Despite – Synergi (Review)

DespiteDespite are from Sweden and play modern metal. This is their third album.

This makes a good impression very early on. Despite play a kind of modern metal that takes from the Swedish melodic death metal scene of yore, as well as more modern and even some progressive/djent elements. Synergi is my first exposure to the band, and to my ears comes across as a mix of Darkane, In Flames, Fear Factory and Whitechapel.

With three guitarists, the music is nicely heavy and treads the line Continue reading “Despite – Synergi (Review)”

Whitechapel – Mark of the Blade (Review)

WhitechapelWhitechapel are from the US and play deathcore/metal. This is their sixth album.

2014’s Our Endless War saw Whitechapel effectively combining their death metal/deathcore roots with their more further-developed modern metal approach from their previous release into an album that made the most out of both of these influences.

Mark of the Blade continues where Our Endless War left off, providing a large chunk of heavy, aggressive music with modern, groove and djent parts welded onto their thoroughly metal core. However, the band have also progressed and expanded Continue reading “Whitechapel – Mark of the Blade (Review)”

3rd Machine – Quantified Self (Review)

3rd MachineThis is the début album from 3rd Machine, a modern/groove metal band from the Netherlands.

This is rhythmic groove metal with keyboard enhancements that takes influence from the cyber metal scene.

Despite the modern production though, it has somewhat of a 90s metal feel to it to me. This is not meant in any detrimental way. 3rd Machine seem Continue reading “3rd Machine – Quantified Self (Review)”

Devildriver – Trust No One (Review)

DevildriverThis is the seventh album from this US metal band.

I’ve always enjoyed Devildriver’s combination of modern metal, melodic death metal, thrash metal, NWOAHM, classic metal, nu-metal and crushing groove metal. Sure, they’ve had their ups and downs over the years with some albums being noticeably stronger than others, but they’ve always had enough meat on their metal bones to make me happy to listen to them in some capacity or other.

This moves us onto Continue reading “Devildriver – Trust No One (Review)”

Interview with Mindshift

Mindshift Logo

Mindshift’s latest album Horizon is a thoroughly enjoyable slab of modern Metal, taking in both soaring, melodic choruses and crushingly heavy grooves. They’re definitely one of the more engaging bands that play this style, and I urge you to give them a listen if you haven’t done so already. The time seemed right to find out a bit more about this Swedish machine…

Introduce us to Mindshift!

Metal band based out of Stockholm, Sweden, that has been around for about 10 years. But the last 3 years has been sort of a turning point for the band where we have found our sound and started to see the band’s full potential.

For the moment a three piece that consist of Marcus ”Mao” Uggla (Vocals), Johan Lund (Guitar) and Fabien ”Fabz” Perreau (Drums).

What are your influences?

When it comes to writing the music and lyrics for Mindshift, we are influenced by day to day things, current events in our lives and around the world as well as listening to a lot of music. Bands like Killswitch Engage, Soilwork, Metallica, Architects, Heart Of A Coward, Machine Head, Periphery, Meshuggah, Whitechapel, Memphis May Fire, Gojira are constantly on rotation.

Name five things you’ve listened to recently that you’d recommend Continue reading “Interview with Mindshift”

Death Lullaby – Wormz (Review)

Death LullabyDeath Lullaby are a Canadian Metal band and this is their début album.

This is modern Metal/djent that takes no prisoners with its heavy assault.

Stylistically the band are somewhat of a crossbreed between djent and NWOAHM. This is to their benefit; djent by itself is a very easy sub-genre to do badly, but here the limitations of the style are made up for by the more Metal influences of the modern/NWOAHM elements. The end result is songs that still might be a bit too much for some naysayers of djent, but for me strikes the right balance.

Continue reading “Death Lullaby – Wormz (Review)”

Synthetic – Here Lies the Truth (Review)

SyntheticSynthetic are a Metal band from the UK and this is their début album.

This is modern melodic Metal that features a EuroMetal style with aspects of Scandinavian melodeth. There’s a bit more depth involved to these songs than you might expect from the description, however, as the band also incorporate elements of classic and progressive Metal, allowing them to stand out from the pack a bit more than the average proponent of this type of music. Continue reading “Synthetic – Here Lies the Truth (Review)”

Whitechapel – Our Endless War (Review)

WhitechapelThis is the fifth album from US Deathcore/Metal band Whitechapel.

Whitechapel have progressed over the years from their more Death Metal/Deathcore roots to something these days that is half Deathcore and half modern Metal, taking influence from the NWOAHM and djent styles and infusing them with a Deathcore aggression and heaviness.

They’ve generally slowed things down a bit too, emphasising catchiness and rhythm rather than speed and brutality, as was once the case, (although even back then they had a certain level of catchiness that was lacking in their peers). Due to their background though they’re more than capable of speeding up when they need to, adding that extra edge to the delivery, and I’m pleased that the blast beats haven’t been totally dropped from their repertoire.

As mentioned above, there’s more of a djent influence on their albums of late, and this is still true on Our Endless War. I’ve stated in the past that djent is a very easy style to be mediocre at, and I’ve said the same about Deathcore too; it’s a testament to Whitechapel’s ability that they take the strengths from one and use it to offset the weaknesses of the other. The result is music that blurs the line between both, taking the best aspects and combining them with the aforementioned NWOAHM parts to create memorable songs that pound and smash their way through the playing time.

Although Whitechapel are mainly about the chunky grooves and heavy riffs, the included melodies and leads should not be discounted or dismissed. These frequently provide a more emotive hook for the listener and add a lot to the songs in comparison to the more obvious rhythm guitars. This side of the band also serves to remind that when they’re not unleashing huge breakdowns and the like, Whitechapel can really play.

The singer’s clipped growls are still deep and roaring, and he shows a nice rhythmic awareness a lot of the time that fits in well with what the music is doing. Occasionally he slips into the even deeper deathgrowls of old, and it’s a joy to hear.

For me, this album is definitely a grower. For all of the immediacy of a band like this, it takes time for the rhythms and melodies to properly infiltrate your brain. When they do you’ll find that the band have produced a surprisingly memorable and enjoyable album.

Highly recommended.

Systemhouse33 – Regression (Review)

Systemhouse33Systemhouse33 are a Metal band from India. This is their latest album.

Their previous release Depths of Despair was an enjoyable, albeit brief, romp through all things heavy and modern, and Regression continues the theme but ups the stakes.

At a slightly longer 30 minutes in length, the band have further refined their blend of modern Metal and Metalcore/Hardcore/Death Metal influences into a potent blend of muscular aggression.

The singer has a harsh snarl that fits well with the music and doesn’t allow for any compromise. He plainly means business and I like what he’s selling.

The songs chug, rumble and bludgeon their way through the playing time and there’s a decent amount of catchy riffs and heavy melodies involved.

Although I liked Depths of Despair this is an all-round more cohesive, focused and superior release; perfect for when you want some heavy, crushing, upbeat, groove-based music. Without too much extremity, but also without going the other way into commercial, sanitised waters, Systemhouse33 have hit the right spot and Regression is actually a positive move forward.

For fans of Lamb of God, Meshuggah, Whitechapel, Skinlab, Machine Head, Testament, Merauder, etc.