This is the debut album from Fathomless Ritual, a solo death metal band from Canada.
Brought to us by a member of Gutvoid, Hymns for the Lesser Gods is a 39-minute slab of foul death metal. Old-school and cavernous, it fuses technical skill with brute force, making for an unholy merging of sophistication and simplicity. Continue reading “Fathomless Ritual – Hymns for the Lesser Gods (Review)”
Vircolac are an Irish death metal band and this is their second album.
Following on from 2016’s EP The Cursed Travails of the Demeter and 2019’s Masque, Veneration provides us with seven new tracks of the band’s idiosyncratic death metal. Over 37 minutes Vircolac once more demonstrate that they stand out from the death metal hordes. Continue reading “Vircolac – Veneration (Review)”
This is the fifth album from US death metallers Job for a Cowboy.
Ten years on from 2014’s Sun Eater and Job for a Cowboy have finally returned. It’s been worth the wait, let me tell you.
On Moon Healer Job for a Cowboy travel further along Continue reading “Job for a Cowboy – Moon Healer (Review)”
This is the debut album from Dissimulator, a Canadian death/thrash metal band.
Brought to us by current and ex-members of bands such as Atramentus, Beyond Creation, and First Fragment, Lower Form Resistance delivers 42 minutes of material from Dissimulator. Continue reading “Dissimulator – Lower Form Resistance (Review)”
This is the second album from Spanish death metal band Eternal Storm.
A Giant Bound to Fall is a much anticipated album in the land of progressive death metal. 2019’s Come the Tide was a very well-regarded album, so five years later, what have the Eternal Storm of 2024 delivered to us? Continue reading “Eternal Storm – A Giant Bound to Fall (Review)”
This is the third album from Spanish death metal band Pestilength.
I’ve really been looking forward to hearing Solar Clorex, and its 36-minute experience has not disappointed. Self-styled as corrosive death metal, this appellation fits Pestilength’s music perfectly. Continue reading “Pestilength – Solar Clorex (Review)”
This is the debut album from US death metallers Sinistrum.
I’m not sure what initially drew me to check out Sinistrum, but as soon as I saw that they contain current and ex-members of Abominant, Bihargam, Aeons of Eclipse, and Fornicus, I knew I had to give this a proper go. Continue reading “Sinistrum – Infernal Dawn (Review)”
This is the second album from Contaminated, an Australian death metal band.
Having enjoyed 2014’s Pestilential Decay, 2017’s Final Man, and 2019’s split with Kutabare, I almost missed Celebratory Beheading when it appeared on my promo pile due to the different style of artwork. Yes, I’m apparently that easily confused! I’m glad I took a second look though, as it’s great to catch up with what Contaminated are up to these days. Continue reading “Contaminated – Celebratory Beheading (Review)”
Chapel of Disease are a German progressive death metal/rock band and this is their fourth album.
Whereas 2025’s The Mysterious Work of Repetitive Art was a sinuous slab of old-school death metal played with uncommon depth, 2018’s …And as We Have Seen the Storm, We Have Embraced the Eye took Chapel of Disease into much more progressive waters. Now, 6 years later, where does Echoes of Light find this exceptional act? Continue reading “Chapel of Disease – Echoes of Light (Review)”
Unaussprechlichen Kulten are a death metal band from Chile and this is their sixth album.
I enjoyed 2014’s Baphomet Pan Shub-Niggurath and 2017’s Keziah Lilith Medea (Chapter X), (somehow I managed to completely miss out on 2019’s Teufelsbücher), and now Unaussprechlichen Kulten have returned with the 43-minute Häxan Sabaoth. Continue reading “Unaussprechlichen Kulten – Häxan Sabaoth (Review)”
Wonderbox Metal 