you need to know about this talented band…

For those who are unfamiliar with your band – introduce yourself!

We are two guys playing Black Metal songs. We like making it epic, progressive and atmospheric. If you enjoy long tracks, you should give a chance to IN CAUDA VENENUM.

Give us a bit of background to In Cauda Venenum

I wrote 4 first ICV songs during 2009 and 2010. When N.K.L.S. joined me as a drummer in 2011, we decided to bring them to another level and started a rewriting process. After several years working on these 4 tracks, we finally decided to focus on 2 tracks to prepare our first release. We made this choice because our tracks were quite long (more than 20 min each), and the job was to huge. Continue reading “Interview with In Cauda Venenum”

Vrtra – My Bones Hold a Stillness (Review)

Vrtra are a black metal/post-black metal/blackened doom band from the US. This is their debut album.

Holy shit this is good! Is that an appropriate way to start a review? I dunno. Probably not, but who cares, because holy shit this is good!

This is a sickly-blackened release that contains elements of doom, death, black and post-metal within its 31 minute length. Vrtra do not respect musical boundaries, and why should they? I’ll tentatively refer to them as Continue reading “Vrtra – My Bones Hold a Stillness (Review)”

Falaise – As Time Goes By (Review)

This is the debut album from Falaise, an atmospheric/post-black metal band from Italy.

Melancholic and full of depressive moods and feelings, Falaise’s debut album is filled to the brim with sadness, loss and abandoned hope.

The band channel this misery into 61 minutes of atmospheric/post-black metal that uses fragility as a weapon and despondency as an end unto itself.

In many ways this is a product of the blackgaze scene, with all that entails. Continue reading “Falaise – As Time Goes By (Review)”

Crowhurst – II (Review)

Crowhurst are from the US, and are an extremely prolific band with lots of noise/experimental/etc. releases. Their self titled album from 2015 was especially of interest, as it was essentially a pure black metal album, and a very good one at that.

Fast forward a year, and they have now released II. This continues the black metal theme started by their previously mentioned album, only this time with a wider scope and with industrial/sludge aspects, as well as contributions from members Continue reading “Crowhurst – II (Review)”

Vukari – Divination (Review)

This is the second album from Vukari, a post-black metal band from the US.

With such striking album art, my fervent wish was for the album to match the quality of the cover.

My wish was granted.

Vukari play a very modern take on black metal that covers both its atmospheric and post-black metal bases well.

Atmosphere is something that Vukari foster easily, amidst Continue reading “Vukari – Divination (Review)”

Cairiss – Fall (Review)

Cairiss are an atmospheric/post-black metal band from the UK. This is their debut EP.

Now, here we have something very impressive.

Cairiss’ music is atmospheric metal that takes a good amount of black metal influence but builds on it with post-metal knowledge and application.

The singer has a voice that does the music justice. Her harsh screams are savagery Continue reading “Cairiss – Fall (Review)”

Vow of Thorns – Farewell to the Sun (Review)

Vow of Thorns are a post-black metal band from Canada, and this is their début album.

This is post-black metal with liberal lashings of the depressive and doom styles, and a taste for the progressive too.

The songs have a depressive black metal feel to them, coming from their general demeanour and the melodies used. Continue reading “Vow of Thorns – Farewell to the Sun (Review)”

Todtgelichter – Rooms (Review)

This is the fifth album from Todtgelichter, who play progressive/avant-garde black metal.

Rooms comes across as a combination of Enslaved and Madder Mortem, with a side-order of some of Arcturus‘ work. The resultant mix reminds of a post-black metal version of Obscure Sphinx. Which, considering who good Obscure Sphinx are, is an exciting proposition.

The music generally fuses elements of Continue reading “Todtgelichter – Rooms (Review)”

Echoes of the Moon – Elusion (Review)

This is the third album from this one-man US atmospheric post-black metal band.

Last year’s Entropy was a jaw-dropping release that was chock-full of atmospheric blackened goodness. It was a highly accomplished album and Elusion continues the theme.

Like Entropy, this is very atmospheric and richly textured music. It has elements of psychedelic, progressive and depressive Black Metal, as well as aspects of doom and post-metal. This all manifests in well-realised songs that follow Continue reading “Echoes of the Moon – Elusion (Review)”

Harrower – Remembrance (Review)

Harrower are from the US and play black metal.

Harrower play a raw form of black metal that occasionally branches out into post-metal waters.

Remembrance sounds cold and sharp, and has a lot more of a raw, underground feeling than a lot of black metal bands that also dabble in post-black metal. I think it works really well, and the sound they Continue reading “Harrower – Remembrance (Review)”