Depravity are an Australian death metal band and this is their third album.
It’s been a while since 2018’s Evil Upheaval and 2020’s Grand Malevolence, but both records made their mark. Well, 2025 marks the return of the mighty Depravity, so can Bestial Possession clear the high bar set by its two predecessors? Continue reading “Depravity – Bestial Possession (Review)”
This is the latest EP from Australian death metal band Beyond Mortal Dreams.
Oh my, it’s somehow been 11 years (!) since I last caught up with Beyond Mortal Dreams, (Dreaming Death and Lamia). This ends now, with the appropriately named Devastation Hymns. I was impressed with both of those early releases, so I definitely intend to check out what I’ve been missing at some point. For now though, we have this new 31-minute release – five original songs and a Forbidden cover. Continue reading “Beyond Mortal Dreams – Devastation Hymns (Review)”
This is the second album from Turkish death metallers Diabolizer.
2021’s Khalkedonian Death was a very enjoyable slab of devastatingly effective death metal. Murderous Revelations continues Diabolizer’s ascent, delivering a crushing 39-minute feast of classic death metal butchery. Continue reading “Diabolizer – Murderous Revelations (Review)”
This is the third album from US death metallers Chaos Inception.
Wow, I did not see this coming. 2012’s The Abrogation stood out with its quality, and I’ve periodically wondered over the years if we’d ever see another from Chaos Inception. I had long assumed not, but here it is – unheralded, and unexpected. Can Chaos Inception stand up to scrutiny in 2025? Continue reading “Chaos Inception – Vengeance Evangel (Review)”
Coffin Curse are a death metal band from Chile and this is their second album.
The Continuous Nothing is the 43-minute follow up to 2020’s Ceased to Be, and builds upon that album’s solid foundations. Coffin Curse are easy to enjoy if you are a fan of 90s-influenced death metal. Continue reading “Coffin Curse – The Continuous Nothing (Review)”
This is the second album from US death metallers Vitriol.
After enjoying Vitriol’s vicious assault live a few years ago I was left with the favourable impression of Hate Eternal/Nile-esque death metal fury, so I’m glad to be finally hearing one of their albums; it’s time to find out if these musical comparisons are appropriate or not. Continue reading “Vitriol – Suffer & Become (Review)”
This is the fourth album from Brazilian death metallers Rebaelliun.
2016’s The Hell’s Decrees was a really damn good slab of death metal. It’s been a long time coming, but its follow up is now here, and I have been eagerly awaiting it. Containing 39 minutes of new material, and sadly the final performance of late bassist/vocalist Lohy Fabiano, Under the Sign of Rebellion is the sound of a death metal band who have come to destroy. Continue reading “Rebaelliun – Under the Sign of Rebellion (Review)”
Garoted are a death metal band from the US and this is their fourth album.
A crushing display of death metal prowess, Bewitchment of the Dark Ages is a blisteringly aggressive 36-minute slab of dark extremity. Garoted can certainly play, and they wield their instruments like weapons as they pursue they ferocious goals. Continue reading “Garoted – Bewitchment of the Dark Ages (Review)”
This is the third album from blackened death metallers Whore of Bethlehem.
Recommended for fans of Morbid Angel, Deicide, Devangelic, and Oath of Damnation by the promo blurb, this sets an appropriately brutal scene for Ritual of Homicide. I’ll also throw in references to acts such as Belphegor, Dark Funeral, Suffocation, Krisiun, and Altars Ablaze for good measure. Continue reading “Whore of Bethlehem – Ritual of Homicide (Review)”
Kohnerah are a death metal band from the US and this is their debut album.
Here we have a 33-minute death metal album that doesn’t mess around. Packed with spiked riffs and slaughterous growls, Kohnerah have birthed a monster. Continue reading “Kohnerah – Ominous Ubiquitous (Review)”
Wonderbox Metal 