Virulent Depravity are a technical death metal band from the US and this is their debut album.
Who doesn’t love some head-turning dizzying techdeath now and again?
Although the album cover Continue reading “Virulent Depravity – Fruit of the Poisoned Tree (Review)”
This is the second album from Reaping Asmodeia, a technical death metal band from the US.
I find it so easy to like this kind of thing. It’s hyper-modern, with withering technicality, hard-as-nails brutality and enough progressive depth to keep things interesting…Reaping Asmodeia have delivered a monster of an album. Continue reading “Reaping Asmodeia – Impuritize (Review)”
Sunless are a progressive death metal band from the US and this is their debut album.
Well, if this isn’t a twisting mass of complex nastiness. Urraca is 44 minutes of progressive/technical death metal full of dissonant, experimental and avant-garde stylings. Continue reading “Sunless – Urraca (Review)”
So This Is Suffering are a technical death metal/deathcore band from the US. This is their fourth album.
Palace of the Pessimist has a nicely heavy sound. So much so that you might be concerned about coming away from the album a lot flatter, a lot more squashed than you once were, so weighty is the band’s serrated assault. Oh, and you’ll be bleeding too. Continue reading “So This Is Suffering – Palace of the Pessimist (Review)”
This is The Ritual Aura’s second album. They are an Australian technical death metal band.
Well, hold on to your hat, because you won’t be expecting this.
The Ritual Aura’s 2015 debut album Laniakea was a favourite of mine. At only 26 minutes in length it was a supremely enjoyable blast of cutting-edge death metal. Tæther is, to say the least, a lot more ambitious, lasting over 70 minutes in length. In many ways this seems like a different band altogether. Continue reading “The Ritual Aura – Tæther (Review)”
This is the seventh album from Hour of Penance, an Italian death metal band.
Hour of Penance walk the line between technical and brutal death metal; the songs are both sharply played and bluntly brutal. Incorporating the best of both styles into their violent, energetic mix, Cast the First Stone is a focused, directed assault throughout its 35 minute duration. Continue reading “Hour of Penance – Cast the First Stone (Review)”
Wormhole are a US/international death metal band and this is their debut album.
Featuring two singers, (from Vulvodynia and Engorging the Autopsy), and containing 27 minutes of cutting edge extremity, this is sure to be a hit with any fan of brutal, slamming death metal, especially if you’re looking for more depth than you usually find on such releases. Continue reading “Wormhole – Genesis (Review)”
Azooma are a death metal band from Iran. This is their debut album.
This is progressive death metal that sees the band upping their game from their already quite impressive debut release A Hymn of a Vicious Monster. The Act of Eye continues and refines their style, mixing Opeth and Death with elements of more modern bands such as Obscura, Gorod and Gorguts. Continue reading “Azooma – The Act of Eye (Review)”
Bearstorm are a progressive black metal band from the US and this is their latest EP.
Bearstorm play progressive black metal, but if you haven’t heard them before I can all but guarantee that they don’t sound as you’d expect them to.
Their previous album Americanus was an unusual record. A very good one, but a very individual one that was probably too much of an acquired taste for most. A shame, but their loss, (whoever they are), is our gain. Continue reading “Bearstorm – Biophobia (Review)”
Ulcerate are a death metal band from New Zealand and this is their fifth album.
Ulcerate personify atypical progressive/technical death metal. They incorporate enough other styles and influences to be termed post-death metal in some respects, although they still have the requisite amount of aggression Continue reading “Ulcerate – Shrines of Paralysis (Review)”
Wonderbox Metal 