Doom – Page 123 – Wonderbox Metal

Interview with Battle Path

Battle Path’s latest album Ambedo sees the band expanding their sound into wider arenas, creating an extremely enjoyable 47 minutes that improves upon their already impressive earlier work. I managed to have a chat with the band about their latest release and its place in the grand scheme of things…

How did Battle Path form?

Battle Path formed out the ashes of Murfreesboro band Under the Earth. It originally started as a drone project with Casey, Todd, and Nathan, very shortly afterward Chase and Adam joined, and that is how Storm and Stress was created. After time, Chase moving and Casey having an injury that prevented him from drumming, it evolved into what it is today. Continue reading “Interview with Battle Path”

Interview with André Aaslie (Images at Twilight/Abyssic)

You may not know who André Aaslie is, but hopefully that’s about to change. He’s the man behind both the atmospheric splendour of doom-titans Abyssic and the symphonic black metal of Images at Twilight. Both bands are doing something a bit different and a bit special with their respective styles, down in no small part to their classical/orchestral parts, courtesy of André . Abyssic’s A Winter’s Tale and Images at Twilight’s Kings are both a firm hit with me, so when I got the chance to quiz the man himself, I didn’t hesitate…

What are your influences?

My main influences for Images At Twilight is the black metal scene from the nineties, and especially bands like Dark Funeral, Marduk, Emperor, Limbonic Art, Tartaros, Bal-Sagoth, Satyricon, Nokturnal Mortum, Obsidian Gate, Dimmu Borgir, Anorexia Nervosa a.o. In Abyssic, I need to mention My Dying Bride as the main influence for both me and Memnock. Until now we have made all the music together for Abyssic. In both bands I could mention several film-score conductors. And also a lot of progressive rock from the seventies, as well as the one and only Devil Doll, who influences just about everything I do in music. Continue reading “Interview with André Aaslie (Images at Twilight/Abyssic)”

Candlemass – Death Thy Lover (Review)

This is the latest EP from epic Doom Metallers Candlemass, who are from Sweden and probably require little introduction for most people.

This EP not only showcases their new full-time singer/long-time-associate Mats Levén, (Aeonsgate), but celebrates 30 years of existence for the band. Continue reading “Candlemass – Death Thy Lover (Review)”

Abisso – WRNSS (Review)

Abisso are a black metal band from Italy and this is their début album.

Abisso specialise in underground atmospheric black metal that has an emphasis on the murk and grime of the underworld, rather than the starry, keyboard enhanced heavens that a lot of atmospheric black metal sets its sights on.

As such, this album contains atmospheric dissonance with Continue reading “Abisso – WRNSS (Review)”

Quercus – Heart with Bread (Review)

Quercus are from the Czech Republic and play funeral doom. This is their third album.

Funeral doom! When you want slow, miserable and despondent; accept no substitute.

Growled vocals that sound like something is straining against the seams of reality cry out, pained and desperate, from beneath the heavy, distorted guitars. Winding leads flow around the music’s murky foundations, working alongside a sturdy rhythm section that’s in no hurry to get anywhere. After all, what’s the point? Continue reading “Quercus – Heart with Bread (Review)”

Nadja – Sv (Review)

This is the latest release from Nadja, a doom/drone duo from Canada.

If you haven’t encountered the highly prolific and individual Nadja before, then I highly recommend them. Having amassed a pretty dauntingly huge discography over the years, Nadja have released some impressive music in their time. Continue reading “Nadja – Sv (Review)”

Omega Monolith – Fungus (Review)

This is the latest album by Greek Doom Rockers Omega Monolith.

Omega Monolith fuse Doom and Heavy/Progressive Rock together to create three sprawling tracks that constitute Fungus. At 43 minutes in length, their musical vision gets a thorough exploration and no avenue for drawn-out claustrophobia is left out.

Fungus is born out of Continue reading “Omega Monolith – Fungus (Review)”

Black Royal – The Summoning Pt. 2 (Review)

This is the second EP from Finnish Death/Sludge Metal band Black Royal.

Black Royal have an interesting style, effectively combining primitive 90s Death Metal with a Sludge/Stoner influence. It’s definitely the path less-travelled and makes for a very enjoyable journey.

The vocals consist of rough, Stoner-esque, semi-cleans, mixed in with deeper growls that have more of a Death Metal slant. Continue reading “Black Royal – The Summoning Pt. 2 (Review)”

Goddess – The Withering (Review)

Goddess are a Norwegian progressive Doom rock band, and this is their début EP.

Originally appearing in 2014, this is a re-released, remixed, remastered and expanded version. As this is my first exposure to Goddess, I can only assume these changes have improved The Withering, as it is quite an impressive release.

This is one song Continue reading “Goddess – The Withering (Review)”

Interview with Boss Keloid

I’m not sure how many times I’ve listened to Herb Your Enthusiasm at this point, but all I know is that it’s as infectious as it is crushing, and if it doesn’t end up in my end of year list for 2016 I’ll be hugely shocked. So when I got the opportunity to dig a bit deeper into the band, I took it. Here’s Alex Hurst, vocalist of Boss Keloid…

Introduce us to Boss Keloid!

Boss Keloid are
Alex Hurst – Vocals
Paul Swarbrick – Guitar
Adam Swarbrick – Bass
Ste Arands – Drums

What are your influences?The

Influences in this band are a tad crazy as we all love different types of music but there is a common ground when it comes to anything with a good groove and beat. Influences I could list would have to be Bob Marley / Sleep / OM / Neurosis / Steely Dan / Anything Mike Patton is involved in / Will Haven / King Crimson / Secret Chiefs 3 / Kyuss. Continue reading “Interview with Boss Keloid”