The Cauldron and the Cross – the second album from UK heavy metallers Seven Sisters – is definitely one of the more notable traditional metal releases that has seen the light of day this year. Good sound, good songs, good singer, good attitude; The Cauldron and the Cross ticks a lot of the right boxes.
The band’s guitarist – Graeme Farmer – answered some of my questions, so take the time to get to know this band a bit better… Continue reading “Interview with Seven Sisters”
Anaal Nathrakh are a UK black metal band and this is their tenth album.
Ever since their early days Anaal Nathrakh have carved out a unique identity for themselves in the extreme metal landscape. Albums like Desideratum and The Whole of the Law both showcased well the Continue reading “Anaal Nathrakh – A New Kind of Horror (Review)”
Tad Morose are a Swedish heavy metal band and this is their tenth album.
Chapter X is quite a straightforward album to describe in many ways – Tad Morose play a mix of heavy and power metal. It’s confidently delivered, professionally recorded, and full of the type of anthemic metal that’s pretty timeless. Continue reading “Tad Morose – Chapter X (Review)”
Lycanthro are a Canadian heavy/power metal band and this is their latest EP.
On the longer side for a four-track EP, (33 minutes), Lycanthro deliver an epic mix of power and heavy metal, with an earthy, natural character and plenty of metallic clout. Continue reading “Lycanthro – Four Horsemen of the Apocalypse (Review)”
Follow the Cipher are a power metal band from Sweden and this is their debut album.
Here we have 45 minutes of slick, charismatic power metal. It’s professionally produced, delivered, and performed, and has a huge sound as you would want for something of this ilk. Continue reading “Follow the Cipher – Follow the Cipher (Review)”
This is the debut album from Italian metal band Gigantomachia.
Here’s a somewhat evocatively heroic release. Mixing elements of melodic, doom, death, and epic metal into a meaty metal base, Gigantomachia have produced 41 minutes of engaging metal. Continue reading “Gigantomachia – Atlas (Review)”
Entropy Coding is a one woman symphonic metal project from Italy, and this is her debut album.
This is sumptuous symphonic metal with power and progressive metal influences. The artist behind the band handles keyboards and composition duties, while many different guests fill the other necessary roles across the tracks. Continue reading “Entropy Coding – Tales of the Moon (Review)”
Therion are a Swedish symphonic/operatic metal band and this is their sixteenth album.
Holy crap. This is a three-CD album, with a total duration of over three hours. Dear me. Where do you even begin with a release like this? And in case you’re wondering; no, I have not listened to this in its entirety in just one sitting! Continue reading “Therion – Beloved Antichrist (Review)”
Conqueror’s Oath is the second album from US heavy metallers Visigoth.
Visioth play tried and tested traditional heavy metal, full of classic riffs and meaty metal. Hell yeah! Continue reading “Visigoth – Conqueror’s Oath (Review)”
Defecto are a Danish metal band and this is their second album.
Defecto play a hybrid modern metal style with symphonic components. The music combines power and symphonic metal with harder elements of modern metal and thrash; think a mix of the European and American styles. The Continue reading “Defecto – Nemesis (Review)”
