Metal – Page 85 – Wonderbox Metal

Yonder Realm – The Old Ways (Review)

Yonder Realm are from the US and this is their début album. They play Folk/Melodic Metal.

This is music that combines the bite of Melodic Death Metal with the jauntiness of Folk Metal, resulting in songs that have Folk Metal’s quirkiness and Melodic Death Metal’s seriousness but without going too much in either direction; reminiscent of Ensiferum.

The harsh main vocals have a good presence throughout whilst more epic cleans are used very sparingly.

The violin is a strong component of the band’s sound and juxtaposes against the more Metal guitars in a way that is pleasingly disruptive yet separate from the main music.

The Folk melodies are a constant companion to the Metallic riffing. Yonder Realm are interesting in that usually the guitars of bands like this follow a Folk theme as with the rest of the music. The Old Ways is a bit different in that it’s almost as if two bands are playing; a Melodic Death Metal band and a Folk instrumentalist group. It’s like the two aspects of their sound just happen to fit into the same song structures.

Although this is potentially a recipe for disaster, Yonder Realm avoid this simply by having the two styles fit together and compliment each other. If you removed the violin and keyboards, etc. you’d still have a perfectly serviceable Metal band, but with the Folk instrumentation it’s better than it would be without.

This is a rare case of the Folk stuff sounding just tacked on to a Metal band and it actually working in the band’s favour. How on earth they managed this feat is anyone’s guess. I call black magic.

Overall I’ve enjoyed Yonder Realm’s début. They have a harsher edge than some bands of this style, which I appreciate. The very-Metal core identity of the band is simply enhanced by the Folk inclusion and the album as a whole is a rocking good listen.

Check them out.

XII Boar – Pitworthy (Review)

XII Boar are from the UK and this is their début album. They play Stoner Rock/Metal.

This is gritty, Metallic Rock ‘N’ Roll in the vein of Orange Goblin that will find a nice home in the hands of fans of Corrosion of Conformity, Down, Lord Dying, Crowbar, High on Fire, Apostle of Solitude, etc.

XII Boar play feel-good music with an earthy, raw quality. The singer is full of charisma and attitude, as is the band as a whole really.

The songs are catchy and memorable slabs of rocking distortion and hot guitar licks.

It’s an easily identifiable style but the band play with such passion and conviction it’s easy to get swept up in their enthusiasm. The NOLA influence is apparent in their riffs but this has been filtered through the UK and Orange Goblin’s legacy is definitely felt in XII Boar’s style.

Pitworthy is an enjoyable album with a good sound and belligerent swagger. Have a listen.

Obsidian Sea – Dreams. Illusions. Obsessions. (Review)

This is the second album by Bulgarian Doom Metal band Obsidian Sea.

70’s-style riffs flow out of the speakers with the ease of a player who was born to the style. The guitars on this release are catchy and even hummable in places. The songwriting in general backs this up and the album has a lot to offer people who enjoy song-based Traditional Metal.

The band have a lovely warm, meaty sound that may hark back to a decades-old style but does so with the benefit of modern technology.

The band flirt with some psychedelic elements but for the most part it’s Classic Heavy/Doom Metal all the way. Think Black Sabbath and the like and you’ll be on the right track.

The vocals rise out of the riffs smothered in reverberation and haunting cadence. They’re ably performed and really suit this genre of music.

Yes, there are a lot of bands playing this type of Metal, but Obsidian Sea have that ineffable something that differentiates them just enough to force you to take notice. I’m can’t fully put my finger on what it is, but I think it’s essentially just how well-delivered everything is here. The songs are just goooood.

If you’re a fan of Traditional Heavy/Doom Metal then Obsidain Sea are one of the more talented bands operating in its murky waters. Give them a listen.

Shields – Guilt (Review)

Shields are a Metal band from the UK and this is their latest EP.

Shields play heavy Modern Metal with some aspects of Djent, Metalcore and Hardcore influences included.

The vocals are angry shouts for the most part, mixed in with a few slightly higher screams here and there. These are juxtaposed against soaring cleans that announce the more melodic side of the band whenever they appear.

Although this is on the more popular/commercial side of the Metal spectrum the band are clearly into what they’re doing, something which always makes a difference. Also, this is heavy enough to ensure that they won’t be receiving any major-station radio play any time soon.

In general I’m not a huge fan of the Djent style but here it’s only one aspect of their sound. In some ways Shields remind me of the American Trustkill-style of yesteryear, mixed with a more contemporary Djent/Metalcore influence.

The band throw in heavy riff after heavy riff but the melodic influences serve to break things up before they can become one-dimensional. They also seem to be in the starting stages of incorporating more atmospheric influences into their sound; it’s early days yet but these initial forays are encouraging. I can even imagine them incorporating some of the tricks that Fallujah employ into their music and maybe even developing a bit more along those lines, albeit without the Death Metal influence, of course.

It’s easy for a band playing this style to sound stale or generic. Too easy in fact; both Djent and Metalcore are too prone to this. Sheilds manage to avoid the majority of these problems by using a combination of both that tries to take the best from each. Add to this the melodic and atmospheric parts and you actually have a band that can hold attention and have managed to re-ignite some of my passion for this type of Metal.

Well, it seems there’s life in this sub-genre yet. Shields have impressed and it turns out that Guilt is entirely guilt-free.

I think I need to find a mosh pit now.

Third Ion – 13/8bit (Review)

This is the début album from Third Ion who are a Progressive Metal band.

Heavy Metal meets Chiptune? Well, mainly Heavy Metal to be honest. When the chiptune parts do appear they shouldn’t really work but amazingly they do, mainly because they don’t overdo it of course.

This is quite a mix of styles in some ways. The Progressive Metal/Rock aspect of their sound is a modern one yet they still carry obvious influences from older Progressive Rock. Some of the guitars have a modern, almost-Djent feel to them whilst others are pure 70’s inspired riffs with added distortion.

As well as this we have the obvious electronic/video-games influences that are not overused and instead just add some individuality to the pot.

There’s also an unexpected Grunge element to their sound. This manifests not only in the music but also in the vocals. There’s a kind of laid back, hazy feel to things that recalls bands of this type and era.

The musicianship on display here is first-rate, as is the recording. Importantly the songs themselves are well-written and the album has a kind of easy-listening vibe despite the frequent higher-energy and more upbeat sections.

This is a really enjoyable Progressive Metal album that’s a little different due to the mix of related styles. Recommended.

Equaleft – Adapt & Survive (Review)

Equaleft are from Portugal and this is their début album. They play Groove Metal.

This is modern Metal with a modern Thrash edge and a love of all things heavy and chuggy. Think Lamb of God, Sepultura, Hatebreed, etc. and you’ll be on the right lines.

Having said that though, Equaleft are definitely at the heavier, less-commercial end of the Groove Metal spectrum. It’s clear that the band’s main focus and passion lies with the heaviness and the Metal, which is only to be encouraged of course.

The vocals are angry and flit between throaty shouts and raspier screams. I like that they’re quite relentlessly aggressive and the vocal assault does well to keep up the intensity throughout.

This is a very riff-oriented release. Now, where most bands of this ilk fall down is by an over reliance on done-to-death Metalcore riffs and too many breakdowns. Pleasingly, Equaleft don’t overplay this aspect of their sound and instead mainly concentrate on beating the listener’s skull in with brutal riffs and heavy guitars that are more 90’s Metal than 00’s Metalcore.

Another couple of areas that set them apart are those of speed and melody; they can put their foot on the accelerator when needed and also inject some melody into the proceedings. Both aspects stop the album from becoming a one-dimensional riff-fest and allow for some increased dynamics. And they also allow the heavier parts to sound even heavier, which is never a bad thing.

This is a very promising début. Groove Metal can be a tricky thing to master and Equaleft are well on their way to high levels of proficiency with this release.

Recommended.

Strauss – Luia (Review)

This is the second EP from UK Stoner Metal band Strauss.

Their début EP was an great listen, and Luia follows up on the promise that their first outing showed.

Once again, this is riveting, rocking stuff. Heavy, fuzzy and with just the right amount of angry drive, Strauss proceed to deliver 5 tracks of involving music that takes in the Stoner genre and adds an extra layer of Metal to it.

There seems to be more of a modern twist to the songs this time, as evidenced by some of the less-typically-Stoner riffs and inventive vocal patterns.

Speaking of the vocals, once again these are a focal point. Whether shouting with passion, crooning with a cleaner style, or anywhere in between, the vocalist hits all the right marks and delivers a performance worthy of the music.

The songs are well written and the band seem to be slowly erring towards longer songs, which is never usually a bad thing in a band as it allows for more ideas to be developed and greater space for exploration.

Two EPs and two wins. This bodes well for an eventual full-length album. Here’s hoping.

Jaded Star – Memories from the Future (Review)

Jaded Star are based in Greece and play Melodic Heavy Metal. This is their début album.

Featuring former members of Iced Earth and Visions of Atlantis, you know straight away that this is going to be competently and professionally played before you even hear it.

This is modern Melodic Heavy Metal with a state-of-the-art recording and songs that are catchy and memorable. Electronic enhancements are subtle and don’t detract from the Metal core of the band.

I quite enjoyed Cast Away by Visions of Atlantis, but it suffered under the shadow of the mighty Nightwish. I never heard them after that. Fast forward 11 years and The now ex-singer of Visions of Atlantis has come into her own and the performance on Memories from the Future is faultless. She has a great voice that combines power and melody in the right amounts to bring these songs to life with anthemic vigour.

She also doesn’t play it entirely safe, as she injects more variety into these tracks than a lot of similarly-styled singers try to do. Commendable.

Musically you might expect Metal-by-numbers, but the sound, although professional, is surprisingly organic and fresh for a band within this genre. The musicianship certainly is first rate and there are enough leads and solos to provide a meaty feast but without becoming ostentatious as can be the case with some European Power Metal.

These songs are energetic bundles of hummable Metal that don’t commit the cardinal sins that a lot of bands of this style do – overly commercial, weak guitars, generic songs, etc. – Jaded Star avoid all of these by providing a much more personal take on a style that is, by now, well-worn at best.

This kind of music is never going to be innovative or new, but that’s not the point; there is, however, a much needed injection of individuality and true passion into the genre, as a lot of bands of this ilk can sound same-y and boring. I’m extremely pleased with Jaded Star though as they remind me of what I first loved about female-fronted Metal when I first started listening to it in earnest over a decade and a half ago, (gulp!).

Jaded Star have reaffirmed my love for this kind of music and I can honestly and heartily recommend Memories from the Future. Had your fill of this style? Weary of the same old stuff? Give Jaded Star a try and watch your passion re-ignite.

Jaded no more.

The Sanity Days – Evil Beyond Belief (Review)

This is the début album from UK Metal band The Sanity Days.

At a first glance of the album cover, you’d be forgiven for expecting some form of modern Metalcore; how wrong you’d be! This is classic Heavy Metal mixed with a touch of Thrash Metal for good measure.

The singer has a dirty voice that sounds really good against the Metal riffs. His is a charismatic style infused with plenty of character and personality. He reminds me most of Jon Oliva. In fact, if you think of this band as a more Metal version of Jon Oliva’s Pain with a slight Thrash influence then you’ll have a good idea of where Evil Beyond Belief is coming from.

With the musicians all being veterans of other bands, there are no problems with the musicianship and performance on this release. A professional production gives everything the chance to sound first-rate and overall this is an album that makes an impression.

As with everything of this nature though, it’s the songs that really matter. The tracks on Evil Beyond Belief are catchy and memorable, making for an enjoyable album.

The songs are largely on the longer side, with, as the basis of a track, the band relying a lot on rhythms that are drawn out a bit longer than might normally be the case. This is a common idea in, say, Doom or Post-Metal, but one less explored in Heavy Metal. I find it does work here, but I imagine it would be quite an individual response. What works for me I can imagine sounding repetitive or boring to others. It’s not pure repetition for the sake of it though, and it’s frequently accompanied with quality vocals/leads/solos.

This is almost 65 minutes of quality Heavy Metal, classic in style, modern in delivery. And do you know what? It really hits the spot.

Wicked Inquisition – Wicked Inquisition (Review)

This is the début album by US Traditional Heavy Metallers Wicked Inquisition.

We’ve met this very promising band before with their previous EP Silence Thereafter. This EP was Traditional Heavy Metal mixed with Doom Metal and the band’s new album continues this theme.

This is song-oriented catchy music that should be instantly recognisable to anyone into Classic Metal. Add to that some 70’s vibes and a bit of Traditional Doom and you have a recipe for a corker of a listen.

Warm, heavy riffs are the mainstay of the band’s music and they certainly know how to write them. Gorgeous leads and solos add colour to an already vibrant package and Wicked Inquisition show they’re more than ready for the big leagues now.

The singer has a relaxed, strong voice that he carries effortlessly. It works as a focal point for the confidently-executed music and brings the songs and the multitude of riffs together.

A highly recommended listen for anyone into Heavy Metal.