This is the eighth album from Norwegian symphonic/Gothic metallers Sirenia.
After being around for a good 15 years now, Sirenia know a thing or two about the style they play. Largely held in high regard for their symphonic/Gothic metal, they’re back once more with what is, I think, one of their Continue reading “Sirenia – Dim Days of Dolor (Review)”
This is the third album from this Indonesian death metal band.
Here we have a 30 minute feast of underground, ugly brutality inspired by the classic USDM sound. This is for fans of Suffocation, Deeds of Flesh, Dying Fetus, Origin and the like. Grausig pay homage to their heroes across this relatively short album by playing their death metal as brutally as they can. Continue reading “Grausig – Di Belakang Garis Musuh (Review)”
An interview with Venom Prison at the UK’s Damnation Festival on 05/11/16.
Get their album Animus – https://venomprison.bandcamp.com/album/animus
Read the review – http://wp.me/p3zRmN-53c
This is the third album from this German-based black metal band.
This release is a solo affair, masterminded by just one talented individual and backed up by some guests.
Oneironaut is black metal with an epic, mystical, even cosmic, feel to it. The songs are on the lengthy end of the spectrum on average, (which for this kind of music is always something I like), culminating in Continue reading “Crimson Moon – Oneironaut (Review)”
Vermin Womb are a blackened sludge/grind band form the US. This is their debut album.
Due to my love of their first EP Permanence, as well as all things Primitive Man and Clinging to the Trees of a Forest Fire, (who they share members with), this release has been highly anticipated by yours truly.
On Permanence Vermin Womb channelled the destructive essence Continue reading “Vermin Womb – Decline (Review)”
Soothsayer are a doom band from Ireland. This is their latest release.
Soothsayer play atmospheric doom/sludge that thrives on dense, dark emotion and otherworldly atmospheres.
This is slow-building music that wields atmosphere like a wrecking ball, crushing everything around it with the sheer weight of oppressive mood and feeling. Continue reading “Soothsayer – At This Great Depth (Review)”
This is the fourth album from German black metallers Ctulu.
I’m familiar with Ctulu from their second album Sarkomand, which was a savage album full of fast-paced blackened hatred.
Their latest release is similar in style, but more sophisticated and diverse in its scorn. This is still dark, aggressive music, of course, but there’s more nuance to the delivery in places alongside the more frenzied assaults. Continue reading “Ctulu – Ctulu (Review)”
Interview with Attan after their appearance at the UK’s Damnation Festival on 05/11/16
Get From Nothing here – https://shelsmusic.bandcamp.com/album/from-nothing
Wonderbox Metal review – http://wp.me/p3zRmN-3kA
Gridfailure is a one-man solo experimental project from the US. This is his latest EP.
Having been pleasingly surprised, impressed and enthralled with this year’s debut album from Gridfailure – Ensuring the Bloodline Ends Here – I was eagerly awaiting this release. With the exception of handful of releases, (Gensho being a notable one), I’m not hugely into this kind of thing normally, so to find an artist like this that I can really connect to is quite an unexpected treat. Continue reading “Gridfailure – Further Layers of Societal Collapse (Review)”
With elements of jazz, punk and indie alongside the parts that more recognisably owe a debt to metal, Dreamarcher’s self-titled debut album is a must-listen for anyone that likes their distorted music delivered with a distinctly non-standard approach.
Let’s dig a little deeper and find out a little more…
Dreamarcher is Ruben (vocals and bass), Kim (vocals and drums), Odd (vocals and guitar) and Viljar (guitar). Continue reading “Interview with Dreamarcher”
Wonderbox Metal 