N/ill – Black Marble Carapace (Review)

N-illThis is the latest EP from Germany’s N/ill. N/ill is a one-person project playing Ambient/Industrial/Drone/Electronica/Rock.

This is a collection of dark soundscapes that use electronics and sounds to create atmospheric pieces that are reminiscent of Shoegaze Post-Rock only from an Industrial/Electronica standpoint.

The songs are slow builders and rise and fall like the ebb and flow of the tide. Rather than sounding organic though these tracks are largely artificial sounding, but not in any bad way. They come from a place of technology and show that this is not any barrier to evoking real feelings in songs.

When vocals appear they are ragged and heartfelt, lending the tunes the feeling of a singer like Mark Lanegan set to a backdrop of Nine Inch Nails-styled proto-Industrial Rock mixed with a synthetic Earth. Or they are female and come across as a stitched together sample that permeates the music like permanent ink.

These compositions are well written and the 33 minutes of music here comes across as a bleak soundtrack to a post-modern film. Each track has its own identity and it covers a diverse range of genres and styles across the 7 songs.

Before listening to this I wasn’t sure what to expect – the cover and the name didn’t give much away, so I’ve been pleasantly surprised by the contents.

This release has the potential to transcend the usual genre limitations and make a mark for itself. With the right exposure/backing it could do well.

Black Marble Carapace is the product of a very talented individual. If you’re looking for something a little different then check this out and lend him your support.

The Von Deer Skulls – It’s Time To Paralyze (Review)

The Von Deer SkullsThe Von Deer Skulls have their origins in many different countries and have a suitably unusual sound to boot.

I suppose the best way to describe this band is Experimental Rock with elements of Drone, Ambient and Electronica/Industrial.

The tracks here are largely laid back, relaxed affairs. Low-key riffs and sounds move the compositions forward whilst soft vocals and gentle noises punctuate the flow.

This is relatively easy listening and the overall mood is an atmospheric one. Although I wouldn’t describe them as having a dark sound per se, it’s certainly not a bright and hopeful one either. They seem to be aiming for a slightly creepy, unnerving sound and I think they’re headed in the right direction.

The guitars are largely lo-fi but the distortion is noticeable here and there. They even approach a Rocky beat in places.

This is a good release from a band who are still finding their sound and these songs give them a good base to work from. If you enjoy this kind of Experimental Post-Rock then The Von Deer Skulls should be right up your street.

Give this band some of your time and see what you think.

We Have A Ghost – We Have A Ghost (Review)

We Have A GhostWe Have A Ghost are from the US and this is their début.

The band play Electronica/Industrial-laced Rock. Think Nine Inch Nails/Mogwai/Ulver and you’re on the right lines.

Other points of reference include the little-known/remembered Electronic Rock band Vitro, who released an excellent album named Distort in 1999 of a similar style, as well as the fantastic experimental Paradise Lost album Host.

This is surprisingly complex music that weaves elaborate soundscapes around itself like a cloak of static and charged beats.

Atmosphere and tone are an important part of the We Have A Ghost sound, as well as fostering a futuristic sense of mystery.

A feeling of foreboding is hidden throughout this album. Sometimes it’s hidden underneath energetic sections and other times it’s right out there in the open.

This reminds me of the build-and-release style of Post-Rock/Metal if it had been given an Electronic/Industrial overhaul and the build/release sections were chopped up, warped and separately focused down into shorter songs.

Varied and expansive, this is a great listen, especially if you’re in the mood for something a bit different. The entire thing plays out like some form of soundtrack and the album is suitably cinematic in scope in this regard.

A slow builder that impresses on first listen but nonetheless really shows its charms after repeated spins; this album is a keeper.

Check this out – highly recommended.

The Restitution – Waves (Review)

The RestitutionFrom the US The Restitution are a Progressive Metal band who aim to take a more cerebral approach to harder music.

According to the band they are influenced by modern Metal giants such as Deftones. The Restitution combine both clean and rough vocals over a more thoughtful and progressive musical background to create some good songs, and I hear elements of bands such as Isis, Devil Sold His Soul, Cave-In and Tool in their sound as well.

Melodies are used well and there is enough aggression strewn in with the Post-Rock elements to keep the energy of the tracks moving.

It’s obvious that a lot of attention and hard work has gone into crafting these songs and it all pays off. Whether they are raging and shouting or crooning and lulling, everything feels deliberate and you get the impression that every single second of this release was meticulously thought through and passed rigorous quality control methods before being confirmed as an actual part of the album. All of this leads to a varied and enjoyable collection of songs that work well individually but even better as a complete package of tracks – a listening experience.

Overall this is a high-quality release combining melodies and aggression seamlessly in a modern Metal style that leaves out all of the clichés and rookie mistakes that a lot of more accessible Metal usually makes. Recommended.