Swamp Witch – The Slithering Bog (Review)

Swamp WitchSwamp Witch are a doom/sludge band from the US. This is their debut album.

Sludge heaviness mixes with psychedelic hypnotic grooves to create slow, torturous music that takes the listener on a tour through forgotten swamps, populated by hideous witches, (do you see what I did there?).

Deep growled vocals act as a guide on this foul journey, paving a path through the murk with sheer force of diseased will. Continue reading “Swamp Witch – The Slithering Bog (Review)”

Sadhus “The Smoking Community”/Agnes Vein – Split (Review)

Sadhus Agnes VeinSadhus “The Smoking Community” are a sludge/doom band and Agnes Vein are a blackened sludge band. Both are from Greece.

Sadhus “The Smoking Community” start us of with their track, Abduction, which is almost six minutes of heaviosity.

This is slow, lazy and heavy, just as sludgy doom should be. It gives a strong impression of the band on stage, heads down, peeling off heavy riffs with stoned concentration and Continue reading “Sadhus “The Smoking Community”/Agnes Vein – Split (Review)”

Svlfvr – Shamanic Lvnar Cvlt (Review)

SvlfvrSvlfvr are an Italian blackened doom metal band. This is their latest album.

What we have here is essentially a doom metal band that have fallen to darkness and embraced black metal as a secondary influence. There are some other influences detectable in their sound too, (old Anathema), and they all converge together quite nicely over these 56 minutes.

The songs on Shamanic Lvnar Cvlt have muscular guitars and plenty of dark presence. The old-school black metal influences make for a darker sound than most doom metal bands, but the traditional doom metal aspect of their sound means that they don’t wander too Continue reading “Svlfvr – Shamanic Lvnar Cvlt (Review)”

Slomatics – Future Echo Returns (Review)

SlomaticsSlomatics are a sludge/doom band from the UK. This is their fifth album.

A brief overview of Future Echo Returns – doom, sludge, psychedelia, stoner, feedback, atmosphere, synths, heaviness, riffs, leads, solos, metal, songs. More than anything this last one; this album is about songs. Damn good ones too.

In addition to the songs themselves, Slomatics are all about the Continue reading “Slomatics – Future Echo Returns (Review)”

Nekhen – Entering the Gate of the Western Horizon (Review)

NekhenThis is the debut release of Nekhen, a blackened doom solo project from Italy.

Even though this is the project’s first journey out into the world, the brains behind the outfit is obviously not lacking in ambition. According to the press blurb – ‘The album is intended as Continue reading “Nekhen – Entering the Gate of the Western Horizon (Review)”

Monolithe – Zeta Reticuli (Review)

MonolitheMonolithe are a French doom band, and this is their sixth album.

Monolithe are no stranger to this site, having been covered previously here, here and here. This latest album is the second part, a companion release, as it were, to their last one, Epsilon Aurigae, and continues their evolution away from their original funeral doom style into uncharted territories.

Like Epsilon Aurigae, Zeta Reticuli sees the band keeping aspects of funeral doom, but adding increasingly progressive influences to their sound. It also sees them keeping the same format – three songs, 15:00 minutes each, exactly. Continue reading “Monolithe – Zeta Reticuli (Review)”

Green Yeti – The Yeti Has Landed (Review)

Green YetiThis is the debut album from this Greek psychedelic doom band Green Yeti.

This is huge music from a huge green monster. What’s not to like?

There’s over an hour’s worth of music on here, spread across four colossal songs. And what damn good songs they are too.

The band jam out riff after riff, exploring psychedelia, doom, stoner and all things Continue reading “Green Yeti – The Yeti Has Landed (Review)”

Warped Cross – Abbot of Unreason (Review)

Warped CrossWarped Cross are a sludge metal band from Germany and this is their début album.

This is underground filthy sludge metal that takes inspiration from bands like Eyehategod, Crowbar, Down, Corrosion of Conformity, Cathedral and Electric Wizard. There’s a hint of, (dirtied-up), grunge in their sound, (not too dissimilar from the recent Boss Keloid album), as well as some pinches of old-school punk. There’s even a touch of Type O Negative in places.

This is raw and utterly unpolished, but Continue reading “Warped Cross – Abbot of Unreason (Review)”