This is the second album from Finnish death metal band Proscription.
Desolate Divine contains 44 minutes of blackened death metal. This, right here, is the good stuff. Proscription landed on my radar with 2020’s Conduit, (which I could have swore I’d reviewed, but apparently not), but Desolate Divine has destroyed my expectations. Yep, I like this.. Continue reading “Proscription – Desolate Divine (Review)”
Castrator are an international/US death metal band and this is their second album.
Containing a member of Gruesome, Castrator play ferocious death metal, and they mean business. Coronation of the Grotesque is a 33-minute whirlwind of devastation, (37 minutes with the bonus track – an Exodus cover). Continue reading “Castrator – Coronation of the Grotesque (Review)”
This is the second album from Turkish death metallers Diabolizer.
2021’s Khalkedonian Death was a very enjoyable slab of devastatingly effective death metal. Murderous Revelations continues Diabolizer’s ascent, delivering a crushing 39-minute feast of classic death metal butchery. Continue reading “Diabolizer – Murderous Revelations (Review)”
Necronomicon ex Mortis and Bloodfeast Ritual are both US death metal bands, and they have teamed up for this split release.
Bloodfeast Ritual share a guitarist with Necronomicon ex Mortis, and deliver two songs to start off the split, with a total duration of 14 minutes. Continue reading “Necronomicon ex Mortis/Bloodfeast Ritual – You’ve Got Red on You – Split (Review)”
This is the second album from French death metallers Ad Vitam Infernal.
Le Ballet des Anges contains 33 minutes of old-school death metal brutality. If you like bands such as Morbid Angel, Immolation, Hate Eternal, and Deicide, then there’s a good chance you’ll like what Ad Vitam Infernal unleash on their new record. Continue reading “Ad Vitam Infernal – Le Ballet des Anges (Review)”
This is the fourth album form Spanish death metallers Aposento.
I enjoyed 2014’s Aposento and 2017’s Bleed to Death, although I missed 2020’s Conjuring the New Apocalypse. Aposento are now back, with an almost entirely new lineup, and 34 minutes of music in the form of the muscular No Safe Haven. Continue reading “Aposento – No Safe Haven (Review)”
This is the third album from French death metallers Ad Patres.
I loved 2012’s Scorn Aesthetics, and 2019’s A Brief Introduction to Human Experiments was an enjoyable slab of death metal too. Which brings us to Unbreathable, and the 38 minutes of carnage that it unleashes. Continue reading “Ad Patres – Unbreathable (Review)”
Coffin Curse are a death metal band from Chile and this is their second album.
The Continuous Nothing is the 43-minute follow up to 2020’s Ceased to Be, and builds upon that album’s solid foundations. Coffin Curse are easy to enjoy if you are a fan of 90s-influenced death metal. Continue reading “Coffin Curse – The Continuous Nothing (Review)”
This is the 13th album from the US death metallers Deicide.
After 2018’s Overtures of Blasphemy the mighty Deicide now return with 39 minutes of new material on Banished by Sin. It may have been some time since Overtures of Blasphemy, but I haven’t been disappointed by this new one. Continue reading “Deicide – Banished by Sin (Review)”
This is the eleventh album from Blood Red Throne, a death metal band from Norway.
Containing 43 minutes of burly, crushing material, Blood Red Throne’s latest delivers an exemplar of classic death metal mastery. Nonagon feels both old-school and fresh, giving it a timeless vibe that I find much of the best death metal has. Continue reading “Blood Red Throne – Nonagon (Review)”
Wonderbox Metal 