Metal – Page 556 – Wonderbox Metal

Coffinborn – Beneath the Cemetery (Review)

Coffinborn are from Hungary and play Death Metal. This is their début EP.

This is Old-School Death Metal through and through. The band rip, tear and shred through these 4 tracks with morbid fervour.

This is rotten, stinking Death Metal that’s clawed its way out of the depths of the foetid crypt in search of brains and fresh body parts.

Cavernous vocals fill the air and one can almost imagine some ravenous, giant maw being opened ready to suck in all light and matter.

The dirty, filthy sound they have fits the music perfectly and the tracks pummel and bash with pleasing brutality.

Some good riffs and melodies stick out and there’s a good chug and groove in parts.

Mixing elements of the Old-School from bands such as Autopsy, Dismember, Incantation and Death; Coffinborn’s Classic Death Metal is played well and with good songs.

There are only 4 tracks on this EP but at just under 21 minutes in length it’s a good hit of Death Metal for Old-School fans. This is a very enjoyable release that promises good things for the future of this band.

Their début album could be one to watch. Check them out.

Great Reversals – Natural Burial (Review)

Great Reversals are from the US and play Hardcore/Post-Hardcore. This is their latest EP.

The band boast quite the immense sound with guitar riffs sounding like great slabs of granite falling from the sky.

A charismatic vocalist instantly draws the attention and hooks you in. His voice pierces the combination of heavy Metallic Hardcore and the more restrained Post-Hardcore influences to create an aural experience that’s quite invigorating.

This strikes me as the kind of band that would have done very well in the late 90’s/early 00’s; think of a charismatic band from this era, (maybe bits of bands like Skycamefalling and Shai Hulud), and then update the sound with a relatively subtle Post-Hardcore influence and Great Reversals are the result.

This is an impressive EP and I was expecting something less individual and less…striking than this. Maybe it’s the cynic in me, but this is a great little EP and I’m pleasantly surprised by how good it is.

It’s time to show your support – check out Great Reversals and get their EP. Definitely worth a listen.

Sterbenzeit – L’Oltrenotte (Review)

Sterbenzeit are from Italy and play Black Metal. This is their second album.

This is raw Black Metal with slight ostentation mixing the style of early-era bands such as Dimmu Borgir, Darkthrone and Satyricon.

There are no keyboards so the ostentation comes in the form of some of the guitars – the band’s riffs are highly atmospheric; the impression of mystery and of a boundlessly vast and uncaring cosmos is a powerful one.

Blackened rhythms and icy melodies propel the songs and I really like the fact that the band have succeeded in creating atmosphere with dark riffs alone.

The drums are low-key but prominent enough to be a integral part of the songs. The bass is very subtle but is actually audible beneath the fuzzy guitars. It provides a bedrock of support for the tracks and shouldn’t be discounted.

The shrieking screams of the vocalist accompany the music and are befitting the style they play. It’s a standard Black Metal scream but it’s done well and there are no complaints from me about it; his voice scrapes and bleeds Blackened aggression and passion for the cause.

L’Oltrenotte is true to the early Black Metal style and the band have created a worthy piece of Black Metal art.

Mothersloth – Moribund Star (Review)

Mothersloth are from Spain and this is their début album. They play (mostly) Instrumental Stoner/Doom Metal.

This album combines Doom, Sludge and Stoner with a bit of Progressive Rock to create an album that is much better than most albums without a vocalist has any right to be.

The band seem to have a finely judged sense of dynamics and pacing and the songwriting is of a very high standard, especially considering this is only their first album.

They have immense heavy riffs that are also catchy and memorable, as has to be the case for an instrumental band of this type. They’re not entirely predictable riffs either as they do throw in the odd curveball and unexpected touch here and there.

With a crisp, clear sound the band get to shine strongly as the groovy sounds roll out of the speakers.

If the band merely concentrated on the Stoner side of their sound this would be a good release, but it’s the fact that they also incorporate other styles that brings things up to another level. The tempo and time changes, the more Progressive riffs and the more complex arrangements that complement the basic structure of this style makes for a compelling listen.

The final song Dry Tears does actually feature vocals. These are clean and confident; like the rest of the album they’re perfectly judged and executed.

This album has surprised me with just how good it is. I highly recommend this for anyone into any style of heavy music. If they can keep this level of quality up and get a bit more exposure then I can easily imagine big things in the future for this band. Top work.

Spontane – Mojra (Review)

Spontane are from Poland and this is their second release.

It starts with a riff, and a good one at that. In fact this release is peppered with them. Riffs fall like mana from the sky and our job as good listeners is to be thankful and eat them all up quickly.

This is high-energy Melodic Metal with a healthy Hard Rock attitude and liberal use of Stoner Metal touches. The riffs come thick and fast and the melodics back this up well.

Vocals are in Polish and are shouted out with vigour and passion. The main vocals sync very well with the backing vocals and the music to create a cohesive delivery that is very well done indeed.

The band seem to have an easy talent for creating catchy, memorable songs with plenty of hooks. This is a great set of tunes and a very strong album.

The relative obscurity of the band and their Polish delivery will probably limit their international appeal somewhat, which is a real shame as this is a very good band. I see no reason why Spontane shouldn’t be primed for big things in the Metal world on the back of this release. It has attitude, style and songs; a dangerous combination.

Listen to Spontane loud and get ready to Rock out hard.

Winter Gate – Disillumination (Review)

Winter Gate are from India and this is their début EP.

Winter Gate play Progressive Death Metal. Theirs is an expansive style that incorporates a good degree of melodics and melancholy. The band channel the same creative impulses as old Opeth and Katatonia whilst not really sounding too much like them and stamping their own personality and flair to the sound.

After a brief piano intro we get two tracks that are both epic in length and scope. Each track is filled with good riffs, strong melodics, heavy guitars and great songwriting.

The growling vocals are filled with character and are quite emotive for extreme vocals. Clean singing does make an appearance but this is not overdone and serves the songs well.

Each song is powered by Melodic Death Metal that has been given a Progressive Metal makeover and told that it’s not allowed to play with the other bands any more as it might show them up.

The dynamics of the tracks and overall songwriting skills of the band are impressive to behold and this could easily be double the length and still hold the attention. Indeed; as this is a couple of years old now it would be a good time for a full length, and if they manage to keep the quality levels up then when/if it’s eventually released it’ll probably be quite the album.

So far I can say that I’ve never met and Indian Metal band I didn’t like, and Winter gate are no exception.

Like Metal? Get this.

As We Draw – Mirages (Review)

As We Draw are from France and this is their second album.

As We Draw have developed over the years from a noisy Hardcore band to their current incarnation, which is a combination of Post-Hardcore and Post-Metal. They still have the heavy, angry side to their sound but this has become more expansive and the songs on this album are more varied and atmospheric than ever before.

Their longest song opens the album and it’s a good microcosm for the album as a whole. Aggressive screams ring out over Post-Hardcore music that develops over time to create an angular piece with both aggression and restraint, heaviness and light.

The band appear to have set out to challenge themselves and the listener on this album by creating dark, heavy music that’s no longer confined to the older restrictions that they used to place on themselves by sticking to a more restrained genre than the more woolly one they now work in. Whether you term their music Post-Hardcore, Post-Metal, Progressive Hardcore or whatever, the key thing is that the band have become bolder, bigger and better because of it.

The songs on this album are a joy to listen to and they are the sound of a band embracing their potential and living up to it remarkably. The older As We Draw material was always very good but Mirages is something else. The band truly have taken themselves up to an entirely new level.

This is not to say, of course, that fans of their old material will find this album unrecognisable. Far from it. They’re still the same band; it’s just that now they have turned a corner, so to speak, and they’ve become more than they once were. The foundations that they laid with their previous work have been built on, added to and enhanced. Mirages is the resulting creation and its time is now.

Impressive and far reaching. Fans of stand-out heavy music take note.

Witch Charmer – The Great Depression (Review)

This is the début album from UK Doom Metal band Witch Charmer.

This is retro-style Stoner Psychedelic Doom with female vocals and blues-tinged riffs. This type of music has become less of a niche-only style in the last few years and is definitely more saturated and popular these days. Having said that Witch Charmer are good enough to hold their own and hopefully make their mark on the scene.

The vocalist has a very strong voice and she dominates the tunes with her presence. Her vocals are complemented by additional backing vocals that enhance the songs with their inclusion as it gives a further aspect to the band. The multiple-backing-vocalists-plus-powerful-main-vocals approach is unusual/uncommon and works amazingly well.

The interplay between these male and female vocals is a great touch and is a point that differentiates them from a lot of other bands who play a similar style. Something else which also does this is the band’s slightly darker sound than the norm; think more Electric Wizard-esque than any of the numerous Stoner Rock bands out there.

The riffs are typically huge and captivating; 70’s blues rock riffs made heavy and dirty so that they sound more contemporary than most. The band play slow and heavy very well but can also hit and maintain a good groove.

Each song on this release is a hugely enjoyable exemplar of the style and definitely something you should check out if you have even a passing interest in this genre.

Give them a listen; absorb the grizzled and fuzzy music in the best way possible – loud.

Acrania – Totalitarian Dystopia (Review)

Acrania are from the UK and play Death Metal. This is their début album.

I have really enjoyed their material to date, so I was eager to hear this album. Thankfully they have met my expectations as this release is chock full with enough crushing Death Metal and Deathcore to sink a battleship.

Acrania have a crystal clear sound that’s extraordinarily heavy and surgical in precision with its killing blows.

The band specialise in the type of bouncy Deathcore riffs that you can’t help but move around to. This is coupled with brutal hyperblasting to create Modern Death Metal that’s somewhere between the extremity of Infant Annihilator and the belligerent -core of All Shall Perish.

The vocals are as extreme as you’d expect, running the entire spectrum from pignoise to growls to screams. It’s a solid performance.

The songs are not just about the breakdowns though, as there’s more than enough Death Metal here to satisfy people who are put off by the -core part of the style. The band also have ample opportunity to show off their technical skills with occasional lead guitars that seem to flare out of nowhere before dying back once more and letting the relentless barrage of the rhythm guitars take the fore again.

A hugely enjoyable release that’s more than the sum of its colossal riffs; this is an album that takes the Deathcore template and makes it their own.

Highly recommended for all fans of sonic heaviness and utter brutality.

Fornicus – Storming Heaven (Review)

Fornicus are from the US and this is their début album. They play Black Metal.

Featuring a previous member of the brilliant Aeons of Eclipse, I was excited to see what Fornicus had to offer. Storming Heaven is 8 tracks in 39 minutes – 6 originals, one intro and a Sepultura cover.

This is unholy Black Metal with an evil feel that recalls similar bands like Satyricon and Marduk. There is a touch of Death and Thrash Metal here and there, including some deeper growls in addition to the normal Black Metal vocals.

The songs are fast and heavy with Blackened melodies coating everything. They also have an ear for a good mid-paced riff and sometimes find a great groove to get stuck into and make the most of. This is frequently enhanced by the aforementioned Blackened melodies that seem to seep out of the speakers like liquid silk and pour straight into your ears…

Well, suffice to say it sounds really, really good.

Storming heaven is very well written and the songs have a good rhythmic quality to them. This isn’t just confined to the guitars though as the vocals also follow similar patterns; it makes for a very satisfying listen as the guitars and vocals sync up and become greater than the sum of their parts.

This is not faceless Black Metal with no personality; these songs have bite and the band have talent. A well-recorded sound rounds off a very strong package and Storming Heaven is definitely one of the more enjoyable straight-forward Black Metal albums I’ve heard this year.

Highly recommended.